cultural resources in henrik ibsen's early environment - Ibsen.net

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"En Sondag paa Amager, Vaudeville i 1 Act av et Anonym." Heiberg, Johanne Luise. En Søndag paa Amager. Vaudeville. København 1848. Sept. 3, A.; Sept. 11, K.-- "En Pariserinde, Lystspild i 2 Acter efter det fransk." "En Pariserinde. Lystsp. i 2 a. av Emile Souvestre." Sept. 3, A.-- "List og Phlegma, Vaudeville i 2 Act af Angely." (See Oct. 31, 1844.) Sept. 11, K.-- "Salonen eller Intrigen i Kræmmerhuset, original norsk Vaudeville i 1 Act af Rolf Olsen." 1849 -- None. 1850 -- None. Olsen, Rolf. Salonen eller Intrigen i Kræmmerhuset. Vaudeville i een Act. Chra. 1848. KEY TO ABBREVIATIONS: CTR = Christiania Theaters Repertoire, 1827-99. Øyvind Anker. Oslo: Gyldendal, 1956. DKTR = Det Kongelige Theaters Repertoire, København 1828 ff. EA= Teater i Norge . . . . Eli Ansteinsson. Oslo: Universitetsforlaget, 1968. 466
VI. Jørgen Moe. "Indledning." Samling af Sange, Folkeviser og Stev. Norske Almuedialekter. Christiania: P. T. Mallings Forlag, 1840. Some of what is written in the following essay will not be easily understood by English-speaking readers, since it has to do with styles of verse and folk poetry unfamiliar outside of Norway. All the same, it has seemed worthwhile to include the essay because of its intrinsic interest, and because its ideas appear to have influenced Ibsen in the composition of some of the poems he wrote in 1849-50. He planned to produce a series of folk songs at the time, but the only one of this series which survives is “Møllergutten” (“The Miller Boy”), whose verses are actually lyrics. They were to be set to the melody of a folk song, “Aa kjøre vatn aa kjøre ved” (“If you go into the water you will get wet”). See H[ans] Eitrem, “Henrik Ibsen—Henrik Wergeland,” Maal og Minne (Kristiania) 1910, 38-9. The author of this essay was later to be the partner of Asbjørnsen in a large project of collecting Norwegian folk tales: Peter Christen Asbjørnsen og Jørgen Moe. Norske folkeeventyr. 2 nd ed. Christiania: J. Dahl, 1852. If one assumes that the main requirement of a country's serious literature is that it should reflect, in pure, refined images, the life of the people as it has existed as a result of physical and historical conditions, it will hardly occur to anyone to deny that what we call Norwegian poetry stands very low. Nor will anyone grope for long after the reason: at the time "the lion was tamed by a poodle," it was natural that the Norwegian Pegasus, displaced onto the Danish plains and mauled by German and French, forgot its ancient flight from mountaintop to mountaintop. After the separation from Denmark the political element consumed all the energy, and none of that period's poetry-writing Northmen towered so much above his time that, liberated from this one-sided struggle, he was able to lose himself in and express the home-and- heart-life of the people,--except for just one, our splendid Maurits Hansen. But one swallow--even a swallow with such a melodious breast--does not make a summer, and the present subject therefore involves the unusual circumstance that our "art" poetry as 467
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CULTURAL RESOURCES IN HENRIK IBSEN
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A. INTRODUCTION In his early years,
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meetings then in a place at Opphaug
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confirmation who distinguished them
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things;" in church one could often
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deeply moved, bid farewell to the c
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Lammers also came from Denmark, and
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Grini and the former teacher Søren
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contributed to arousing the boy's h
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and biblical geography, and finally
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up the following alphabetical list
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speciedalers plus expenses in the a
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Venstøp, a property he had bought
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man!" As the statement of an outsta
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II. Textbooks used in Skien’s Lat
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[or] Grønlund, J[ohs.], Tvende af
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"Bions og Moschuss Idyller" Gundela
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"Begyndelsesgrundette av Hjorths Gr
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GEOGRAPHY: 1ste class: "C.L. Platou
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III. The book collection of the Lø
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Anckarsvärd, M.G. Allwastra ruin.
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- - - -. Aandelige Taler over alle
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- - - -. Bion fra Smyrna. Idylliske
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- - - -. Forsthandbuch. Allgemeiner
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- - - -. Tully's offices. In Englis
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Delacroix. Geschichte des Tosmanisc
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Falck-Muus, Rolf. Privatsedlene 180
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- - - -. Merkwürdigkeiten zur Bran
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Guldberg, Frederik Høegh. Plautus.
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- - - -. Herodoti Halicarnassensis
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Huber, Johann Rudolf. Ein Wort des
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- - - -. Plancher til Recueil des O
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Lamberty, G. de. Mémoires pour ser
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Lessing, G.E. Schriften. Vols. 1-6.
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Maintenon [Françoise de.] Lettres.
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[Moreau]. Akter i Sagen, anlagt mod
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Nepos, Cornelius. De vita excellent
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- - - -. Opera quae supersunt. Lips
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- - - -. Origines Hafnienses eller
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Reichard, [H.A.O.] Der Passagier au
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- - - -. Pièces diverses. Vols. 1-
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Schütz, F.W. von. Briefe über Lon
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Sobrino, François. Dictionnaire no
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- - - -. Tids-regning til Ungdommen
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Thiebault, D. Les adieux du duc de
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Underretning om Matrikelskylden som
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[Wagner, Heinrich Christoph]. Anlei
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Zeitung für die elegante Welt 1817
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At end of the list are some observa
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"Brudgommen fra Holland," Lystspil
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"Den 28de Januar," Syngestykke i 2
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[Duvert, Félix Auguste, Desverges
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Scribe, [Aug.] Eug., og [Ant. Fran
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June 22-- "Moden," eller: "Alpehyrd
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Bayard, [Jean François Alfr.], og
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"Henriette og Amalia eller Skoledis
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June 2-- "Onkels Hemmelighed," Lyst
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1843-- CARL JENS PETERSEN’S COMPA
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"Skorsteensfeierdrengene," Vaudevil
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Oehlenschläger, appear in the fore
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V. Erik Bøgh. A travelling theatre
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Miller, who was a judge of characte
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Despite the fact that this little e
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down on his breast as possible, whi
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"Don't be shy! By all means make it
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eckon, the devil crush me, you are
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VI. Elverhøj (“Elves’ Hill”)
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Three white maidens danced in the d
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MOGENS. Well, the tune is lively en
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(To KAREN.) FLEMMING. No, your grac
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(placing herself in front of the do
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I don’t believe it, either; but t
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KING. Well, what is he afraid of? K
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(To FLEMMING.) Ever since the time
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What? You are starting in again abo
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Burn this whole thicket from here o
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KING. Ah! Is he coming back at last
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EBBESEN. I have been out walking. F
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EBBESEN. Who has been so bold as to
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(She sits down in a meditative posi
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Agnete! Wake up! It is as if you we
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Yes, that is true happiness. Oh, my
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Yes, sir! And it is for your sake.
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(rushes over and embraces her). (te
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But I can still love you, my lord,
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Farewell! AGNETE. EBBESEN. Farewell
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grown gray in service. I have been
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God help me! What are you saying, M
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BJØRN. Well, then I did not need t
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How shall I give you the letter? Qu
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Elisabeth! What do you mean? WALKEN
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BJØRN. But what if I tell you that
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BJØRN. And this time he will send
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SCENE SIX. BJØRN. ELISABETH. ELISA
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(Pause.) (Goes to the window.) (Lis
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Why not? FLEMMING. Can you ask that
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ELISABETH. But he is also firm in h
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ELISABETH. Take it Any way you want
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I believe secrets Rain down on you
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Well, then who is it? It is Mr. Ebb
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ELISABETH. You speak as befits a kn
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(Ironically.) I shall not inquire H
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You can count on me. ELISABETH. The
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(They go out.) Leave me in peace! I
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Hurrah! Long life! (They clink thei
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SEVERAL. To dancing! To dancing! MO
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(as she pours for him). (after havi
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And built the church far out, near
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(She runs out.) EBBESEN. Good eveni
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You do not resemble him at all with
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(She fills it.) (Drinks.) MOGENS. I
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AGNETE. Mother! I have often been a
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Unfortunate girl! You must know, As
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His bitterness in the wind? Have th
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How quiet everything is! Already Eb
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2. If you meet a nymph, Leave her t
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Will he imprison me with that ringi
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It must be this place. KING (still
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AGNETE. No, sire, I am only a morta
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AGNETE. Yes, sire! You appear to be
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AGNETE. You are getting angry! KING
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(throws herself down before his fee
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KING. Then come, my daughter! Now I
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KNIGHTS and LADIES, who were specta
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WALKENDORFF. No, your grace! I assu
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WALKENDORFF. Ah! Your grace.... KIN
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WALKENDORFF. Ah! How do you know th
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CHORUS. Protect our king, great God
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I cannot pray any more: Fear and ye
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One is not bored when one is asleep
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By the palm tree, where the chimpan
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If only that were me, who was saili
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My Fernando! CLARA. (Stops suddenly
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While the day streams about you Wit
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And I flee into dead silence In ord
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I know a rumor From which nobody ca
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I am not afraid of anything. CLARA.
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You took me away from life, from lo
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THE COUNT. Then lay your hand on th
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THE COUNT. Remember what you swore,
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Say nothing of what you did tonight
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Then the matter was crude and very
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But yet before the last fold of the
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(half-collapses with a shriek: but
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THE COUNT. What do you want? How da
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Such a thought were surely madness!
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In a cloister, to honor you, Oh, Ma
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ADOLF HERMANSEN, a provincial offic
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Yes, but there is billetting and th
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Yes, indeed it was. LOUISE. And, if
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BRANDT. Yes, of course . . . yes, t
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you should see how proper he was. H
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Indeed they can . . . . Listen, Han
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BRANDT. Moller? No, you are surely
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She is making fun of me. But there
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ADOLF. Yes, naturally. My servant c
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BRANDT. Propose? Propose to Louise?
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You are incorrigible. BRANDT. ADOLF
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Do you know why Adolf has sought so
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That this circumstance, far from su
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BRANDT. Exactly! It is a pleasure t
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LOUISE. No . . . to speak frankly .
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BRANDT. Why? It is only a joke, a b
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Yes, you are right, and therefore I
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So, have you served for a long time
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Louise, are you crazy? A string of
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TWELFTH SCENE. ADOLF. BRANDT (from
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I am saying your wife has a sister,
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BRANDT. You'll get over it; that is
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No, stay here. I'll be right back.
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But all that applies also to you, d
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FIFTEENTH SCENE. The previous. BRAN
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ADOLF (stands up straight). By all
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Oh God, yes, if only one were marri
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Yes, I have just been thinking abou
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Have I forgotten something? The str
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BRANDT (aside to her). You can sure
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BRANDT. But we both found it desira
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My aunt's portrait, painted when sh
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Well, you know, the idea I came her
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LOUISE (aside, as she comes out fro
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Do not tease me any longer. You kno
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LOUISE. That is a matter of conscie
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ADOLF. Then you agree with me? Now,
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I imagined to find consolation in y
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ADOLF. She asked for time to think.
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ADOLF. BRANDT. LOUISE (with hat and
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LOUISE. Yes, I shall see what I can
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ADOLF. But dear God, my flightiness
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IX. Review Articles about the Perfo
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agrees made a great success, guaran
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was not neglected now, and the perf
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memorization was good; and the acti
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had aroused the Inquisition's atten
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C. GRIMSTAD. I. A Memoir of Ibsen i
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months at home. After spending the
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was something peculiar about him. F
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and which he in this way cast off,
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equest he read his latest poem: "In
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Later, however, there were several
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One cannot describe Ibsen's delight
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therefore Dr. Ole Jacob Broche acco
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how under the circumstances in whic
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While we all looked up to Ibsen as
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permission, and with the help of tw
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Naturally we urged him to continue,
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II. The Grimstad Reading Society. T
Page 415 and 416: 4-6 Bd. Devereux. En Fortælling. O
Page 417 and 418: Conscience, Henrik. Mirakelaaret 15
Page 419 and 420: - - - -. Chevalier d'Harmental. Ovs
Page 421 and 422: Høst, Alv. Th. De 100 Dage eller N
Page 423 and 424: Knubs, Thobias (Pseud.). Efterladte
Page 425 and 426: Oehlenschlæger, Adam. Øen i Sydha
Page 427 and 428: 20-21. Bd. Qventin Durward, en hist
Page 429 and 430: Tidsskrift for Reisebeskrivelser. U
Page 431 and 432: direction is to be expected. Indeed
Page 433 and 434: By labor is understood every endeav
Page 435 and 436: that it still remembers about the a
Page 437 and 438: IV. “Den Skandinaviske Idé” (
Page 439 and 440: an idea. With an idea it is a quest
Page 441 and 442: Norway's separation from Denmark, a
Page 443 and 444: about the unity of Italy, and--in E
Page 445 and 446: However, when nations have come to
Page 447 and 448: literature goes, it is evident that
Page 449 and 450: most beautiful league of nations, w
Page 451 and 452: initiated above lead more closely o
Page 453 and 454: What, then, has Norway in particula
Page 455 and 456: emains actually incompetent, and it
Page 457 and 458: V. Plays Advertised in Christianssa
Page 459 and 460: Feb. 18, A.-- "Recruten, Vaudeville
Page 461 and 462: Heiberg, Joh. Ludv. De Uadskillelig
Page 463 and 464: Henrik Hertz. Indqvarteringen, Lyst
Page 465: (CTR) vaud. i 2 a. av Schneider. "D
Page 469 and 470: things considered, we could thereby
Page 471 and 472: Wer hat das schone Liedel erdacht?
Page 473 and 474: To fasten your mouth together!) The
Page 475 and 476: ("If all the boys stood in a line")
Page 477 and 478: The moment is fleeting; like your g
Page 479 and 480: Now she is grown, and yet how often
Page 481 and 482: I have my mistress, just like every
Page 483 and 484: Did not sounds echo in the night's
Page 485 and 486: The singers of summer leave the for
Page 487 and 488: AWAKE, SCANDINAVIANS! An Appeal to
Page 489 and 490: When the earth has long, long cover
Page 491 and 492: You sang so often about "the toweri
Page 493 and 494: 23 The Greek muse of dancing and ch
Page 495 and 496: And would it really please you to f
Page 497 and 498: soon? Harp notes wafted through the
Page 499 and 500: High in Valhalla's Vaulted halls Tr
Page 501 and 502: Hush, how still! Yonder from the ba
Page 503 and 504: BOOKS, PARTS OF BOOKS, AND DISSERTA
Page 505 and 506: Dietrichson, L(orentz). “Samliv m
Page 507 and 508: - - -. The life of Henrik Ibsen. Tr
Page 509 and 510: Möhring, Werner. Ibsen und Kierkeg
Page 511 and 512: Østvedt, Einar. “Familien Ibsen
Page 513 and 514: - - - -. “Henrik Ibsens Digte.”
Page 515 and 516: Fjelde, Rolf. “‘Introduction’
Page 517 and 518:
- - - -. “Ibsen tala mange gonger
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- - - -. “Ibsens reise fra hjemby
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Tresvig, Archie. “Henrik Ibsens u
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