cultural resources in henrik ibsen's early environment - Ibsen.net

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IV. Plays advertised for performance in the newspapers of Skien between 1832 and 1843, when Ibsen lived there. Skien's first newspaper, Ugeblad for Skien og Omegn, was founded in 1830. It ceased publication in 1839, but the following year the same editor, Peter Feilberg, started another paper, under the name Bratsberg Amtstidende. Upcoming performances of plays were advertised in these newspapers by theatrical companies that visited Skien. The personnel of these companies were part of a network of mostly Danish actors, directors, designers and musicians that criss-crossed Norway in the first half of the nineteenth century. They could hope to be employed by dramatic societies in Christiania, Drammen, Christianssand, Stavanger, Bergen, and Trondheim, where they would select and perform seasons of plays in repertory. Enterprising theatre directors in these companies would assemble touring companies in the off-seasons, and travel to provincial towns, including those on the southeastern coast of Norway. The companies that visited Skien performed for from a week to six weeks, and offered a season of between four and nineteen plays. The players were lodged in people's homes, since there were no hotels. The companies as a rule did not have enough actors to perform all of the roles in all of the plays, so local players took supporting roles. Sometimes the players allowed people who would not have had the money for a ticket, like servants and children, to attend dress rehearsals. What follows is a chronological list of the plays advertised for performance in Skien between 1832, when Ibsen was four years old, and 1843, when he was about to leave for Grimstad. The plays are cited under the names of the leaders of the companies, who normally placed the ads, and whose names appear in them. The ads give a play's title, and usually its author. In the following list that information, which is in quotation marks, is followed by publication information. If a play was not published, any further information we do have is included. The translations referred to are of plays into Danish from other languages, usually French or German. Some plays were translated more than once. It is not always possible to determine which version was performed on a given occasion. 96
At end of the list are some observations, bibliographical information, and the key to bibliographical symbols. 1832-- JOHANN CONRAD HUUSHER’S COMPANY. Aug. 21-- "Christen og Christine," dramatisk Idyl af Professor Heiberg. Christen og Christine. Dramatisk Idyl i 1 Act. Efter Scribes og [Jean Henri] Dupins "Michel et Christine", ved J. L. Heiberg. Udgivet af Ferd. Printzlau. København 1830. "Seer Jer i Speil," versisiseret Lystspil i een Act af Tøpfer. Seer jer i Speil! Lystspil i een Act, paa rimede Vers. Efter [Karl] Tøpfers Manuscript: Nehmt ein Exempel d'ran! ed J. L. Heiberg. Udgivet af Ferdinand Printzlau. København 1830. "Skuespillerinden paa Prøve," Lystspil i een Act af Radet. Skuespillerinden paa Prøve eller Den Sidstankomne. Comedie i 1 Act; oversat (from the French of Jean Baptiste Radet) ved N. T. Bruun. København 1814. Sept. 2-- "Efterskriften," Lystspil i een Act af Holbein. Holbein, Franz v., Efterskriften, Lystspil i 1 Act [oversat af Geo. Julius Liebe]. København 1829. 4 Bl. (Freely adapted from Heigel's "Der Perrückenstock.") "Kjærlighed under Maske," Comedie i een Act af Dubois. Dubois, Jean Bapt., Kjærlighed under Maske. Comedie i 1 Act. Frit oversat ved N. T. Bruun. København 1808. Landstedet ved Kongeveien," Lystspil i een Act af Kotzebue. Kotzebue, A. v., Landstedet ved Kongevejen, et Lystspil I 1 Optog, oversat og forandret af G. T. Bang. Maribo 1809. (Original title: "Das Landhaus an der Heerstrasse.") 97
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CULTURAL RESOURCES IN HENRIK IBSEN
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A. INTRODUCTION In his early years,
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meetings then in a place at Opphaug
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confirmation who distinguished them
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things;" in church one could often
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deeply moved, bid farewell to the c
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Lammers also came from Denmark, and
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Grini and the former teacher Søren
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contributed to arousing the boy's h
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and biblical geography, and finally
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up the following alphabetical list
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speciedalers plus expenses in the a
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Venstøp, a property he had bought
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man!" As the statement of an outsta
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II. Textbooks used in Skien’s Lat
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[or] Grønlund, J[ohs.], Tvende af
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"Bions og Moschuss Idyller" Gundela
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"Begyndelsesgrundette av Hjorths Gr
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GEOGRAPHY: 1ste class: "C.L. Platou
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III. The book collection of the Lø
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Anckarsvärd, M.G. Allwastra ruin.
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- - - -. Aandelige Taler over alle
Page 45 and 46: - - - -. Bion fra Smyrna. Idylliske
Page 47 and 48: - - - -. Forsthandbuch. Allgemeiner
Page 49 and 50: - - - -. Tully's offices. In Englis
Page 51 and 52: Delacroix. Geschichte des Tosmanisc
Page 53 and 54: Falck-Muus, Rolf. Privatsedlene 180
Page 55 and 56: - - - -. Merkwürdigkeiten zur Bran
Page 57 and 58: Guldberg, Frederik Høegh. Plautus.
Page 59 and 60: - - - -. Herodoti Halicarnassensis
Page 61 and 62: Huber, Johann Rudolf. Ein Wort des
Page 63 and 64: - - - -. Plancher til Recueil des O
Page 65 and 66: Lamberty, G. de. Mémoires pour ser
Page 67 and 68: Lessing, G.E. Schriften. Vols. 1-6.
Page 69 and 70: Maintenon [Françoise de.] Lettres.
Page 71 and 72: [Moreau]. Akter i Sagen, anlagt mod
Page 73 and 74: Nepos, Cornelius. De vita excellent
Page 75 and 76: - - - -. Opera quae supersunt. Lips
Page 77 and 78: - - - -. Origines Hafnienses eller
Page 79 and 80: Reichard, [H.A.O.] Der Passagier au
Page 81 and 82: - - - -. Pièces diverses. Vols. 1-
Page 83 and 84: Schütz, F.W. von. Briefe über Lon
Page 85 and 86: Sobrino, François. Dictionnaire no
Page 87 and 88: - - - -. Tids-regning til Ungdommen
Page 89 and 90: Thiebault, D. Les adieux du duc de
Page 91 and 92: Underretning om Matrikelskylden som
Page 93 and 94: [Wagner, Heinrich Christoph]. Anlei
Page 95: Zeitung für die elegante Welt 1817
Page 99 and 100: "Brudgommen fra Holland," Lystspil
Page 101 and 102: "Den 28de Januar," Syngestykke i 2
Page 103 and 104: [Duvert, Félix Auguste, Desverges
Page 105 and 106: Scribe, [Aug.] Eug., og [Ant. Fran
Page 107 and 108: June 22-- "Moden," eller: "Alpehyrd
Page 109 and 110: Bayard, [Jean François Alfr.], og
Page 111 and 112: "Henriette og Amalia eller Skoledis
Page 113 and 114: June 2-- "Onkels Hemmelighed," Lyst
Page 115 and 116: 1843-- CARL JENS PETERSEN’S COMPA
Page 117 and 118: "Skorsteensfeierdrengene," Vaudevil
Page 119 and 120: Oehlenschläger, appear in the fore
Page 121 and 122: V. Erik Bøgh. A travelling theatre
Page 123 and 124: Miller, who was a judge of characte
Page 125 and 126: Despite the fact that this little e
Page 127 and 128: down on his breast as possible, whi
Page 129 and 130: "Don't be shy! By all means make it
Page 131 and 132: eckon, the devil crush me, you are
Page 133 and 134: VI. Elverhøj (“Elves’ Hill”)
Page 135 and 136: Three white maidens danced in the d
Page 137 and 138: MOGENS. Well, the tune is lively en
Page 139 and 140: (To KAREN.) FLEMMING. No, your grac
Page 141 and 142: (placing herself in front of the do
Page 143 and 144: I don’t believe it, either; but t
Page 145 and 146: KING. Well, what is he afraid of? K
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(To FLEMMING.) Ever since the time
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What? You are starting in again abo
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Burn this whole thicket from here o
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KING. Ah! Is he coming back at last
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EBBESEN. I have been out walking. F
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EBBESEN. Who has been so bold as to
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(She sits down in a meditative posi
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Agnete! Wake up! It is as if you we
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Yes, that is true happiness. Oh, my
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Yes, sir! And it is for your sake.
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(rushes over and embraces her). (te
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But I can still love you, my lord,
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Farewell! AGNETE. EBBESEN. Farewell
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grown gray in service. I have been
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God help me! What are you saying, M
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BJØRN. Well, then I did not need t
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How shall I give you the letter? Qu
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Elisabeth! What do you mean? WALKEN
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BJØRN. But what if I tell you that
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BJØRN. And this time he will send
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SCENE SIX. BJØRN. ELISABETH. ELISA
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(Pause.) (Goes to the window.) (Lis
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Why not? FLEMMING. Can you ask that
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ELISABETH. But he is also firm in h
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ELISABETH. Take it Any way you want
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I believe secrets Rain down on you
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Well, then who is it? It is Mr. Ebb
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ELISABETH. You speak as befits a kn
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(Ironically.) I shall not inquire H
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You can count on me. ELISABETH. The
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(They go out.) Leave me in peace! I
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Hurrah! Long life! (They clink thei
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SEVERAL. To dancing! To dancing! MO
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(as she pours for him). (after havi
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And built the church far out, near
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(She runs out.) EBBESEN. Good eveni
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You do not resemble him at all with
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(She fills it.) (Drinks.) MOGENS. I
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AGNETE. Mother! I have often been a
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Unfortunate girl! You must know, As
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His bitterness in the wind? Have th
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How quiet everything is! Already Eb
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2. If you meet a nymph, Leave her t
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Will he imprison me with that ringi
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It must be this place. KING (still
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AGNETE. No, sire, I am only a morta
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AGNETE. Yes, sire! You appear to be
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AGNETE. You are getting angry! KING
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(throws herself down before his fee
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KING. Then come, my daughter! Now I
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KNIGHTS and LADIES, who were specta
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WALKENDORFF. No, your grace! I assu
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WALKENDORFF. Ah! Your grace.... KIN
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WALKENDORFF. Ah! How do you know th
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CHORUS. Protect our king, great God
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I cannot pray any more: Fear and ye
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One is not bored when one is asleep
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By the palm tree, where the chimpan
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If only that were me, who was saili
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My Fernando! CLARA. (Stops suddenly
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While the day streams about you Wit
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And I flee into dead silence In ord
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I know a rumor From which nobody ca
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I am not afraid of anything. CLARA.
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You took me away from life, from lo
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THE COUNT. Then lay your hand on th
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THE COUNT. Remember what you swore,
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Say nothing of what you did tonight
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Then the matter was crude and very
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But yet before the last fold of the
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(half-collapses with a shriek: but
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THE COUNT. What do you want? How da
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Such a thought were surely madness!
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In a cloister, to honor you, Oh, Ma
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ADOLF HERMANSEN, a provincial offic
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Yes, but there is billetting and th
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Yes, indeed it was. LOUISE. And, if
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BRANDT. Yes, of course . . . yes, t
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you should see how proper he was. H
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Indeed they can . . . . Listen, Han
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BRANDT. Moller? No, you are surely
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She is making fun of me. But there
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ADOLF. Yes, naturally. My servant c
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BRANDT. Propose? Propose to Louise?
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You are incorrigible. BRANDT. ADOLF
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Do you know why Adolf has sought so
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That this circumstance, far from su
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BRANDT. Exactly! It is a pleasure t
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LOUISE. No . . . to speak frankly .
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BRANDT. Why? It is only a joke, a b
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Yes, you are right, and therefore I
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So, have you served for a long time
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Louise, are you crazy? A string of
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TWELFTH SCENE. ADOLF. BRANDT (from
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I am saying your wife has a sister,
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BRANDT. You'll get over it; that is
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No, stay here. I'll be right back.
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But all that applies also to you, d
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FIFTEENTH SCENE. The previous. BRAN
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ADOLF (stands up straight). By all
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Oh God, yes, if only one were marri
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Yes, I have just been thinking abou
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Have I forgotten something? The str
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BRANDT (aside to her). You can sure
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BRANDT. But we both found it desira
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My aunt's portrait, painted when sh
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Well, you know, the idea I came her
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LOUISE (aside, as she comes out fro
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Do not tease me any longer. You kno
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LOUISE. That is a matter of conscie
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ADOLF. Then you agree with me? Now,
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I imagined to find consolation in y
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ADOLF. She asked for time to think.
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ADOLF. BRANDT. LOUISE (with hat and
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LOUISE. Yes, I shall see what I can
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ADOLF. But dear God, my flightiness
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IX. Review Articles about the Perfo
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agrees made a great success, guaran
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was not neglected now, and the perf
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memorization was good; and the acti
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had aroused the Inquisition's atten
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C. GRIMSTAD. I. A Memoir of Ibsen i
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months at home. After spending the
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was something peculiar about him. F
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and which he in this way cast off,
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equest he read his latest poem: "In
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Later, however, there were several
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One cannot describe Ibsen's delight
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therefore Dr. Ole Jacob Broche acco
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how under the circumstances in whic
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While we all looked up to Ibsen as
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permission, and with the help of tw
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Naturally we urged him to continue,
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II. The Grimstad Reading Society. T
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4-6 Bd. Devereux. En Fortælling. O
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Conscience, Henrik. Mirakelaaret 15
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- - - -. Chevalier d'Harmental. Ovs
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Høst, Alv. Th. De 100 Dage eller N
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Knubs, Thobias (Pseud.). Efterladte
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Oehlenschlæger, Adam. Øen i Sydha
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20-21. Bd. Qventin Durward, en hist
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Tidsskrift for Reisebeskrivelser. U
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direction is to be expected. Indeed
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By labor is understood every endeav
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that it still remembers about the a
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IV. “Den Skandinaviske Idé” (
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an idea. With an idea it is a quest
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Norway's separation from Denmark, a
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about the unity of Italy, and--in E
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However, when nations have come to
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literature goes, it is evident that
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most beautiful league of nations, w
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initiated above lead more closely o
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What, then, has Norway in particula
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emains actually incompetent, and it
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V. Plays Advertised in Christianssa
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Feb. 18, A.-- "Recruten, Vaudeville
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Heiberg, Joh. Ludv. De Uadskillelig
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Henrik Hertz. Indqvarteringen, Lyst
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(CTR) vaud. i 2 a. av Schneider. "D
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VI. Jørgen Moe. "Indledning." Saml
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things considered, we could thereby
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Wer hat das schone Liedel erdacht?
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To fasten your mouth together!) The
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("If all the boys stood in a line")
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The moment is fleeting; like your g
Page 479 and 480:
Now she is grown, and yet how often
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I have my mistress, just like every
Page 483 and 484:
Did not sounds echo in the night's
Page 485 and 486:
The singers of summer leave the for
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AWAKE, SCANDINAVIANS! An Appeal to
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When the earth has long, long cover
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You sang so often about "the toweri
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23 The Greek muse of dancing and ch
Page 495 and 496:
And would it really please you to f
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soon? Harp notes wafted through the
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High in Valhalla's Vaulted halls Tr
Page 501 and 502:
Hush, how still! Yonder from the ba
Page 503 and 504:
BOOKS, PARTS OF BOOKS, AND DISSERTA
Page 505 and 506:
Dietrichson, L(orentz). “Samliv m
Page 507 and 508:
- - -. The life of Henrik Ibsen. Tr
Page 509 and 510:
Möhring, Werner. Ibsen und Kierkeg
Page 511 and 512:
Østvedt, Einar. “Familien Ibsen
Page 513 and 514:
- - - -. “Henrik Ibsens Digte.”
Page 515 and 516:
Fjelde, Rolf. “‘Introduction’
Page 517 and 518:
- - - -. “Ibsen tala mange gonger
Page 519 and 520:
- - - -. “Ibsens reise fra hjemby
Page 521:
Tresvig, Archie. “Henrik Ibsens u
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