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Elementary New Testament Greek, 2014a

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The Forms of the Present Passive for Contract and μ Verbs<br />

You also recall that certain verbs (those whose roots ended in the vowels , , and ) experience a contraction of vowels between their vowel stems and the variable connecting<br />

vowels. Furthermore, you recall that another family of verbs (the so-called μ verbs) do not use a connecting vowel to join the verb stem to the personal endings. Notice how this<br />

plays out in the passive.<br />

OMEGA CONJUGATION (using / connecting vowel) MI CONJUGATION (no connecting vowel used)<br />

“Regular” A-Contract E-Contract O-Contract “o” stem “e” stem “a” stem “nu” stem<br />

“to destroy” “to honor” “to make” “to show” “to give” “to place/put” “to stand” “to show” Translation<br />

1s) μ μμ μ μ μ μ μ μ I am being -ed<br />

2s) μ You are being -ed<br />

3s) μ He/she/it is being -ed<br />

1p) μ μμ μ μ μ μ μ μ We are being -ed<br />

2p) μ Y’all are being -ed<br />

3p) μ They are being -ed<br />

Notes on Forms<br />

1) You see that the 2nd singular personal ending () in the Omega Conjugation always contracts with previous vowels, whether with the connecting vowel alone (/), or the<br />

vowel of the verb stem itself (, , or ). In each circumstance, the sigma () does not enjoy its position between vowels, drops out, and thereby instigates the contraction between<br />

vowels. But you can see in the MI Conjugation the unaffected personal ending, which (in these circumstances) does not contract with any preceding vowel.<br />

2) You see in all four example verbs of the MI Conjugation the “pure” personal endings uncomplicated by contractions. You can also see that the verb stems are perfectly consistent<br />

and easily visible in every instance.<br />

3) Even though you can see a fair amount of variation across these paradigms (especially with the vowel patterns connecting personal endings to verb stems), you can still discern<br />

enough of each ending to parse and translate it accurately.<br />

9: Active, Middle, Passive Voices<br />

114

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