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Revision of Passiflora Subgenus Decaloba ... - Passion Flowers

Revision of Passiflora Subgenus Decaloba ... - Passion Flowers

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6<br />

In 1554, Nicolas Monardes published a manuscript describing the medicinal<br />

plants <strong>of</strong> the West Indies (Monardes, 1574). In it he devoted a small section to<br />

the “granadilla.” The plant that he described was delivered to him from Peru and<br />

was used by both the Spanish and indigenous peoples there as a refreshing<br />

drink; it was also used medicinally as a cathartic. Furthermore, this was the first<br />

published account <strong>of</strong> the religious significance <strong>of</strong> the passionflower, though the<br />

symbolism and fame <strong>of</strong> the plant were already known in Europe by that time<br />

(Kugler, 1997; Morren, 1842).<br />

In 1610, an Augustinian friar named Emmanuel de Villegas arrived in Rome<br />

with drawings <strong>of</strong> a passionflower. He showed them to Giacomo Bosio, an Italian<br />

ecclesiastic and historian, who found the flower “stupendously marvelous.” Bosio<br />

then began to receive additional drawings and descriptions <strong>of</strong> the passionflower<br />

from Mexican Jesuits (Hoch, 1934; Kugler, 1997; Morren, 1842; Vanderplank,<br />

2000). In 1609, Simon Parlasca, a Dominican at the University <strong>of</strong> Bologna,<br />

illustrated and described what Linnaeus later called <strong>Passiflora</strong> incarnata L.,<br />

accompanied by religious poetry (cited in Hallman 1749, Hoch 1934, Linnaeus<br />

1745, and MacDougal 1994). With the acquisition <strong>of</strong> these additional illustrations<br />

and accounts, Bosio decided that it was his obligation to present to the world the<br />

flos passionis as the most extraordinary example <strong>of</strong> the passion <strong>of</strong> Christ<br />

discovered in forest or field (Hoch, 1934). In his Della Trionfante e Gloriosa<br />

Croce (1610), Bosio described the flower as having white petals tinged with rose.<br />

The three stigmas exemplified the nails that were used to secure Christ’s feet<br />

and hands to the cross. The outer corona represented the crown <strong>of</strong> thorns and

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