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Salman Rushdie Midnight's children Salman Rushdie Midnight's ...

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ere coming to an end, the story of Amina and her long ago underworld husban<br />

d and her assiduity and public announcement and her son who was not her son<br />

and her luck with horses and verrucas and dancing hands in the pioneer Caf<br />

e and last defeat by her sister, and of Ahmed who always lost his way and h<br />

ad a lower lip which stuck out and a squashy belly and went white in a free<br />

ze and succumbed to abstraction and burst dogs open in the street and fell<br />

in love too late and died because of his vulnerability of what falls out of<br />

the sky; flatter than pancakes now, and around them the house exploding collapsing,<br />

of destruction of such vehemence that things which had been buried deep in<br />

forgotten tin trunks flew upward into the air while other things people m<br />

emories were buried under rubble beyond hope of salvation; the fingers of<br />

the explosion reaching down down to the bottom of an almirah and unlocking<br />

a green tin trunk, the clutching hand of the explosion flinging trunk con<br />

tents into air, and now something which has hidden unseen for many years i<br />

s circling in the night like a whirligig piece of the moon, something catc<br />

hing the light of the moon and falling now falling as I pick myself up diz<br />

zily after the blast, something twisting turning somersaulting down, silve<br />

r as moonlight, a wondrously worked silver spittoon inlaid with lapis lazu<br />

li, the past plummeting towards me like a vulture dropped hand to become w<br />

hat purifies and sets me free, because now as I look up there is a feeling<br />

at the back of my head and after that there is only a tiny but infinite m<br />

oment of utter clarity while I tumble forwards to prostrate myself before<br />

my parents' funeral pyre, a minuscule but endless instant of knowing, befo<br />

re I am stripped of past present memory time shame and love, a fleeting, b<br />

ut also timeless explosion in which I bow my head yes I acquiesce yes in t<br />

he necessity of the blow, and then I am empty and free, because all the Sa<br />

leems go pouring out of me, from the baby who appeared in jumbo sized fron<br />

tpage baby snaps to the eighteen year old with his filthy dirty love, pour<br />

ing out goes shame and guilt and wanting to please and needing to be loved<br />

and determined to find a historical role and growing too fast, I am free<br />

of Snotnose and Stainface and Baldy and Sniffer and Mapface and washing ch<br />

ests and Evie Burns and language marches, liberated from Kolynos Kid and t<br />

he breasts of Pia mumani and Alpha and Omega, absolved of the multiple mur<br />

ders of Homi Catrack and Hanif and Aadam Aziz and Prime Minister Jawaharla<br />

l Nehru, I have shaken off five hundred year old whores and confessions of love at dea<br />

rashing on to tarmac, restored to innocence and purity by a tumbling piece<br />

of the moon, wiped clean as a wooden writing chest, brained (just as prophe<br />

sied) by my mother's silver spittoon.<br />

On the morning of September 23rd, the United Nations announced the end of h<br />

ostilities between India and Pakistan. India had occupied less than 500 squ

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