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TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...

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Adorno acknowledges that Kant‘s work had led German philosophy into a morass of<br />

subjective formalism. Turning to phenomenology for answers, Adorno notices that it also<br />

fails to overcome the subjectivistic bias when it assumes the Idealist/ rationalist ratio as<br />

its starting point. Like neo-Kantianism, phenomenology posits the dualism of nature and<br />

history, winding up in investigations of an essentially ontic structure of being that ignores<br />

the historically situated constructions of any particular consciousness. In essence, Adorno<br />

rejects as false the idea that being can be understood through an awareness of the<br />

―historicity‖ of a subject. The difference between the historical subject and its<br />

emplotment gives to that emplotment an unfair advantage within the autonomous ratio<br />

that this kind of phenomenology unknowingly assumes and uses to draw distinctions.<br />

Adorno rejects Heidegger‘s Idealism, for, like Kant, it begins with a disposition towards<br />

an autonomous reason that has no other mode of expression than subjectively imposed<br />

forms. The ratio assumes that ―Being,‖ as a kind of totality, is the only apt claim in which<br />

the absolute subject can express its interests. In this it assumes the priority of the actual<br />

over the possible in the formation of any subject‘s identity: ―ratio‖ maintains the<br />

superiority of the category over its elements. Historicity, the way we categorize<br />

phenomena, is an illusory solution to the problem of reconciling the dialectics of nature<br />

and history:<br />

In the tradition of subjectivistic idealism, historicity assumes their<br />

division at the point where categorical thought excludes facticity.<br />

Heidegger simply reduces history to nature by subsuming it under<br />

historicity. Rather than the reduction of history to a natural fact,<br />

Adorno urges, it is necessary to be able to grasp history itself as<br />

nature and nature itself as history. This capacity would overcome<br />

the subjectivistic predominance of thought over its object and<br />

amount to an actual solution to the problem of relativism. (Hullot-<br />

Kentor 244)<br />

174

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