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Developments in Ceramic Materials Research

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Postclassic Maya <strong>Ceramic</strong> Advances 15<br />

not <strong>in</strong> others). While double slipp<strong>in</strong>g occurs on some of the earlier Postclassic pottery, most<br />

later Postclassic red slips are th<strong>in</strong> and have not been burnished result<strong>in</strong>g <strong>in</strong> a matte f<strong>in</strong>ish.<br />

This matte f<strong>in</strong>ish erodes easily. While the majority of Postclassic slips are th<strong>in</strong>, excavations at<br />

Ch’ich’, Zacpetén, and Tipuj yielded small quantities of Postclassic pottery with highly<br />

burnished, glossy red slips (they are not double slipped). These slips are thicker and not<br />

eroded.<br />

Figure 3. Petén Postclassic pottery decorated with A) hook motifs and B) reptilian motifs. Both sherds<br />

represent the Ixpop Polychrome type and were excavated from Zacpetén.<br />

M<strong>in</strong>eralogical Analyses<br />

With<strong>in</strong> each of the three ceramic wares, variations <strong>in</strong> the type and quantity of m<strong>in</strong>eral and<br />

organic <strong>in</strong>clusions provides <strong>in</strong>formation to suggest that Postclassic Maya potters were mak<strong>in</strong>g<br />

different “recipes” with similar colored clays. Clemencia Cream Paste ware sherds have three

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