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e day during my stay my aunt Sonia heard about a rishi from Hardwar who was<br />

reputedly three hundred and ninety five years old and had memorized the ge<br />

nealogies of every single Brahmin clan in the country. 'Even in that,' she<br />

screeched at my uncle, 'you end up being number two!' The existence of the<br />

Hardwar rishi completed her descent into insanity, so that her violence tow<br />

ards her <strong>children</strong> increased to the point at which we lived in daily expecta<br />

tion of murder, and in the end my uncle Mustapha was forced to have her loc<br />

ked away, because her excesses were embarrassing him in his work.<br />

This, then, was the family to which I had come. Their presence in Delhi cam<br />

e to seem, in my eyes, like a desecration of my own past; in a city which,<br />

for me, was forever possessed by the ghosts of the young Ahmed and Amina, t<br />

his terrible Fly was crawling upon sacred soil.<br />

But what can never be proved for certain is that, in the years ahead, my unc<br />

le's genealogical obsession would be placed at the service of a government w<br />

hich was falling increasingly beneath the twin spells of power and astrology<br />

; so that what happened at the Widows' Hostel might never have happened with<br />

out his help… but no, I have been a traitor, too; I do not condemn; all I am<br />

saying is that I once saw, amongst his genealogical log books, a black leat<br />

her folder labelled top secret, and titled project m.c.c.<br />

The end is near, and cannot be escaped much longer; but while the Indira sark<br />

ar, like her father's administration, consults daily with purveyors of occult<br />

lore; while Benarsi seers help to shape the history of India, I must digress<br />

into painful, personal recollections; because it was at Uncle Mustapha's tha<br />

t I learned, for certain, about the deaths of my family in the war of '65; an<br />

d also about the disappearance, just a few days before my arrival, of the fam<br />

ous Pakistani singer Jamila Singer.<br />

… When mad aunt Sonia heard that I had fought on the wrong side in the war,<br />

she refused to feed me (we were at dinner), and screeched, 'God, you have<br />

a cheek, you know that? Don't you have a brain to think with? You come to a<br />

Senior Civil Servant's house an escaped war criminal, Allah! You want to l<br />

ose your uncle his job? You want to put us all out on the street? Catch you<br />

r ears for shame, boy! Go go, get out, or better, we should call the police<br />

and hand you over just now! Go, be a prisoner of war, why should we care,<br />

you are not even our departed sister's true born son…'<br />

Thunderbolts, one after the other: Saleem fears for his safety, and simultan<br />

eously learns the inescapable truth about his mother's death, and also that<br />

his position is weaker than he thought, because in this part of his family t<br />

he act of acceptance has not been made; Sonia, knowing what Mary Pereira con<br />

fessed, is capable of anything!…<br />

And I, feebly, 'My mother? Departed?' And now Uncle Mustapha, perhaps feel<br />

ing that his wife has gone too far, says reluctantly, 'Never mind, Saleem,<br />

of course you must stay he must, wife, what else to do? and poor fellow d

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