TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...
TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...
TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...
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Do come, do come. I can see us at Breakfast splitting a fig,<br />
muttering over the foulness of the tea (chose que je fais seule a<br />
present). Now and then a scandal will raise our laughter; there will<br />
be hours devoted to the 2 typewriters. Do come…<br />
I feel so ill in the mornings, so exhausted most of the time; arrivez<br />
me tenir compaignie – come as soon as you get this – documents<br />
abound in Italy you know – you can refresh (!) yourself amongst<br />
them after having seen the Princess Volupines floating, and<br />
dancing. 14<br />
On October the 11 th she asks Pound for more information about Malatesta:<br />
Ah dearie me – will a 50 th century Ezra look into our lives and<br />
wash-list do you think? You told me much too little of the plan of<br />
Sigismondo – give me a very clear idea of its shape and portent,<br />
and intent. Isotta? And her blue gown, and the intended poisoning.<br />
Cunard is already working on gathering information about Sigismondo and Isotta<br />
as well as other figures like Alberti, the artist Malatesta hired to renovate his temple.<br />
Another letter begins:<br />
Wed<br />
Ezra.<br />
You now have an enemy in Venice! or rather I have one for<br />
you. Went to [Ongavia] at once, and stuffy they were indeed. The<br />
man took your letter from me, I pointing out the names merely, and<br />
read a line or two previous before he could be stopped _ _ ―The<br />
bruites‖ says he, ―oo are the bruites, hein?‖ it was a good moment.<br />
And they had no historical catalogue, nor anything else (I will go<br />
elsewhere now) and all the information was that Alberti was an<br />
architect.<br />
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