3. - Schlösser-Magazin
3. - Schlösser-Magazin
3. - Schlösser-Magazin
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VI.<br />
246<br />
VI. Interpretation of the Palace Gardens as a whole: Dr. Michael Niedermeier<br />
those striving for knowledge. Nor is it to be<br />
excluded that, in an age of the overrefinement<br />
and stylisation of royal courts, it was important to<br />
be able to enjoy the fun of allusions and secrets,<br />
whilst remaining within the constraints to be<br />
cautious for political and moral reasons. The<br />
inscriptions might thus make both direct and<br />
indirect statements and convey both tangible<br />
and abstract references, which only the initiated<br />
would be able to understand in full.” 58 Similar<br />
situations might well also apply to the temple of<br />
Botany, which can be understood as the temple<br />
of Ceres/Persephone, the so-called “Arboricum<br />
Theodoricum” or the Roman water fort. If Carl<br />
Theodor had wanted to reunite the alienated<br />
Christian churches in a single global concord<br />
church, then he might well have considered ideas<br />
close to the synchretising and combinational<br />
views of the Jesuits, who saw a part of divine<br />
wisdom in all cultures, peoples and religion. In<br />
times of warmongering tensions between enemy<br />
camps in which the Prince Elector also wanted to<br />
be sure of lasting memorials in the countryside<br />
to himself and his pedigree, the combinational,<br />
analogy-based language of metaphors, as had<br />
been devised by the Jesuits, linking in with the<br />
cultural and religious traditions, crossing the<br />
divides between denominations and camps,<br />
would have been a binding system of codes that<br />
all would have understood. That Schwetzingen<br />
Gardens (like hardly any others) have survived<br />
all the ravages of time essentially unscathed and<br />
have maintained the balance between baroque<br />
and landscaped elements exactly as Carl Theodor<br />
had imagined them for his monument as Prince<br />
Elector meant that, as early as 1828, John Claudius<br />
Loudon, the author of the garden encyclopaedia,<br />
considered them to be the “most splendid” and<br />
“most delightful gardens in Germany (…).” 59<br />
Berlin, November 2009<br />
PD Dr. Michael Niedermeier<br />
58 Udo Simon: Die arabischen Inschriften der Moschee im<br />
Schwetzinger Schlossgarten. In: Symbolism in 18th-century<br />
gardens. The Hague 2006, pp. 189-202, here p. 201<br />
59 John Claudius Loudon: An encyclopaedia of gardening. New<br />
edition London 1850, pp. 143-146