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The Ecclesiastical History of Evagrius Scholasticus - Coptic ...

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INTRODUCTION lv<br />

long-winded to those who are eager for the end <strong>of</strong> the events; thereby I<br />

have given an opportunity to those who wish to know everything<br />

minutely both to peruse them and to form an accurate impression <strong>of</strong><br />

everything’ (ii.4, p. 44:11^17). On two occasions, <strong>Evagrius</strong>’ refusal to<br />

provide full information has a clear defensive purpose: those interested<br />

in the explanation for Eudocia’s trips to Jerusalem are referred to ‘the<br />

historians, even though they do not seem to me to be truthful’ (i.21, p.<br />

29:20^1), while there is even stronger condemnation <strong>of</strong> the inaccuracies<br />

<strong>of</strong> writers who might relate the actions <strong>of</strong> Philippicus while in charge <strong>of</strong><br />

the eastern army (vi.3, p. 224:14^18).<br />

EVAGRIUS AS AUTHOR<br />

Patriarch Photius (cod. 29), in his brief assessment <strong>of</strong> <strong>Evagrius</strong>, o¡ered<br />

the judgement that ‘his style is not without charm, even if it sometimes<br />

seems to be somewhat excessive’. 104 Of his predecessors in the tradition<br />

<strong>of</strong> ecclesiastical historiography, Socrates’ deliberately plain style<br />

received the comment that there was nothing remarkable in it (cod. 28),<br />

Sozomen was regarded as superior to Socrates (cod. 30), and only <strong>The</strong>odoret<br />

was accorded a complimentary notice ^ he employed the appropriate<br />

style, clear, elevated and restrained, though occasionally his<br />

metaphors were excessive (cod. 31). <strong>Evagrius</strong> himself praised elegance<br />

<strong>of</strong> style in other writers, and, whatever the traditionally modest protestations<br />

<strong>of</strong> his introduction, 105 he clearly hoped that his narrative would<br />

strike its readers as a pleasant interweaving <strong>of</strong> materials. 106 <strong>Evagrius</strong>’<br />

attention to stylistic matters has been seen as one <strong>of</strong> the indications that<br />

he was departing from the conventions <strong>of</strong> ecclesiastical historiography<br />

and adopting the habits <strong>of</strong> secular historians, 107 but the precedent <strong>of</strong><br />

<strong>The</strong>odoret and the stylistic polemic <strong>of</strong> Socrates ^ both defensive in<br />

respect to his own work (vi.1) and critical <strong>of</strong> the lost history by Philip <strong>of</strong><br />

Side (vii.27) ^ indicate that <strong>Evagrius</strong> was not, in fact, being innovative<br />

in this respect.<br />

Diversity <strong>of</strong> subject matter was a factor in <strong>Evagrius</strong>’ literary organization,<br />

and he presents a blend <strong>of</strong> ecclesiastical documentation and<br />

104 <strong>The</strong> most complete discussion <strong>of</strong> <strong>Evagrius</strong>’ linguistic and stylistic practice is Thurmayr,<br />

Studien; Caires, ‘<strong>Evagrius</strong>’, makes a number <strong>of</strong> useful observations.<br />

105 Priscus (i.17), Eustathius (i.19), Procopius (iv.12).<br />

106 <strong>The</strong> weaving image is employed at i.1; iv.11, 29.<br />

107 Allen, <strong>Evagrius</strong> 51^2; ‘Aspects’ 377^81.

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