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Salman Rushdie Midnight's children Salman Rushdie Midnight's ...

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silver spittoon, inlaid with lapis lazuli, asking absurdly, 'Did you steal<br />

this? Because otherwise, you must be is it possible? my Mumtaz's little boy?<br />

' And when I confirmed, 'Yes, none other, I am he ,' the dream spectre of Na<br />

dir Qasim issued a warning: 'Hide. There is little time. Hide while you can.'<br />

Nadir, who had hidden under my grandfather's carpet, came to advise me to d<br />

o likewise; but too late, too late, because now I came properly awake, and<br />

smelled the scent of danger blaring like trumpets in my nose… afraid withou<br />

t knowing why, I got to my feet; and is it my imagination or did Aadam Sina<br />

i open blue eyes to stare gravely into mine? Were my son's eyes also filled<br />

with alarm? Had flap ears heard what a nose had sniffed out? Did father an<br />

d son commune wordlessly in that instant before it all began? I must leave<br />

the question marks hanging, unanswered; but what is certain is that Parvati<br />

, my Laylah Sinai, awoke also and asked, 'What's up, mister? What's got you<br />

r goat?' And I, without fully knowing the reason: 'Hide; stay in here and d<br />

on't come out.'<br />

Then I went outside.<br />

It must have been morning, although the gloom of the endless midnight hung o<br />

ver the ghetto like a fog… through the murky light of the Emergency, I saw c<br />

hildren playing seven tiles, and Picture Singh, with his umbrella folded und<br />

er his left armpit, urinating against the walls of the Friday Mosque; a tiny<br />

bald illusionist was practising driving knives through the neck of his ten<br />

year old apprentice, and already a conjurer had found an audience, and was p<br />

ersuading large woollen balls to drop from the armpits of strangers; while i<br />

n another corner of the ghetto, Chand Sahib the musician was practising his<br />

trumpet playing, placing the ancient mouthpiece of a battered horn against h<br />

is neck and playing it simply by exercising his throat muscles… there, over<br />

there, were the three contortionist triplets, balancing surahis of water on<br />

their heads as they returned to their huts from the colony's single stand pi<br />

pe… in short, everything seemed in order. I began to chide myself for my dre<br />

ams and nasal alarums; but then it started.<br />

The vans and bulldozers came first, rumbling along the main road; they sto<br />

pped opposite the ghetto of the magicians. A loudspeaker began to blare: '<br />

Civic beautification programme… authorized operation of Sanjay Youth Centr<br />

al Committee… prepare instantly for evacuation to new site… this slum is a<br />

public eyesore, can no longer be tolerated… all persons will follow order<br />

s without dissent.' And while a loudspeaker blared, there were figures des<br />

cending from vans: a brightly coloured tent was being hastily erected, and<br />

there were camp beds and surgical equipment… and now from the vans there<br />

poured a stream of finely dressed young ladies of high birth and foreign e<br />

ducation, and then a second river of equally well dressed young men: volun<br />

teers, Sanjay Youth volunteers, doing their bit for society… but then I re<br />

alized no, not volunteers, because all the men had the same curly hair and

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