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and swallowing infinite hugs kisses chucks under the chin, charging toward<br />

s the moment when he would acquire the essential characteristic of human be<br />

ings: every day, and only in those rare moments when I was left alone with<br />

the fisherman's pointing finger, I tried to heave myself erect in my cot.<br />

(And while I made unavailing efforts to get to my feet, Amina, too, was in<br />

the grip of a useless resolve she was trying to expel from her mind the dre<br />

am of her unnameable husband, which had replaced the dream of flypaper on t<br />

he night after I was born; a dream of such overwhelming reality that it sta<br />

yed with her throughout her waking hours. In it, Nadir Khan came to her bed<br />

and impregnated her; such was the mischievous perversity of the dream that<br />

it confused Amina about the parentage of her child, and provided me, the c<br />

hild of midnight, with a fourth father to set beside Winkie and Methwold an<br />

d Ahmed Sinai. Agitated but helpless in the clutches of the dream, my mothe<br />

r Amina began at that time to form the fog of guilt which would, in later y<br />

ears, surround her head like a dark black wreath.)<br />

I never heard Wee Willie Winkie in his prime. After his blind eyed bereavem<br />

ent, his sight gradually returned; but something harsh and bitter crept int<br />

o his voice. He told us it was asthma, and continued to arrive at Methwold'<br />

s Estate once a week to sing songs which were, like himself, relics of the<br />

Methwold era. 'Good Night, Ladies,' he sang; and, keeping up to date, added<br />

'The Clouds Will Soon Roll By' to his repertoire, and, a little later, 'Ho<br />

w Much Is That Doggie In The Window?' Placing a sizeable infant with menaci<br />

ngly knocking knees on a small mat beside him in the circus ring, he sang s<br />

ongs filled with nostalgia, and nobody had the heart to turn him away. Wink<br />

ie and the fisherman's finger were two of the few survivals of the days of<br />

William Methwold, because after the Englishman's disappearance his successo<br />

rs emptied his palaces of their abandoned contents. Lila Sabarmati preserve<br />

d her pianola; Ahmed Sinai kept his whisky cabinet; old man Ibrahim came to<br />

terms with ceiling fans; but the goldfish died, some from starvation, othe<br />

rs as a result of being so colossally overfed that they exploded in little<br />

clouds of scales and undigested fish food; the dogs ran wild, and eventuall<br />

y ceased to roam the Estate; and the fading clothes in the old almirahs wer<br />

e distributed amongst the sweeper women and other servants on the Estate, s<br />

o that for years afterwards the heirs of William Methwold were cared for by<br />

men and women wearing the increasingly ragged shirts and cotton print dres<br />

ses of their erstwhile masters. But Winkie and the picture on my wall survi<br />

ved; singer and fisherman became institutions of our lives, like the cockta<br />

il hour, which was already a habit too powerful to be broken. 'Each little<br />

tear and sorrow,' Winkie sang, 'only brings you closer to me…' And his voic<br />

e grew worse and worse, until it sounded like a sitar whose resonating drum<br />

, made out of lacquered pumpkin, had been eaten away by mice; 'It's asthma,

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