cultural resources in henrik ibsen's early environment - Ibsen.net

Recommendations

Info

- - - -. Teater i Drammen inntil 1840. Oslo: Gyldendal, 1974. KEY TO BIBLIOGRAPHICAL SYMBOLS. CTR = plays for which no publication information has been found, but which were produced at the Christiania Theatre, and are cited in Christiania Theaters Repertoire 1827-99. Øyvind Anker. Oslo: Gyldendal, 1956. EA = cited in Teater i Norge . . . . Eli Ansteinssen. Oslo: Universitetsforlaget, 1968. DKTR = Det Kongelige Theaters Repertoire, in which plays produced at the royal Danish theatre were published, at first singly, and then in (various) bound volumes, starting in 1828. LJ = cited in Teater i Drammen . . . . Liv Jensson. Oslo: Gyldendal, 1974. TS = the manuscript number in the theatre collection of the University Library, Oslo. KBS = the manuscript number in the drama collection of the Royal Library, København. 120
V. Erik Bøgh. A travelling theatre company. This is a memoir by a Danish writer of a season he spent in Sweden in the 1840's as an actor in one of the travelling theatrical companies that in earlier years had visited Skien. Despite the fact that some readers might find several of the incidents offensive, the essay is included because it offers a rare glimpse of the production conditions in these companies. Several of the persons mentioned in the piece, especially the two directors, were well-known characters in Skien during Ibsen's boyhood, because their company was in residence at several different times. The wife of one of them reportedly once gave dancing lessons in Skien after the company had temporarily dissolved. "Et reisende skuespillerselskab," Erindringer fra mine unge Dage. Erik Bøgh (København: 1894): 303 ff. What especially attracted me to the company was its plan: to travel in Sweden. That gave me the hope that I could rid myself of the clumsiness which every novice usually brings to the theatre, without the Danish public's suffering from it, so that, perhaps as soon as the next year, I could appear on this side of the Sound (i.e., the Danish side) with the proper skill. After what I had heard about the company's management and talents, I had no reason to desire or expect any long-standing relationship with it. The fact that the season would be spent outside our own country aroused a suspicion that its personnel were not fit take part in a competition with the provincial companies who remained at home, but that did not worry me, since I fancied that the less well the others could perform, the greater prospects must there be for me. However, the information which I collected about its two directors did not sound especially comforting. It was said about the first, the rather well-known J.P. Miller, that he had been implicated in an affair, in its time much-discussed, but hushed up by persons in high places, concerning some degenerate social gatherings in a building adjoining the theatre. He had incurred from that a Consilium abeundi, with the consequence that he travelled to Norway. There he debuted at the Christiania Theatre, made a fiasco, took up journalism, and once again came into conflict with the police, partly on the grounds of a brawl, during which in self-defense he 121
Page 1 and 2:
CULTURAL RESOURCES IN HENRIK IBSEN
Page 3 and 4:
A. INTRODUCTION In his early years,
Page 5 and 6:
meetings then in a place at Opphaug
Page 7 and 8:
confirmation who distinguished them
Page 9 and 10:
things;" in church one could often
Page 11 and 12:
deeply moved, bid farewell to the c
Page 13 and 14:
Lammers also came from Denmark, and
Page 15 and 16:
Grini and the former teacher Søren
Page 17 and 18:
contributed to arousing the boy's h
Page 19 and 20:
and biblical geography, and finally
Page 21 and 22:
up the following alphabetical list
Page 23 and 24:
speciedalers plus expenses in the a
Page 25 and 26:
Venstøp, a property he had bought
Page 27 and 28:
man!" As the statement of an outsta
Page 29 and 30:
II. Textbooks used in Skien’s Lat
Page 31 and 32:
[or] Grønlund, J[ohs.], Tvende af
Page 33 and 34:
"Bions og Moschuss Idyller" Gundela
Page 35 and 36:
"Begyndelsesgrundette av Hjorths Gr
Page 37 and 38:
GEOGRAPHY: 1ste class: "C.L. Platou
Page 39 and 40:
III. The book collection of the Lø
Page 41 and 42:
Anckarsvärd, M.G. Allwastra ruin.
Page 43 and 44:
- - - -. Aandelige Taler over alle
Page 45 and 46:
- - - -. Bion fra Smyrna. Idylliske
Page 47 and 48:
- - - -. Forsthandbuch. Allgemeiner
Page 49 and 50:
- - - -. Tully's offices. In Englis
Page 51 and 52:
Delacroix. Geschichte des Tosmanisc
Page 53 and 54:
Falck-Muus, Rolf. Privatsedlene 180
Page 55 and 56:
- - - -. Merkwürdigkeiten zur Bran
Page 57 and 58:
Guldberg, Frederik Høegh. Plautus.
Page 59 and 60:
- - - -. Herodoti Halicarnassensis
Page 61 and 62:
Huber, Johann Rudolf. Ein Wort des
Page 63 and 64:
- - - -. Plancher til Recueil des O
Page 65 and 66:
Lamberty, G. de. Mémoires pour ser
Page 67 and 68:
Lessing, G.E. Schriften. Vols. 1-6.
Page 69 and 70: Maintenon [Françoise de.] Lettres.
Page 71 and 72: [Moreau]. Akter i Sagen, anlagt mod
Page 73 and 74: Nepos, Cornelius. De vita excellent
Page 75 and 76: - - - -. Opera quae supersunt. Lips
Page 77 and 78: - - - -. Origines Hafnienses eller
Page 79 and 80: Reichard, [H.A.O.] Der Passagier au
Page 81 and 82: - - - -. Pièces diverses. Vols. 1-
Page 83 and 84: Schütz, F.W. von. Briefe über Lon
Page 85 and 86: Sobrino, François. Dictionnaire no
Page 87 and 88: - - - -. Tids-regning til Ungdommen
Page 89 and 90: Thiebault, D. Les adieux du duc de
Page 91 and 92: Underretning om Matrikelskylden som
Page 93 and 94: [Wagner, Heinrich Christoph]. Anlei
Page 95 and 96: Zeitung für die elegante Welt 1817
Page 97 and 98: At end of the list are some observa
Page 99 and 100: "Brudgommen fra Holland," Lystspil
Page 101 and 102: "Den 28de Januar," Syngestykke i 2
Page 103 and 104: [Duvert, Félix Auguste, Desverges
Page 105 and 106: Scribe, [Aug.] Eug., og [Ant. Fran
Page 107 and 108: June 22-- "Moden," eller: "Alpehyrd
Page 109 and 110: Bayard, [Jean François Alfr.], og
Page 111 and 112: "Henriette og Amalia eller Skoledis
Page 113 and 114: June 2-- "Onkels Hemmelighed," Lyst
Page 115 and 116: 1843-- CARL JENS PETERSEN’S COMPA
Page 117 and 118: "Skorsteensfeierdrengene," Vaudevil
Page 119: Oehlenschläger, appear in the fore
Page 123 and 124: Miller, who was a judge of characte
Page 125 and 126: Despite the fact that this little e
Page 127 and 128: down on his breast as possible, whi
Page 129 and 130: "Don't be shy! By all means make it
Page 131 and 132: eckon, the devil crush me, you are
Page 133 and 134: VI. Elverhøj (“Elves’ Hill”)
Page 135 and 136: Three white maidens danced in the d
Page 137 and 138: MOGENS. Well, the tune is lively en
Page 139 and 140: (To KAREN.) FLEMMING. No, your grac
Page 141 and 142: (placing herself in front of the do
Page 143 and 144: I don’t believe it, either; but t
Page 145 and 146: KING. Well, what is he afraid of? K
Page 147 and 148: (To FLEMMING.) Ever since the time
Page 149 and 150: What? You are starting in again abo
Page 151 and 152: Burn this whole thicket from here o
Page 153 and 154: KING. Ah! Is he coming back at last
Page 155 and 156: EBBESEN. I have been out walking. F
Page 157 and 158: EBBESEN. Who has been so bold as to
Page 159 and 160: (She sits down in a meditative posi
Page 161 and 162: Agnete! Wake up! It is as if you we
Page 163 and 164: Yes, that is true happiness. Oh, my
Page 165 and 166: Yes, sir! And it is for your sake.
Page 167 and 168: (rushes over and embraces her). (te
Page 169 and 170: But I can still love you, my lord,
Page 171 and 172:
Farewell! AGNETE. EBBESEN. Farewell
Page 173 and 174:
grown gray in service. I have been
Page 175 and 176:
God help me! What are you saying, M
Page 177 and 178:
BJØRN. Well, then I did not need t
Page 179 and 180:
How shall I give you the letter? Qu
Page 181 and 182:
Elisabeth! What do you mean? WALKEN
Page 183 and 184:
BJØRN. But what if I tell you that
Page 185 and 186:
BJØRN. And this time he will send
Page 187 and 188:
SCENE SIX. BJØRN. ELISABETH. ELISA
Page 189 and 190:
(Pause.) (Goes to the window.) (Lis
Page 191 and 192:
Why not? FLEMMING. Can you ask that
Page 193 and 194:
ELISABETH. But he is also firm in h
Page 195 and 196:
ELISABETH. Take it Any way you want
Page 197 and 198:
I believe secrets Rain down on you
Page 199 and 200:
Well, then who is it? It is Mr. Ebb
Page 201 and 202:
ELISABETH. You speak as befits a kn
Page 203 and 204:
(Ironically.) I shall not inquire H
Page 205 and 206:
You can count on me. ELISABETH. The
Page 207 and 208:
(They go out.) Leave me in peace! I
Page 209 and 210:
Hurrah! Long life! (They clink thei
Page 211 and 212:
SEVERAL. To dancing! To dancing! MO
Page 213 and 214:
(as she pours for him). (after havi
Page 215 and 216:
And built the church far out, near
Page 217 and 218:
(She runs out.) EBBESEN. Good eveni
Page 219 and 220:
You do not resemble him at all with
Page 221 and 222:
(She fills it.) (Drinks.) MOGENS. I
Page 223 and 224:
AGNETE. Mother! I have often been a
Page 225 and 226:
Unfortunate girl! You must know, As
Page 227 and 228:
His bitterness in the wind? Have th
Page 229 and 230:
How quiet everything is! Already Eb
Page 231 and 232:
2. If you meet a nymph, Leave her t
Page 233 and 234:
Will he imprison me with that ringi
Page 235 and 236:
It must be this place. KING (still
Page 237 and 238:
AGNETE. No, sire, I am only a morta
Page 239 and 240:
AGNETE. Yes, sire! You appear to be
Page 241 and 242:
AGNETE. You are getting angry! KING
Page 243 and 244:
(throws herself down before his fee
Page 245 and 246:
KING. Then come, my daughter! Now I
Page 247 and 248:
KNIGHTS and LADIES, who were specta
Page 249 and 250:
WALKENDORFF. No, your grace! I assu
Page 251 and 252:
WALKENDORFF. Ah! Your grace.... KIN
Page 253 and 254:
WALKENDORFF. Ah! How do you know th
Page 255 and 256:
CHORUS. Protect our king, great God
Page 257 and 258:
I cannot pray any more: Fear and ye
Page 259 and 260:
One is not bored when one is asleep
Page 261 and 262:
By the palm tree, where the chimpan
Page 263 and 264:
If only that were me, who was saili
Page 265 and 266:
My Fernando! CLARA. (Stops suddenly
Page 267 and 268:
While the day streams about you Wit
Page 269 and 270:
And I flee into dead silence In ord
Page 271 and 272:
I know a rumor From which nobody ca
Page 273 and 274:
I am not afraid of anything. CLARA.
Page 275 and 276:
You took me away from life, from lo
Page 277 and 278:
THE COUNT. Then lay your hand on th
Page 279 and 280:
THE COUNT. Remember what you swore,
Page 281 and 282:
Say nothing of what you did tonight
Page 283 and 284:
Then the matter was crude and very
Page 285 and 286:
But yet before the last fold of the
Page 287 and 288:
(half-collapses with a shriek: but
Page 289 and 290:
THE COUNT. What do you want? How da
Page 291 and 292:
Such a thought were surely madness!
Page 293 and 294:
In a cloister, to honor you, Oh, Ma
Page 295 and 296:
ADOLF HERMANSEN, a provincial offic
Page 297 and 298:
Yes, but there is billetting and th
Page 299 and 300:
Yes, indeed it was. LOUISE. And, if
Page 301 and 302:
BRANDT. Yes, of course . . . yes, t
Page 303 and 304:
you should see how proper he was. H
Page 305 and 306:
Indeed they can . . . . Listen, Han
Page 307 and 308:
BRANDT. Moller? No, you are surely
Page 309 and 310:
She is making fun of me. But there
Page 311 and 312:
ADOLF. Yes, naturally. My servant c
Page 313 and 314:
BRANDT. Propose? Propose to Louise?
Page 315 and 316:
You are incorrigible. BRANDT. ADOLF
Page 317 and 318:
Do you know why Adolf has sought so
Page 319 and 320:
That this circumstance, far from su
Page 321 and 322:
BRANDT. Exactly! It is a pleasure t
Page 323 and 324:
LOUISE. No . . . to speak frankly .
Page 325 and 326:
BRANDT. Why? It is only a joke, a b
Page 327 and 328:
Yes, you are right, and therefore I
Page 329 and 330:
So, have you served for a long time
Page 331 and 332:
Louise, are you crazy? A string of
Page 333 and 334:
TWELFTH SCENE. ADOLF. BRANDT (from
Page 335 and 336:
I am saying your wife has a sister,
Page 337 and 338:
BRANDT. You'll get over it; that is
Page 339 and 340:
No, stay here. I'll be right back.
Page 341 and 342:
But all that applies also to you, d
Page 343 and 344:
FIFTEENTH SCENE. The previous. BRAN
Page 345 and 346:
ADOLF (stands up straight). By all
Page 347 and 348:
Oh God, yes, if only one were marri
Page 349 and 350:
Yes, I have just been thinking abou
Page 351 and 352:
Have I forgotten something? The str
Page 353 and 354:
BRANDT (aside to her). You can sure
Page 355 and 356:
BRANDT. But we both found it desira
Page 357 and 358:
My aunt's portrait, painted when sh
Page 359 and 360:
Well, you know, the idea I came her
Page 361 and 362:
LOUISE (aside, as she comes out fro
Page 363 and 364:
Do not tease me any longer. You kno
Page 365 and 366:
LOUISE. That is a matter of conscie
Page 367 and 368:
ADOLF. Then you agree with me? Now,
Page 369 and 370:
I imagined to find consolation in y
Page 371 and 372:
ADOLF. She asked for time to think.
Page 373 and 374:
ADOLF. BRANDT. LOUISE (with hat and
Page 375 and 376:
LOUISE. Yes, I shall see what I can
Page 377 and 378:
ADOLF. But dear God, my flightiness
Page 379 and 380:
IX. Review Articles about the Perfo
Page 381 and 382:
agrees made a great success, guaran
Page 383 and 384:
was not neglected now, and the perf
Page 385 and 386:
memorization was good; and the acti
Page 387 and 388:
had aroused the Inquisition's atten
Page 389 and 390:
C. GRIMSTAD. I. A Memoir of Ibsen i
Page 391 and 392:
months at home. After spending the
Page 393 and 394:
was something peculiar about him. F
Page 395 and 396:
and which he in this way cast off,
Page 397 and 398:
equest he read his latest poem: "In
Page 399 and 400:
Later, however, there were several
Page 401 and 402:
One cannot describe Ibsen's delight
Page 403 and 404:
therefore Dr. Ole Jacob Broche acco
Page 405 and 406:
how under the circumstances in whic
Page 407 and 408:
While we all looked up to Ibsen as
Page 409 and 410:
permission, and with the help of tw
Page 411 and 412:
Naturally we urged him to continue,
Page 413 and 414:
II. The Grimstad Reading Society. T
Page 415 and 416:
4-6 Bd. Devereux. En Fortælling. O
Page 417 and 418:
Conscience, Henrik. Mirakelaaret 15
Page 419 and 420:
- - - -. Chevalier d'Harmental. Ovs
Page 421 and 422:
Høst, Alv. Th. De 100 Dage eller N
Page 423 and 424:
Knubs, Thobias (Pseud.). Efterladte
Page 425 and 426:
Oehlenschlæger, Adam. Øen i Sydha
Page 427 and 428:
20-21. Bd. Qventin Durward, en hist
Page 429 and 430:
Tidsskrift for Reisebeskrivelser. U
Page 431 and 432:
direction is to be expected. Indeed
Page 433 and 434:
By labor is understood every endeav
Page 435 and 436:
that it still remembers about the a
Page 437 and 438:
IV. “Den Skandinaviske Idé” (
Page 439 and 440:
an idea. With an idea it is a quest
Page 441 and 442:
Norway's separation from Denmark, a
Page 443 and 444:
about the unity of Italy, and--in E
Page 445 and 446:
However, when nations have come to
Page 447 and 448:
literature goes, it is evident that
Page 449 and 450:
most beautiful league of nations, w
Page 451 and 452:
initiated above lead more closely o
Page 453 and 454:
What, then, has Norway in particula
Page 455 and 456:
emains actually incompetent, and it
Page 457 and 458:
V. Plays Advertised in Christianssa
Page 459 and 460:
Feb. 18, A.-- "Recruten, Vaudeville
Page 461 and 462:
Heiberg, Joh. Ludv. De Uadskillelig
Page 463 and 464:
Henrik Hertz. Indqvarteringen, Lyst
Page 465 and 466:
(CTR) vaud. i 2 a. av Schneider. "D
Page 467 and 468:
VI. Jørgen Moe. "Indledning." Saml
Page 469 and 470:
things considered, we could thereby
Page 471 and 472:
Wer hat das schone Liedel erdacht?
Page 473 and 474:
To fasten your mouth together!) The
Page 475 and 476:
("If all the boys stood in a line")
Page 477 and 478:
The moment is fleeting; like your g
Page 479 and 480:
Now she is grown, and yet how often
Page 481 and 482:
I have my mistress, just like every
Page 483 and 484:
Did not sounds echo in the night's
Page 485 and 486:
The singers of summer leave the for
Page 487 and 488:
AWAKE, SCANDINAVIANS! An Appeal to
Page 489 and 490:
When the earth has long, long cover
Page 491 and 492:
You sang so often about "the toweri
Page 493 and 494:
23 The Greek muse of dancing and ch
Page 495 and 496:
And would it really please you to f
Page 497 and 498:
soon? Harp notes wafted through the
Page 499 and 500:
High in Valhalla's Vaulted halls Tr
Page 501 and 502:
Hush, how still! Yonder from the ba
Page 503 and 504:
BOOKS, PARTS OF BOOKS, AND DISSERTA
Page 505 and 506:
Dietrichson, L(orentz). “Samliv m
Page 507 and 508:
- - -. The life of Henrik Ibsen. Tr
Page 509 and 510:
Möhring, Werner. Ibsen und Kierkeg
Page 511 and 512:
Østvedt, Einar. “Familien Ibsen
Page 513 and 514:
- - - -. “Henrik Ibsens Digte.”
Page 515 and 516:
Fjelde, Rolf. “‘Introduction’
Page 517 and 518:
- - - -. “Ibsen tala mange gonger
Page 519 and 520:
- - - -. “Ibsens reise fra hjemby
Page 521:
Tresvig, Archie. “Henrik Ibsens u
show all

cultural resources in henrik ibsen's early environment - Ibsen.net

Create successful ePaper yourself

Delete template?

Save as template?