cultural resources in henrik ibsen's early environment - Ibsen.net

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I believe I shall make a little attempt today . . . . BRANDT (quickly). No, I must advise against that, frankly. My sister-in-law will regard it as very rash, and you will ruin everything. On the whole, you must not think about serious things today. Stay here now, and I shall see to getting a man to prepare my new carriage and bring it out. In the meanwhile I shall send my wife out to you. (Aside, as he goes.) Pay court to my wife! No, that is a little too crazy. NINETEENTH SCENE. ADOLF (alone). I find myself in a remarkable situation. It is obvious that Brandt loves his sister-in-law. He is indifferent to his wife, and he has eyes only for her sister. Married only two months . . . that's terrible! All the same I believe that his sister-in-law is pulling his leg a little. And his wife . . . it appears that she does not feel much warmth for him either. When I was up in my rooms with her just now, and in a moment of abandon put my arm around her waist, . . . how she trembled and turned pale! What if she were in love with me? After all, she has seen me before. Dear God, it runs hot and cold down my back just thinking such thoughts. But those are wicked thoughts . . . I do not want to give them a place in my heart. She is my friend's wife . . . and I want to act like an honest fellow. Isn't her sister a grand girl, so cheerful and alert! Shouldn't I consider myself fortunate if she fell to my lot. Certainly . . . but as for my married cousin . . . . (Taking out the mentioned portrait.) It is her mother's portrait, which I stole by taking it down from the wall up there. It is feature-for-feature the same picture as my cousin. The shy, feminine expression, the incomparable look of sadness and reflection, which I have observed so often in her mother . . . . Everything is in her, just as I imagined it. Oh my God, why is she married, and with a man who does not love her, and who perhaps she does not love either! TWENTIETH SCENE. ADOLF. LOUISE. Later HANNE. 360
LOUISE (aside, as she comes out from the garden room). Hanne sat and cried in her room. I must know what obstacles might be in the way. (Aloud.) Here I am again, cousin! I would have had my sister with me, so that we could both show you the new layout in our garden; but she was angry and didn't want to. Surely it is not you who have made her angry? I don't believe so. ADOLF. LOUISE. I don't either. It would be very ungrateful of you, to say the least, after she has moved her own pretty new sofa up to your room, so that you could be comfortable. Has she really? ADOLF. LOUISE. She has only had it a month, and would scarcely allow any of us to sit on it; and now she has sacrificed it to your boots and spurs. ADOLF. Can't I go up and mollify her, if I have offended her without meaning to? LOUISE. No, stay here. I hope she reconsiders and comes down by herself. (Looks at him.) But tell me, what kind of a loop is that, which sticks out there. It looks familiar. ADOLF (confused, wants to conceal it). 361
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CULTURAL RESOURCES IN HENRIK IBSEN
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A. INTRODUCTION In his early years,
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meetings then in a place at Opphaug
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confirmation who distinguished them
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things;" in church one could often
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deeply moved, bid farewell to the c
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Lammers also came from Denmark, and
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Grini and the former teacher Søren
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contributed to arousing the boy's h
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and biblical geography, and finally
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up the following alphabetical list
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speciedalers plus expenses in the a
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Venstøp, a property he had bought
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man!" As the statement of an outsta
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II. Textbooks used in Skien’s Lat
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[or] Grønlund, J[ohs.], Tvende af
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"Bions og Moschuss Idyller" Gundela
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"Begyndelsesgrundette av Hjorths Gr
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GEOGRAPHY: 1ste class: "C.L. Platou
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III. The book collection of the Lø
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Anckarsvärd, M.G. Allwastra ruin.
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- - - -. Aandelige Taler over alle
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- - - -. Bion fra Smyrna. Idylliske
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- - - -. Forsthandbuch. Allgemeiner
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- - - -. Tully's offices. In Englis
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Delacroix. Geschichte des Tosmanisc
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Falck-Muus, Rolf. Privatsedlene 180
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- - - -. Merkwürdigkeiten zur Bran
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Guldberg, Frederik Høegh. Plautus.
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- - - -. Herodoti Halicarnassensis
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Huber, Johann Rudolf. Ein Wort des
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- - - -. Plancher til Recueil des O
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Lamberty, G. de. Mémoires pour ser
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Lessing, G.E. Schriften. Vols. 1-6.
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Maintenon [Françoise de.] Lettres.
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[Moreau]. Akter i Sagen, anlagt mod
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Nepos, Cornelius. De vita excellent
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- - - -. Opera quae supersunt. Lips
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- - - -. Origines Hafnienses eller
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Reichard, [H.A.O.] Der Passagier au
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- - - -. Pièces diverses. Vols. 1-
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Schütz, F.W. von. Briefe über Lon
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Sobrino, François. Dictionnaire no
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- - - -. Tids-regning til Ungdommen
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Thiebault, D. Les adieux du duc de
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Underretning om Matrikelskylden som
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[Wagner, Heinrich Christoph]. Anlei
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Zeitung für die elegante Welt 1817
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At end of the list are some observa
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"Brudgommen fra Holland," Lystspil
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"Den 28de Januar," Syngestykke i 2
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[Duvert, Félix Auguste, Desverges
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Scribe, [Aug.] Eug., og [Ant. Fran
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June 22-- "Moden," eller: "Alpehyrd
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Bayard, [Jean François Alfr.], og
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"Henriette og Amalia eller Skoledis
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June 2-- "Onkels Hemmelighed," Lyst
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1843-- CARL JENS PETERSEN’S COMPA
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"Skorsteensfeierdrengene," Vaudevil
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Oehlenschläger, appear in the fore
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V. Erik Bøgh. A travelling theatre
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Miller, who was a judge of characte
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Despite the fact that this little e
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down on his breast as possible, whi
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"Don't be shy! By all means make it
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eckon, the devil crush me, you are
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VI. Elverhøj (“Elves’ Hill”)
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Three white maidens danced in the d
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MOGENS. Well, the tune is lively en
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(To KAREN.) FLEMMING. No, your grac
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(placing herself in front of the do
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I don’t believe it, either; but t
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KING. Well, what is he afraid of? K
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(To FLEMMING.) Ever since the time
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What? You are starting in again abo
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Burn this whole thicket from here o
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KING. Ah! Is he coming back at last
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EBBESEN. I have been out walking. F
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EBBESEN. Who has been so bold as to
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(She sits down in a meditative posi
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Agnete! Wake up! It is as if you we
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Yes, that is true happiness. Oh, my
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Yes, sir! And it is for your sake.
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(rushes over and embraces her). (te
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But I can still love you, my lord,
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Farewell! AGNETE. EBBESEN. Farewell
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grown gray in service. I have been
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God help me! What are you saying, M
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BJØRN. Well, then I did not need t
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How shall I give you the letter? Qu
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Elisabeth! What do you mean? WALKEN
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BJØRN. But what if I tell you that
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BJØRN. And this time he will send
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SCENE SIX. BJØRN. ELISABETH. ELISA
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(Pause.) (Goes to the window.) (Lis
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Why not? FLEMMING. Can you ask that
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ELISABETH. But he is also firm in h
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ELISABETH. Take it Any way you want
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I believe secrets Rain down on you
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Well, then who is it? It is Mr. Ebb
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ELISABETH. You speak as befits a kn
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(Ironically.) I shall not inquire H
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You can count on me. ELISABETH. The
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(They go out.) Leave me in peace! I
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Hurrah! Long life! (They clink thei
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SEVERAL. To dancing! To dancing! MO
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(as she pours for him). (after havi
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And built the church far out, near
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(She runs out.) EBBESEN. Good eveni
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You do not resemble him at all with
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(She fills it.) (Drinks.) MOGENS. I
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AGNETE. Mother! I have often been a
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Unfortunate girl! You must know, As
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His bitterness in the wind? Have th
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How quiet everything is! Already Eb
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2. If you meet a nymph, Leave her t
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Will he imprison me with that ringi
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It must be this place. KING (still
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AGNETE. No, sire, I am only a morta
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AGNETE. Yes, sire! You appear to be
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AGNETE. You are getting angry! KING
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(throws herself down before his fee
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KING. Then come, my daughter! Now I
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KNIGHTS and LADIES, who were specta
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WALKENDORFF. No, your grace! I assu
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WALKENDORFF. Ah! Your grace.... KIN
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WALKENDORFF. Ah! How do you know th
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CHORUS. Protect our king, great God
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I cannot pray any more: Fear and ye
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One is not bored when one is asleep
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By the palm tree, where the chimpan
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If only that were me, who was saili
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My Fernando! CLARA. (Stops suddenly
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While the day streams about you Wit
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And I flee into dead silence In ord
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I know a rumor From which nobody ca
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I am not afraid of anything. CLARA.
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You took me away from life, from lo
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THE COUNT. Then lay your hand on th
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THE COUNT. Remember what you swore,
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Say nothing of what you did tonight
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Then the matter was crude and very
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But yet before the last fold of the
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(half-collapses with a shriek: but
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THE COUNT. What do you want? How da
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Such a thought were surely madness!
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In a cloister, to honor you, Oh, Ma
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ADOLF HERMANSEN, a provincial offic
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Yes, but there is billetting and th
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Yes, indeed it was. LOUISE. And, if
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BRANDT. Yes, of course . . . yes, t
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you should see how proper he was. H
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Indeed they can . . . . Listen, Han
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BRANDT. Moller? No, you are surely
Page 309 and 310: She is making fun of me. But there
Page 311 and 312: ADOLF. Yes, naturally. My servant c
Page 313 and 314: BRANDT. Propose? Propose to Louise?
Page 315 and 316: You are incorrigible. BRANDT. ADOLF
Page 317 and 318: Do you know why Adolf has sought so
Page 319 and 320: That this circumstance, far from su
Page 321 and 322: BRANDT. Exactly! It is a pleasure t
Page 323 and 324: LOUISE. No . . . to speak frankly .
Page 325 and 326: BRANDT. Why? It is only a joke, a b
Page 327 and 328: Yes, you are right, and therefore I
Page 329 and 330: So, have you served for a long time
Page 331 and 332: Louise, are you crazy? A string of
Page 333 and 334: TWELFTH SCENE. ADOLF. BRANDT (from
Page 335 and 336: I am saying your wife has a sister,
Page 337 and 338: BRANDT. You'll get over it; that is
Page 339 and 340: No, stay here. I'll be right back.
Page 341 and 342: But all that applies also to you, d
Page 343 and 344: FIFTEENTH SCENE. The previous. BRAN
Page 345 and 346: ADOLF (stands up straight). By all
Page 347 and 348: Oh God, yes, if only one were marri
Page 349 and 350: Yes, I have just been thinking abou
Page 351 and 352: Have I forgotten something? The str
Page 353 and 354: BRANDT (aside to her). You can sure
Page 355 and 356: BRANDT. But we both found it desira
Page 357 and 358: My aunt's portrait, painted when sh
Page 359: Well, you know, the idea I came her
Page 363 and 364: Do not tease me any longer. You kno
Page 365 and 366: LOUISE. That is a matter of conscie
Page 367 and 368: ADOLF. Then you agree with me? Now,
Page 369 and 370: I imagined to find consolation in y
Page 371 and 372: ADOLF. She asked for time to think.
Page 373 and 374: ADOLF. BRANDT. LOUISE (with hat and
Page 375 and 376: LOUISE. Yes, I shall see what I can
Page 377 and 378: ADOLF. But dear God, my flightiness
Page 379 and 380: IX. Review Articles about the Perfo
Page 381 and 382: agrees made a great success, guaran
Page 383 and 384: was not neglected now, and the perf
Page 385 and 386: memorization was good; and the acti
Page 387 and 388: had aroused the Inquisition's atten
Page 389 and 390: C. GRIMSTAD. I. A Memoir of Ibsen i
Page 391 and 392: months at home. After spending the
Page 393 and 394: was something peculiar about him. F
Page 395 and 396: and which he in this way cast off,
Page 397 and 398: equest he read his latest poem: "In
Page 399 and 400: Later, however, there were several
Page 401 and 402: One cannot describe Ibsen's delight
Page 403 and 404: therefore Dr. Ole Jacob Broche acco
Page 405 and 406: how under the circumstances in whic
Page 407 and 408: While we all looked up to Ibsen as
Page 409 and 410: permission, and with the help of tw
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Naturally we urged him to continue,
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II. The Grimstad Reading Society. T
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4-6 Bd. Devereux. En Fortælling. O
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Conscience, Henrik. Mirakelaaret 15
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- - - -. Chevalier d'Harmental. Ovs
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Høst, Alv. Th. De 100 Dage eller N
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Knubs, Thobias (Pseud.). Efterladte
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Oehlenschlæger, Adam. Øen i Sydha
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20-21. Bd. Qventin Durward, en hist
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Tidsskrift for Reisebeskrivelser. U
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direction is to be expected. Indeed
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By labor is understood every endeav
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that it still remembers about the a
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IV. “Den Skandinaviske Idé” (
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an idea. With an idea it is a quest
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Norway's separation from Denmark, a
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about the unity of Italy, and--in E
Page 445 and 446:
However, when nations have come to
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literature goes, it is evident that
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most beautiful league of nations, w
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initiated above lead more closely o
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What, then, has Norway in particula
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emains actually incompetent, and it
Page 457 and 458:
V. Plays Advertised in Christianssa
Page 459 and 460:
Feb. 18, A.-- "Recruten, Vaudeville
Page 461 and 462:
Heiberg, Joh. Ludv. De Uadskillelig
Page 463 and 464:
Henrik Hertz. Indqvarteringen, Lyst
Page 465 and 466:
(CTR) vaud. i 2 a. av Schneider. "D
Page 467 and 468:
VI. Jørgen Moe. "Indledning." Saml
Page 469 and 470:
things considered, we could thereby
Page 471 and 472:
Wer hat das schone Liedel erdacht?
Page 473 and 474:
To fasten your mouth together!) The
Page 475 and 476:
("If all the boys stood in a line")
Page 477 and 478:
The moment is fleeting; like your g
Page 479 and 480:
Now she is grown, and yet how often
Page 481 and 482:
I have my mistress, just like every
Page 483 and 484:
Did not sounds echo in the night's
Page 485 and 486:
The singers of summer leave the for
Page 487 and 488:
AWAKE, SCANDINAVIANS! An Appeal to
Page 489 and 490:
When the earth has long, long cover
Page 491 and 492:
You sang so often about "the toweri
Page 493 and 494:
23 The Greek muse of dancing and ch
Page 495 and 496:
And would it really please you to f
Page 497 and 498:
soon? Harp notes wafted through the
Page 499 and 500:
High in Valhalla's Vaulted halls Tr
Page 501 and 502:
Hush, how still! Yonder from the ba
Page 503 and 504:
BOOKS, PARTS OF BOOKS, AND DISSERTA
Page 505 and 506:
Dietrichson, L(orentz). “Samliv m
Page 507 and 508:
- - -. The life of Henrik Ibsen. Tr
Page 509 and 510:
Möhring, Werner. Ibsen und Kierkeg
Page 511 and 512:
Østvedt, Einar. “Familien Ibsen
Page 513 and 514:
- - - -. “Henrik Ibsens Digte.”
Page 515 and 516:
Fjelde, Rolf. “‘Introduction’
Page 517 and 518:
- - - -. “Ibsen tala mange gonger
Page 519 and 520:
- - - -. “Ibsens reise fra hjemby
Page 521:
Tresvig, Archie. “Henrik Ibsens u
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