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3. - Schlösser-Magazin

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VI.<br />

246<br />

VI. Interpretation of the Palace Gardens as a whole: Dr. Michael Niedermeier<br />

those striving for knowledge. Nor is it to be<br />

excluded that, in an age of the overrefinement<br />

and stylisation of royal courts, it was important to<br />

be able to enjoy the fun of allusions and secrets,<br />

whilst remaining within the constraints to be<br />

cautious for political and moral reasons. The<br />

inscriptions might thus make both direct and<br />

indirect statements and convey both tangible<br />

and abstract references, which only the initiated<br />

would be able to understand in full.” 58 Similar<br />

situations might well also apply to the temple of<br />

Botany, which can be understood as the temple<br />

of Ceres/Persephone, the so-called “Arboricum<br />

Theodoricum” or the Roman water fort. If Carl<br />

Theodor had wanted to reunite the alienated<br />

Christian churches in a single global concord<br />

church, then he might well have considered ideas<br />

close to the synchretising and combinational<br />

views of the Jesuits, who saw a part of divine<br />

wisdom in all cultures, peoples and religion. In<br />

times of warmongering tensions between enemy<br />

camps in which the Prince Elector also wanted to<br />

be sure of lasting memorials in the countryside<br />

to himself and his pedigree, the combinational,<br />

analogy-based language of metaphors, as had<br />

been devised by the Jesuits, linking in with the<br />

cultural and religious traditions, crossing the<br />

divides between denominations and camps,<br />

would have been a binding system of codes that<br />

all would have understood. That Schwetzingen<br />

Gardens (like hardly any others) have survived<br />

all the ravages of time essentially unscathed and<br />

have maintained the balance between baroque<br />

and landscaped elements exactly as Carl Theodor<br />

had imagined them for his monument as Prince<br />

Elector meant that, as early as 1828, John Claudius<br />

Loudon, the author of the garden encyclopaedia,<br />

considered them to be the “most splendid” and<br />

“most delightful gardens in Germany (…).” 59<br />

Berlin, November 2009<br />

PD Dr. Michael Niedermeier<br />

58 Udo Simon: Die arabischen Inschriften der Moschee im<br />

Schwetzinger Schlossgarten. In: Symbolism in 18th-century<br />

gardens. The Hague 2006, pp. 189-202, here p. 201<br />

59 John Claudius Loudon: An encyclopaedia of gardening. New<br />

edition London 1850, pp. 143-146

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