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ASA JOURNAL 11/2023

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76 77<br />

15<br />

ผนังโค้งตัดกับ<br />

เส้นลาดเชิงเขา<br />

16<br />

สระน้ำาภายในคอร์ต<br />

ชั้นใน<br />

15<br />

The overall appearance of the house is made up<br />

of a series of curved lines that are intertwined<br />

with the rectangular architectural mass. The first<br />

floor unites the curved lines of the walls and the<br />

boxy mass, while the functions it contains, from<br />

the living room to the study, are integrated into<br />

the curved lines of the exterior walls. The curved<br />

line continues its ascent to the stairwell and then<br />

to the second floor. By the way the threads of the<br />

stairway are constructed to protrude from the<br />

concrete wall, the transition from the first to the<br />

second story is gradual, resulting in the circulation<br />

becoming a part of the house’s structure. The space<br />

surrounding the stairway is circular in shape, with<br />

the perimeter flowing out to the external walls,<br />

connecting the smaller courts outside to the<br />

stairway landing. The bedrooms are among the<br />

functional spaces on the second floor, which are<br />

designed to fit into the rectangular mass that runs<br />

parallel to the east-west orientation. The master<br />

bedroom has one of its walls open to the mountainous<br />

regions of Khao Yai, which is visible from<br />

the Nakhon Nayok side. The second floor’s mass<br />

is supported by a curving concrete wall, while<br />

columns are removed from the court to open the<br />

house’s interior to the lovely landscape outside,<br />

following the intention of having an open poolside<br />

deck on the ground floor. The floor slab of<br />

the south-facing second-story mass sits across<br />

the 20-meter span, connected by two curving<br />

walls that are held together by a truss structure.<br />

The rawness of concrete, which is the house’s<br />

primary building material, is softened by the shadows<br />

casted by the trees. Light and shadow play<br />

their roles in this theater of natural light. With<br />

concrete as the backdrop, the story of Khoa Yai<br />

trees and woodlands plays out with shapes that<br />

vary throughout the day when interacting with<br />

changing angles of sunrays.<br />

16<br />

Apichart Srirojanapinyo, an architect and one of<br />

the founders of Stu/D/O Architects, shared his<br />

insights about concrete. “Concrete is a great<br />

material.” I’ve always had a personal liking for<br />

exposed concrete since my designs are minimal.<br />

The neutral grayish tone of concrete works well<br />

with my work. The majority of my projects are in<br />

Thailand, and concrete is one of the more costeffective<br />

solutions compared to other materials.<br />

It can take several forms, from straight lines to<br />

curved masses. That’s why I like concrete. It can<br />

be used as an exposed surface, revealing its true,<br />

natural attributes. It has its own colors, neutrality,<br />

and minimality, all of which are parts of the style<br />

of architecture that I like to create; a mixture of<br />

wood, steel, and concrete.”<br />

stu-d-o.com<br />

Project: Winding Villa Location: Nakhon Nayok, Thailand Type: Architecture Design<br />

Program: Residential (2 two-story houses) Client: Undisclosed Site Area: 22,000<br />

sqm. Built Area: 1,200 sqm. Design: 2018 Completion: 2021 Architect: Stu/D/O<br />

Project Team Structural Engineer: Ittipon Konjaisue Mechanical Engineer: MEE<br />

Consultants Contractor: Double Click Construction Visualizer: Stu/D/O, DOF<br />

สาโรช พระวงค์<br />

เป็ นสถาปนิก นักเขียน<br />

สนใจในสถาปั ตยกรรม<br />

สมัยใหม่ถึงสถาปั ตยกรรม<br />

ร่วมสมัย ปั จจุบันเป็ น<br />

อาจารย์ประจำาคณะ<br />

สถาปั ตยกรรมศาสตร์<br />

มหาวิทยาลัยเทคโนโลยี<br />

ราชมงคลธัญบุรี<br />

Xaroj Phrawong<br />

Architect and writer<br />

who is interested in<br />

modern an contem<br />

porary architecture<br />

now he is a lecturer<br />

at Faculty of Architecture,<br />

RMUTT.

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