cultural resources in henrik ibsen's early environment - Ibsen.net

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Koppang, Ole. Hegelianisme i Norge. En idéhistorisk undersøkelse. Oslo: Aschehoug, 1943. Landgraff, J. Grimstadslægter. Grimstad: n.p., 1892. Also Tillæg og Rettelser med Register. Grimstad: n.p., 1901. Larsen, Kai Edvard. “Henrik Ibsen og barndomsbyen.” In his Gæst hos nordmænd og briter Sønderberg: Dy-Po Tryk, 1963. 6-14. Larson, Philip E. “On Ibsen’s procedures of composition in two of his early lyrics.” Proceedings of the Seventh International Ibsen Conference, Grimstad 1993. Oslo: Center for Ibsen Studies, 1994. 246-267. - - - -. Vision and Structure in Ibsen’s Early Plays. Diss. U of California, 1972. Ann Arbor: UMI, 1989. Lingard, John C. The past in Ibsen’s tragedies. Diss. U of Western Ontario, 1977. Linge, Tore. La conception de l’amour dans le drame de Dumas fils et d’Ibsen. Paris: H. Champion, 1935. Linneberg, Arild, ed. Norsk Litteraturkritikks Historie 1848-1870. Vol. 2 of Norsk Litteraturkritikks Historie 1770-1949. Ed. Edvard Beyer, Irene Iversen, Arild Linneberg, Morten Moi. 3 vols. Oslo: Universitetsforlaget, 1992. McLellan, Samuel G. Structure of Scandinavian drama in the movement from Romanticism to Realism: Henrik Ibsen. Diss. U of Texas, 1981. Ann Arbor: UMI, 1986. Meyen, Fritz. Ibsen-Bibliographie. Bearb. von Werner Möhring. Braunschweig: G. Westermann, 1928. Meyer, Michael. Ibsen: a Biography. New York: Doubleday, 1971. Mohr, Otto Lous. Henrik Ibsen som maler. With an English summary. Oslo: Gyldendal, 1953. Moses, Montrose Jonas. Henrik Ibsen: The man and his plays. New York: M. Kennerly, 1908. Mosfjeld, Oskar. Henrik Ibsen og Skien. Oslo: Gyldendal, 1949. Mæhle, Leif. Ibsens rimteknikk. Oslo: Det Mallingske boktrykkeri, 1955. (Småskrifter fra det Litteraturhistoriske seminar 27.) 508
Möhring, Werner. Ibsen und Kierkegaard. Leipzig: Mayer & Müller, 1928. Møller, Christen. Henrik Ibsen som skjald for nordens folk. København: Universitetsboghandler, 1900. Noreng, Harald. Arbeiderføreren Marcus Thrane: Lærling av Wergeland, Lærer for Ibsen og Bjørnson. Grimstad: Ibsenhuset-Grimstad Bymuseum, 1993. - - - -. Henrik Ibsen og billedbibelen i Grimstad. Grimstad: Ibsenhuset-Grimstad Bymuseum, 1992. - - - -. Henrik Ibsens “Terje Vigen” med bakgrunn i dikt og virkelighet. Grimstad: Ibsenhuset-Grimstad Bymuseum, 1990. Noreng, Harald. “Marcus Thranes forhold til tre norske diktere (Henrik Wergeland, Henrik Ibsen, og Bjørnstjerne Bjørnson).” Harald Noreng: fra Tullin til Sandemose. Studier i norsk litteratur. Festskrift til 75-årsdagen 25 April 1988. Red. B. Birkeland, A. Aarseth. Øvre Ervik: Alvheim & Eide; Akademisk forlag, 1988. 22-34. Oberholzer, Otto. “Ibsens Entwicklung zum Dramatiker.” Henrik Ibsen. Dramen. 2 vols. München, 1973. Vol. 2, 753-97. Paasche, Fredrik. Gildet paa Solhaug. Ibsens nationalromantiske digtning. Kristiania: Det Mallingske bogtrykkeri, 1908. Passarge, L[udwig]. Henrik Ibsen. Ein Beitrag zur neuesten Geschichte der norwegischen Nationallitteratur. Leipzig: B. Elischer nachf., 1883. Paulsen, John. Samliv med Ibsen. Nye erindringer og skitser. København og Kristiania: Gyldendal, 1906. Petersen, Siegwart. Henrik Ibsens norske stilebog fra 1848. Kristiania: S. & J. Sörensen, 1898. Pettersen, Hjalmar. Henrik Ibsen, the Norwegian Dramatist (1828-1906) in contemporary and after times Literature. Bibliography with selections. -- Henrik Ibsen bedømt af samtid og eftertid. Et forsøg. Oslo: Eget Forlag, udleveres af Cammermeyers Boghandel, 1928. Rose, Henry. Henrik Ibsen: poet, mystic and moralist. London: A. C. Fifield, 1913; New York: Dodd, Mead, 1913. Rhodes, Norman Leonard. Ibsen and the Greeks: the classical Greek dimension in selected works of Henrik Ibsen as mediated by German and Scandinavian culture. Lewisburg, Pa.: Bucknell UP, 1994. 509
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CULTURAL RESOURCES IN HENRIK IBSEN
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A. INTRODUCTION In his early years,
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meetings then in a place at Opphaug
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confirmation who distinguished them
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things;" in church one could often
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deeply moved, bid farewell to the c
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Lammers also came from Denmark, and
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Grini and the former teacher Søren
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contributed to arousing the boy's h
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and biblical geography, and finally
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up the following alphabetical list
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speciedalers plus expenses in the a
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Venstøp, a property he had bought
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man!" As the statement of an outsta
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II. Textbooks used in Skien’s Lat
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[or] Grønlund, J[ohs.], Tvende af
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"Bions og Moschuss Idyller" Gundela
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"Begyndelsesgrundette av Hjorths Gr
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GEOGRAPHY: 1ste class: "C.L. Platou
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III. The book collection of the Lø
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Anckarsvärd, M.G. Allwastra ruin.
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- - - -. Aandelige Taler over alle
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- - - -. Bion fra Smyrna. Idylliske
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- - - -. Forsthandbuch. Allgemeiner
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- - - -. Tully's offices. In Englis
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Delacroix. Geschichte des Tosmanisc
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Falck-Muus, Rolf. Privatsedlene 180
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- - - -. Merkwürdigkeiten zur Bran
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Guldberg, Frederik Høegh. Plautus.
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- - - -. Herodoti Halicarnassensis
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Huber, Johann Rudolf. Ein Wort des
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- - - -. Plancher til Recueil des O
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Lamberty, G. de. Mémoires pour ser
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Lessing, G.E. Schriften. Vols. 1-6.
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Maintenon [Françoise de.] Lettres.
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[Moreau]. Akter i Sagen, anlagt mod
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Nepos, Cornelius. De vita excellent
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- - - -. Opera quae supersunt. Lips
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- - - -. Origines Hafnienses eller
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Reichard, [H.A.O.] Der Passagier au
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- - - -. Pièces diverses. Vols. 1-
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Schütz, F.W. von. Briefe über Lon
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Sobrino, François. Dictionnaire no
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- - - -. Tids-regning til Ungdommen
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Thiebault, D. Les adieux du duc de
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Underretning om Matrikelskylden som
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[Wagner, Heinrich Christoph]. Anlei
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Zeitung für die elegante Welt 1817
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At end of the list are some observa
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"Brudgommen fra Holland," Lystspil
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"Den 28de Januar," Syngestykke i 2
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[Duvert, Félix Auguste, Desverges
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Scribe, [Aug.] Eug., og [Ant. Fran
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June 22-- "Moden," eller: "Alpehyrd
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Bayard, [Jean François Alfr.], og
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"Henriette og Amalia eller Skoledis
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June 2-- "Onkels Hemmelighed," Lyst
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1843-- CARL JENS PETERSEN’S COMPA
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"Skorsteensfeierdrengene," Vaudevil
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Oehlenschläger, appear in the fore
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V. Erik Bøgh. A travelling theatre
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Miller, who was a judge of characte
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Despite the fact that this little e
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down on his breast as possible, whi
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"Don't be shy! By all means make it
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eckon, the devil crush me, you are
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VI. Elverhøj (“Elves’ Hill”)
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Three white maidens danced in the d
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MOGENS. Well, the tune is lively en
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(To KAREN.) FLEMMING. No, your grac
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(placing herself in front of the do
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I don’t believe it, either; but t
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KING. Well, what is he afraid of? K
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(To FLEMMING.) Ever since the time
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What? You are starting in again abo
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Burn this whole thicket from here o
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KING. Ah! Is he coming back at last
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EBBESEN. I have been out walking. F
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EBBESEN. Who has been so bold as to
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(She sits down in a meditative posi
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Agnete! Wake up! It is as if you we
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Yes, that is true happiness. Oh, my
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Yes, sir! And it is for your sake.
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(rushes over and embraces her). (te
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But I can still love you, my lord,
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Farewell! AGNETE. EBBESEN. Farewell
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grown gray in service. I have been
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God help me! What are you saying, M
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BJØRN. Well, then I did not need t
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How shall I give you the letter? Qu
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Elisabeth! What do you mean? WALKEN
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BJØRN. But what if I tell you that
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BJØRN. And this time he will send
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SCENE SIX. BJØRN. ELISABETH. ELISA
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(Pause.) (Goes to the window.) (Lis
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Why not? FLEMMING. Can you ask that
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ELISABETH. But he is also firm in h
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ELISABETH. Take it Any way you want
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I believe secrets Rain down on you
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Well, then who is it? It is Mr. Ebb
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ELISABETH. You speak as befits a kn
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(Ironically.) I shall not inquire H
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You can count on me. ELISABETH. The
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(They go out.) Leave me in peace! I
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Hurrah! Long life! (They clink thei
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SEVERAL. To dancing! To dancing! MO
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(as she pours for him). (after havi
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And built the church far out, near
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(She runs out.) EBBESEN. Good eveni
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You do not resemble him at all with
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(She fills it.) (Drinks.) MOGENS. I
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AGNETE. Mother! I have often been a
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Unfortunate girl! You must know, As
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His bitterness in the wind? Have th
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How quiet everything is! Already Eb
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2. If you meet a nymph, Leave her t
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Will he imprison me with that ringi
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It must be this place. KING (still
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AGNETE. No, sire, I am only a morta
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AGNETE. Yes, sire! You appear to be
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AGNETE. You are getting angry! KING
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(throws herself down before his fee
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KING. Then come, my daughter! Now I
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KNIGHTS and LADIES, who were specta
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WALKENDORFF. No, your grace! I assu
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WALKENDORFF. Ah! Your grace.... KIN
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WALKENDORFF. Ah! How do you know th
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CHORUS. Protect our king, great God
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I cannot pray any more: Fear and ye
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One is not bored when one is asleep
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By the palm tree, where the chimpan
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If only that were me, who was saili
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My Fernando! CLARA. (Stops suddenly
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While the day streams about you Wit
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And I flee into dead silence In ord
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I know a rumor From which nobody ca
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I am not afraid of anything. CLARA.
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You took me away from life, from lo
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THE COUNT. Then lay your hand on th
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THE COUNT. Remember what you swore,
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Say nothing of what you did tonight
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Then the matter was crude and very
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But yet before the last fold of the
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(half-collapses with a shriek: but
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THE COUNT. What do you want? How da
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Such a thought were surely madness!
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In a cloister, to honor you, Oh, Ma
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ADOLF HERMANSEN, a provincial offic
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Yes, but there is billetting and th
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Yes, indeed it was. LOUISE. And, if
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BRANDT. Yes, of course . . . yes, t
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you should see how proper he was. H
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Indeed they can . . . . Listen, Han
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BRANDT. Moller? No, you are surely
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She is making fun of me. But there
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ADOLF. Yes, naturally. My servant c
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BRANDT. Propose? Propose to Louise?
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You are incorrigible. BRANDT. ADOLF
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Do you know why Adolf has sought so
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That this circumstance, far from su
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BRANDT. Exactly! It is a pleasure t
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LOUISE. No . . . to speak frankly .
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BRANDT. Why? It is only a joke, a b
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Yes, you are right, and therefore I
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So, have you served for a long time
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Louise, are you crazy? A string of
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TWELFTH SCENE. ADOLF. BRANDT (from
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I am saying your wife has a sister,
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BRANDT. You'll get over it; that is
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No, stay here. I'll be right back.
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But all that applies also to you, d
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FIFTEENTH SCENE. The previous. BRAN
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ADOLF (stands up straight). By all
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Oh God, yes, if only one were marri
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Yes, I have just been thinking abou
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Have I forgotten something? The str
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BRANDT (aside to her). You can sure
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BRANDT. But we both found it desira
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My aunt's portrait, painted when sh
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Well, you know, the idea I came her
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LOUISE (aside, as she comes out fro
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Do not tease me any longer. You kno
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LOUISE. That is a matter of conscie
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ADOLF. Then you agree with me? Now,
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I imagined to find consolation in y
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ADOLF. She asked for time to think.
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ADOLF. BRANDT. LOUISE (with hat and
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LOUISE. Yes, I shall see what I can
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ADOLF. But dear God, my flightiness
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IX. Review Articles about the Perfo
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agrees made a great success, guaran
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was not neglected now, and the perf
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memorization was good; and the acti
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had aroused the Inquisition's atten
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C. GRIMSTAD. I. A Memoir of Ibsen i
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months at home. After spending the
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was something peculiar about him. F
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and which he in this way cast off,
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equest he read his latest poem: "In
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Later, however, there were several
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One cannot describe Ibsen's delight
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therefore Dr. Ole Jacob Broche acco
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how under the circumstances in whic
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While we all looked up to Ibsen as
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permission, and with the help of tw
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Naturally we urged him to continue,
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II. The Grimstad Reading Society. T
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4-6 Bd. Devereux. En Fortælling. O
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Conscience, Henrik. Mirakelaaret 15
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- - - -. Chevalier d'Harmental. Ovs
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Høst, Alv. Th. De 100 Dage eller N
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Knubs, Thobias (Pseud.). Efterladte
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Oehlenschlæger, Adam. Øen i Sydha
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20-21. Bd. Qventin Durward, en hist
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Tidsskrift for Reisebeskrivelser. U
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direction is to be expected. Indeed
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By labor is understood every endeav
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that it still remembers about the a
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IV. “Den Skandinaviske Idé” (
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an idea. With an idea it is a quest
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Norway's separation from Denmark, a
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about the unity of Italy, and--in E
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However, when nations have come to
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literature goes, it is evident that
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most beautiful league of nations, w
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initiated above lead more closely o
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What, then, has Norway in particula
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emains actually incompetent, and it
Page 457 and 458: V. Plays Advertised in Christianssa
Page 459 and 460: Feb. 18, A.-- "Recruten, Vaudeville
Page 461 and 462: Heiberg, Joh. Ludv. De Uadskillelig
Page 463 and 464: Henrik Hertz. Indqvarteringen, Lyst
Page 465 and 466: (CTR) vaud. i 2 a. av Schneider. "D
Page 467 and 468: VI. Jørgen Moe. "Indledning." Saml
Page 469 and 470: things considered, we could thereby
Page 471 and 472: Wer hat das schone Liedel erdacht?
Page 473 and 474: To fasten your mouth together!) The
Page 475 and 476: ("If all the boys stood in a line")
Page 477 and 478: The moment is fleeting; like your g
Page 479 and 480: Now she is grown, and yet how often
Page 481 and 482: I have my mistress, just like every
Page 483 and 484: Did not sounds echo in the night's
Page 485 and 486: The singers of summer leave the for
Page 487 and 488: AWAKE, SCANDINAVIANS! An Appeal to
Page 489 and 490: When the earth has long, long cover
Page 491 and 492: You sang so often about "the toweri
Page 493 and 494: 23 The Greek muse of dancing and ch
Page 495 and 496: And would it really please you to f
Page 497 and 498: soon? Harp notes wafted through the
Page 499 and 500: High in Valhalla's Vaulted halls Tr
Page 501 and 502: Hush, how still! Yonder from the ba
Page 503 and 504: BOOKS, PARTS OF BOOKS, AND DISSERTA
Page 505 and 506: Dietrichson, L(orentz). “Samliv m
Page 507: - - -. The life of Henrik Ibsen. Tr
Page 511 and 512: Østvedt, Einar. “Familien Ibsen
Page 513 and 514: - - - -. “Henrik Ibsens Digte.”
Page 515 and 516: Fjelde, Rolf. “‘Introduction’
Page 517 and 518: - - - -. “Ibsen tala mange gonger
Page 519 and 520: - - - -. “Ibsens reise fra hjemby
Page 521: Tresvig, Archie. “Henrik Ibsens u
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