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Hanif Aziz, the only realistic writer working in the Bombay film industry, w<br />

as writing the story of a pickle factory created, run and worked in entirely<br />

by women. There were long scenes describing the formation of a trade union;<br />

there were detailed descriptions of the pickling process. He would quiz Mar<br />

y Pereira about recipes; they would discuss, for hours, the perfect blend of<br />

lemon, lime and garam masala. It is ironic that this arch disciple of natur<br />

alism should have been so skilful (if unconscious) a prophet of his own fami<br />

ly's fortunes; in the indirect kisses of the Lovers of Kashmir he foretold m<br />

y mother and her Nadir Qasim's meetings at the Pioneer Cafe; and in his unfi<br />

lmed chutney scenario, too, there lurked a prophecy of deadly accuracy.<br />

He besieged Homi Catrack with scripts. Catrack produced none of them; they<br />

sat in the small Marine Drive apartment, covering every available surface<br />

, so that you had to pick them off the toilet seat before you could lift i<br />

t; but Catrack (out of charity? Or for another, soon to be revealed reason<br />

?) paid my uncle a studio salary. That was how they survived, Hanif and Pi<br />

a, on the largess of the man who would, in time, become the second human b<br />

eing to be murdered by mushrooming Saleem.<br />

Homi Catrack begged him, 'Maybe just one love scene?' And Pia, 'What do yo<br />

u think, village people are going to give their rupees to see women pickli<br />

ng Alfonsos?' But Hanif, obdurately: 'This is a film about work, not kissi<br />

ng. And nobody pickles Alfonsos. You must use mangoes with bigger stones.'<br />

The ghost of Joe D'Costa did not, so far as I know, follow Mary Pereira int<br />

o exile; however, his absence only served to increase her anxiety. She bega<br />

n, in these Marine Drive days, to fear that he would become visible to othe<br />

rs besides herself, and reveal, during her absence, the awful secrets of wh<br />

at happened at Dr Narlikar's Nursing Home on Independence night. So each mo<br />

rning she left the apartment in a state of jelly like worry, arriving at Bu<br />

ckingham Villa in near collapse; only when she found that Joe had remained<br />

both invisible and silent did she relax. But after she returned to Marine D<br />

rive, laden with samosas and cakes and chutneys, her anxiety began to mount<br />

once again… but ?? I had resolved (having troubles enough of my Own) to ke<br />

ep out of all heads except the Children's, I did not understand why.<br />

Panic attracts panic; on her journeys, sitting in jam packed buses (the tra<br />

ms had just been discontinued), Mary heard all sorts of rumours and tittle<br />

tattle, which she relayed to me as matters of absolute fact. According to M<br />

ary, the country was in the grip of a sort of supernatural invasion. 'Yes,<br />

baba, they say in Kurukshetra an old Sikh woman woke up in her hut and saw<br />

the old time war of the Kurus and Pandavas happening right outside! It was<br />

in the papers and all, she pointed to the place where she saw the chariots<br />

of Arjun and Kama, and there were truly wheel marks in the mud! Baap re baa<br />

p, such so bad things: at Gwalior they have seen the ghost of the Rani of J

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