TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...
TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...
TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...
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Adorno acknowledges that Kant‘s work had led German philosophy into a morass of<br />
subjective formalism. Turning to phenomenology for answers, Adorno notices that it also<br />
fails to overcome the subjectivistic bias when it assumes the Idealist/ rationalist ratio as<br />
its starting point. Like neo-Kantianism, phenomenology posits the dualism of nature and<br />
history, winding up in investigations of an essentially ontic structure of being that ignores<br />
the historically situated constructions of any particular consciousness. In essence, Adorno<br />
rejects as false the idea that being can be understood through an awareness of the<br />
―historicity‖ of a subject. The difference between the historical subject and its<br />
emplotment gives to that emplotment an unfair advantage within the autonomous ratio<br />
that this kind of phenomenology unknowingly assumes and uses to draw distinctions.<br />
Adorno rejects Heidegger‘s Idealism, for, like Kant, it begins with a disposition towards<br />
an autonomous reason that has no other mode of expression than subjectively imposed<br />
forms. The ratio assumes that ―Being,‖ as a kind of totality, is the only apt claim in which<br />
the absolute subject can express its interests. In this it assumes the priority of the actual<br />
over the possible in the formation of any subject‘s identity: ―ratio‖ maintains the<br />
superiority of the category over its elements. Historicity, the way we categorize<br />
phenomena, is an illusory solution to the problem of reconciling the dialectics of nature<br />
and history:<br />
In the tradition of subjectivistic idealism, historicity assumes their<br />
division at the point where categorical thought excludes facticity.<br />
Heidegger simply reduces history to nature by subsuming it under<br />
historicity. Rather than the reduction of history to a natural fact,<br />
Adorno urges, it is necessary to be able to grasp history itself as<br />
nature and nature itself as history. This capacity would overcome<br />
the subjectivistic predominance of thought over its object and<br />
amount to an actual solution to the problem of relativism. (Hullot-<br />
Kentor 244)<br />
174