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TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...

TABOO: THE ACTUAL MODERNIST AESTHETIC, MADE REAL A ...

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Do come, do come. I can see us at Breakfast splitting a fig,<br />

muttering over the foulness of the tea (chose que je fais seule a<br />

present). Now and then a scandal will raise our laughter; there will<br />

be hours devoted to the 2 typewriters. Do come…<br />

I feel so ill in the mornings, so exhausted most of the time; arrivez<br />

me tenir compaignie – come as soon as you get this – documents<br />

abound in Italy you know – you can refresh (!) yourself amongst<br />

them after having seen the Princess Volupines floating, and<br />

dancing. 14<br />

On October the 11 th she asks Pound for more information about Malatesta:<br />

Ah dearie me – will a 50 th century Ezra look into our lives and<br />

wash-list do you think? You told me much too little of the plan of<br />

Sigismondo – give me a very clear idea of its shape and portent,<br />

and intent. Isotta? And her blue gown, and the intended poisoning.<br />

Cunard is already working on gathering information about Sigismondo and Isotta<br />

as well as other figures like Alberti, the artist Malatesta hired to renovate his temple.<br />

Another letter begins:<br />

Wed<br />

Ezra.<br />

You now have an enemy in Venice! or rather I have one for<br />

you. Went to [Ongavia] at once, and stuffy they were indeed. The<br />

man took your letter from me, I pointing out the names merely, and<br />

read a line or two previous before he could be stopped _ _ ―The<br />

bruites‖ says he, ―oo are the bruites, hein?‖ it was a good moment.<br />

And they had no historical catalogue, nor anything else (I will go<br />

elsewhere now) and all the information was that Alberti was an<br />

architect.<br />

142

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