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Positional Neutralization - Linguistics - University of California ...

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emoval <strong>of</strong> “particularly loud and lengthy vowel qualities” from unstressed syllables. The<br />

basic idea behind prominence reduction is that prominent segments should be aligned to<br />

prominent positions, while non-prominent segments should be aligned to non-prominent<br />

positions. Crosswhite conceives <strong>of</strong> prominent segments as those which are more<br />

sonorous, where sonority for her a measure derived from a combination <strong>of</strong> phonetic<br />

factors, including at least duration and low-frequency amplitude (2001: 37). For the<br />

purposes <strong>of</strong> vowel reduction, this measure characterizes differences in vowel height, with<br />

the caveat that unstressed schwa, conceived <strong>of</strong> as a placeless, targetless vowel, is less<br />

sonorous even than the high vowels. Prominent positions for our purposes here are<br />

stressed syllables. Crosswhite is careful in all this, incidentally, to distinguish prominence<br />

reduction from the gestural undershoot <strong>of</strong> Lindblom (1963), discussed above. Briefly, her<br />

reasons are this: “...in vowel undershoot, decreased articulation time leads to a change in<br />

vowel quality, and can be traced to a desire to avoid effortful articulations (i.e. ones in<br />

which articulator movement must be fast). In contrast, in prominence-reducing vowel<br />

reduction, a change in vowel quality leads to a decrease in articulation time” (p. 46). Her<br />

argument is with the employment <strong>of</strong> articulatory undershoot to derive categorical UVR<br />

patterns synchronically. In OT terms, prominence reduction is implemented in a manner<br />

similar to that which Prince and Smolensky (1993) use to derive the role <strong>of</strong> sonority in<br />

79

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