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, shining and starched, and pajamas to match. I'll wear mirrorworked slippe<br />

rs curling up at the toes, my hair will be neatly brushed (though not parte<br />

d in the centre), my teeth gleaming… in a phrase, I'll look my best. ('Than<br />

k God' from pouting Padma.)<br />

Tomorrow, at last, there will be an end to stories which I (not having been<br />

present at their birth) have to drag out of the whirling recesses of my mi<br />

nd; because the metronome musk of Mountbatten's countdown calendar can be i<br />

gnored no longer. At Methwold's Estate, old Musa is still ticking like a ti<br />

me bomb; but he can't be heard, because another sound is swelling now, deaf<br />

ening, insistent; the sound of seconds passing, of an approaching, inevitab<br />

le midnight.<br />

Tick, tock<br />

Padma can hear it: there's nothing like a countdown for building suspense. I<br />

watched my dung flower at work today, stirring vats like a whirlwind, as if<br />

that would make the time go faster. (And perhaps it did; time, in my experi<br />

ence, has been as variable and inconstant as Bombay's electric power supply.<br />

Just telephone the speaking clock if you don't believe me tied to electrici<br />

ty, it's usually a few hours wrong. Unless we're the ones who are wrong… no<br />

people whose word for 'yesterday' is the same as their word for' tomorrow' c<br />

an be said to have a firm grip on the time.)<br />

But today, Padma heard Mountbatten's ticktock… English made, it beats with r<br />

elentless accuracy. And now the factory is empty; fumes linger, but the vats<br />

are still; and I've kept my word. Dressed up to the nines, I greet Padma as<br />

she rushes to my desk, flounces down on the floor beside me, commands: 'Beg<br />

in.' I give a little satisfied smile; feel the <strong>children</strong> of midnight queueing<br />

up in my head, pushing and jostling like Koli fishwives; I tell them to wai<br />

t, it won't be long now; I clear my throat, give my pen a little shake; and<br />

start.<br />

Thirty two years before the transfer of power, my grandfather bumped his n<br />

ose against Kashmir! earth. There were rubies and diamonds. There was the<br />

ice of the future, waiting beneath the water's skin There was an oath: not<br />

to bow down before god or man. The oath created a hole, which would tempo<br />

rarily be filled by a woman behind a perforated sheet. A boatman who had o<br />

nce prophesied dynasties lurking in my grandfather's nose ferried him angr<br />

ily across a lake. There were blind landowners and lady wrestlers. And the<br />

re was a sheet in a gloomy room. On that day, my inheritance began to form<br />

the blue of Kashmiri sky which dripped into my grandfather's eyes; the lo<br />

ng sufferings of my great grandmother which would become the forebearance<br />

of my own mother and the late steeliness of Naseem Aziz; my great grandfat

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