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TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...

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obsessive desire most critics find to be Propertius‘s central preoccupation. Pound's<br />

slighting treatment of Cynthia is based in his assumption that the truth of their<br />

relationship was recorded in 4.8., the so-called ―Ride to Lanuvium.‖<br />

In 4.8., Propertius organizes an evening of debauchery with two courtesans.<br />

Cynthia has taken a trip to Lanuvium with a different lover to observe the annual fertility<br />

rites on display there. The rites include the chore of feeding a deadly snake in a cave by a<br />

young virgin. Be she impure, the snake will bite her, she will die, and the year's harvest<br />

will fail. Cynthia and her paramour are attending only to mock this magical thinking in a<br />

carnivalesque concupiscent display. Meanwhile, Propertius, neglected by Cynthia, is<br />

having his revenge. Unfortunately for him, Cynthia returns early, reads him the riot act,<br />

and winds up spending the evening in his arms, the two courtesans having been driven<br />

out. Micaela Janan provides the best summary:<br />

Failing of the goal in one sense or another can be amply<br />

documented from Propertius‘s whole chronicle of his affair with<br />

Cynthia, not just this poem; his verses schematically mirror a via<br />

dolorosa of sexual antagonism that anticipates the elegant sorrows<br />

of courtly love. However, 4.8 intensifies the sense of impasse by<br />

reducing him to impotence and his mistress to violence,<br />

degradations that the fragile congeniality of the poem's conclusion<br />

does more to underline than to erase (as we shall see). The elegy<br />

may be read – in this as in other respects – as a conspectus on their<br />

entire relationship, especially since it is his collection's very last<br />

word on the subject. Beneath the joyful comedy of this elegy lurks<br />

an unresolved tension, rendered all the more insistent by the<br />

uneasy proximity of Cynthia‘s ghost in 4.7 and her embittered<br />

retrospect on their romance. Why should Propertius‘s final word<br />

on the affair be so fraught with doubt and subterranean despair?<br />

(117 The Politics of Desire: Propertius IV Micaela Janan)<br />

Janan believes that Propertius‘s despair is located in his insight into sexuality. Propertius<br />

discovers that as a mode of being in the world, sexuality is inherently flawed. 4.8, while<br />

92

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