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cultural resources in henrik ibsen's early environment - Ibsen.net

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LOUISE.<br />

Hurry up and let's go, before he sees us. I shall expla<strong>in</strong> everyth<strong>in</strong>g to you.<br />

(She and HANNE run out quickly.) 5<br />

ADOLF.<br />

I shall not keep you any longer. I only wonder if you could tell your lord that I am<br />

wait<strong>in</strong>g for him here.<br />

JOHAN.<br />

He will be here right away. He just ran over to the factory.<br />

(He goes.)<br />

ELEVENTH SCENE.<br />

ADOLF (alone).<br />

My pretty cous<strong>in</strong> is married then, and to Brandt . . . that is dumb, all th<strong>in</strong>gs considered.<br />

What am I do<strong>in</strong>g here then? In the last half hour I have thought more about her than I<br />

would care to admit to myself. I thought about her with all the charms that a young<br />

girl, whose heart is still free, can possess, and now . . . how different the relation one feels<br />

oneself <strong>in</strong>, to a young girl and to a young wife! A young girl has an odor of modesty and<br />

chastity, which no young wife can possess. Yes, all this is certa<strong>in</strong> and true . . . and all the<br />

same, when I ask myself, if Louise now appears less attractive to my imag<strong>in</strong>ation, then I<br />

must be candid and answer no. On the way here I often had doubts. I expected to be<br />

disappo<strong>in</strong>ted this time as so often before. Now, however . . . I am on the po<strong>in</strong>t of<br />

believ<strong>in</strong>g that she <strong>in</strong> particular was meant for me . . . and that she <strong>in</strong> particular is lost for<br />

me.<br />

5 Dur<strong>in</strong>g the performance of this scene the ladies, if it is found desirable, could trade their silk aprons<br />

<strong>in</strong>stead of shawls, and the dialog could be adjusted for it.<br />

332

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