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Developments in Ceramic Materials Research

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The Use of <strong>Ceramic</strong> Pots <strong>in</strong> Old Worship Places 143<br />

Figure 1. The arrangement of resonators <strong>in</strong> a Greek open theatre accord<strong>in</strong>g to Vitruvius After Drum<br />

[19].<br />

This credible theory of Vitruvius was never corroborated by archaeologists as no sound<br />

vessels or cavities were ever discovered <strong>in</strong> ancient theatres. The <strong>in</strong>formation that some of<br />

ancient Greek theatres were supplied with vases come from Vitruvius:“If, however, it is asked<br />

<strong>in</strong> what theatre these vessels have been employed, we cannot po<strong>in</strong>t to any <strong>in</strong> Rome itself, but<br />

only to those <strong>in</strong> the districts of Italy and <strong>in</strong> a good many Greek states. We have also the<br />

evidence of Lucius Mummius, who, after destroy<strong>in</strong>g the theatre <strong>in</strong> Cor<strong>in</strong>th, brought its bronze<br />

vessels to Rome, and made a dedicatory offer<strong>in</strong>g at the temple of Luna with the money<br />

obta<strong>in</strong>ed from the sale of them. Besides, many skilful architects, <strong>in</strong> construct<strong>in</strong>g theatres <strong>in</strong><br />

small towns, have, for lack of means, taken large jars made of clay, but similarly resonant,<br />

and have produced very advantageous results by arrang<strong>in</strong>g them on the pr<strong>in</strong>ciples<br />

described.” Book V Ch V.8 [18].<br />

It is well-known that Vitruvius’ work had a great <strong>in</strong>fluence on Europe for centuries and<br />

especially on the issue of sound vases. Many West European researchers of the past centuries<br />

who studied old monuments of their countries and found walled-<strong>in</strong> vases belong<strong>in</strong>g to the<br />

category of sound vases, <strong>in</strong>terpreted their presence and purpose based ma<strong>in</strong>ly on Vitruvius.<br />

The existence of concave ceramic vases, of various shapes and sizes, has been established<br />

<strong>in</strong>side the mass of the walls and domes of many Christian temples <strong>in</strong> the Greek territory,<br />

dat<strong>in</strong>g from the Early Christian, Byzant<strong>in</strong>e and Post-Byzant<strong>in</strong>e eras. They can be divided <strong>in</strong>to<br />

two categories.<br />

In the first category belong the so called structural vases. Some of the vases of this<br />

category are not visible and can only be identified, after careful <strong>in</strong>spection of the <strong>in</strong>terior<br />

surfaces of the walls and domes of the temples.<br />

This group of walled-<strong>in</strong> vases, can be urn-shaped, spherical or tubular, and can usually be<br />

discovered <strong>in</strong> cases of restoration work, or when we look <strong>in</strong>to some destroyed churches.<br />

These vases are generally located <strong>in</strong> cyl<strong>in</strong>drical or spherical domes and <strong>in</strong> areas with large<br />

concentrations of <strong>in</strong>ert build<strong>in</strong>g material, such as dome crests, <strong>in</strong> heat-<strong>in</strong>sulat<strong>in</strong>g chambers, or<br />

when low protrud<strong>in</strong>g domes are turned to a horizontal chamber (through weight reduction or

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