Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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JIMÉNEZ, Carlos Ruiz, A. 2006. From Ecodesign to Ecotourism. The image of the Canary Islands in Design for Tourism since 1970. ICDHS, Proceedings of the 5th Conference of the ICDHS. Connecting: a conference on the multivocality of design history and design studies. Helsinki (Finland) & Tallinn (Estonia). About the author Carlos Jiménez is the Head of the Product and Interior Design Department at ESDi Higher School of Design, Ramon Llull University. His research interests embrace the design potential to catalyze local and communitarian development processes, with a special focus in peripheral areas. He is M.Sc. in Ecodesign and BA. in Fine Arts. Design Frontiers: Territiories, Concepts, Technologies 162
Politics of fragility in Catalonia: radical austerity in postwar context, its origins and continuity until nowadays MITRANI, Alex / Lecturer / Escola de Disseny i Art EINA / Spain Catalonia / Post-war / Micro-politics / Fragility / Mediterrean / Etics / Design / Crafts / Crisis In the adverse conditions of the Spanish post-war, a group of creators tried to connect with the Mediterranean avant-garde and moved towards a radical austerity marked by realist pragmatism. This policy of fragility was characterised by an adaptation to precariousness and an inspiration in craft together with a desire for modernity. Today, this movement seems to have re-emerged, introducing concerns such as sustainability and the negotiation between nostalgia and irony. 1. The inheritance of the G.A.T.C.P.A.C.: a rationalist and Mediterranean utopia. It was in the context of republican optimism and reformism that the Groups of Catalan Architects and Technicians for Progress in Contemporary Architecture (G.A.C.T.P.A.C.) drew up the principles of rationalist architecture inspired by popular Mediterranean tradition (Pizza, 2001). Social and political concern to improve living conditions for the working classes joined with modernity and rural compensation for urban aggression. The small, prefabricated Collapsible Beach House in 1932 and the Weekend House of 1935 exemplified these aspirations and the corresponding aesthetic: simple, economical, contact with nature combined with a secluded interior, concern for the health of the user, local and traditional solutions (e.g. the Catalan vault), light, traditional furnishings and decoration (rush furniture and traditional ceramics). These projects were accompanied by theoretical and academic articles in the group’s journal, A.C. which highlight the importance of discovering the traditional architecture of the island of Ibiza. One of those involved was the artist Raoul Hausmann, founder of Berlin Dadaism and a radical critic of the conservative institutions of the west. Josep Lluis Sert established a set of principles in which rationality depended on human scale, pragmatism and flexibility. The furniture for this architecture answered to the same criteria, possible with a small dose of archaism in the use of cottage industry and craft materials. The best example of this is the armchair by Josep Torres- Clavé in 1934, which was inspired in traditional Ibizan chairs known as “cadiretes”. The “Catalan chair” by German Rodríguez-Arias, exiled to Chile in 1942, already marked by certain nostalgia, is the stylised version of a popular lounger, using light, simple materials: pine and rush. In the post-war period one of the essential factors for the conservation of these projects, vary discreet and subtle as a results of the repression of any legacy of the Republic by the Franco regime, was already Joan Miró, who acted as a master and model for the Dau al Set group (1948) and led the recovery of avantgarde art. Miró not only acted as an artistic reference but also as a broader moral and aesthetic example. In that sense the daring and refined book Atmósfera Miró (SWEENEY, 1959) is revealing. The book presented a visual report on Miró’s working environment and the objects and landscapes that formed part of his daily life and his poetics, in which one can appreciate his love of small, natural and popular things. Using them together he created an image of the Mediterranean as a close and modest world, but also one that is primitive and charged with meaning. The artist’s commission for a new studio in Palma de Mallorca in 1956, designed by Sert, was the opportunity for international modernity and Mediterranean localism to meet up once again as a foundation for a renewal that once again linked to the principles of the G.A.T.C.P.A.C. with Miró’s strong, expressive poetics. 2. The post-war period: from militant Franciscanism to a fashionable tendency. One of the leaders of the R Group, founded in 1951 for the renewal of architecture (which became active again after the dismantling of the G.A.T.C.P.A.C) was Antoni de Moragas i Gallisà. Like the rest of the group, his interest in design was fundamental. On the suggestion of Gio Ponti, in 1957 Moragas proposed the creation of an Institute of Industrial Design and he would end up being the catalyst for the crucial and prosperous ADI-FAD (the Association for Industrial Design and Promotion of the Decorative Arts). Before looking at other more ambitious works, it is interesting to analyse a small work that he produced very early on in his career: the boundary cross that he made in the small town of Argentona in 1945. In the face of the pretentious, spectacular and triumphant nature of religious symbols (since the manipulation of the Franco government), Moragas proposed a barbaric primitivism that seemed to even assume a certain degree of ugliness. The cross is stuck onto a wooden bean, like a telegraph or light pole with a strident and very simple protective cover. It is decorated with a series of Romanic-inspired stone relief sculptures, attached like ex-votos. In the Parish of Sant Jaume (1957), in the working class city of Badalona, he took an existing warehouse and turned it into a place of worship with just a modest investment (fig. 1). Moragas doesn’t hide the building’s origin, maintaining its impoverished character and even accentuating it by adding basic industrial materials: brick, glass blocks, breeze blocks, cement and wood. The result of both these works is a primitive and in- Design Frontiers: Territiories, Concepts, Technologies / Proceedings of the 8th Conference of the International Committee for Design History & Design Studies - ICDHS 2012 / São Paulo, Brazil / © 2012 Blucher / ISBN 978-85-212-0692-7
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Priscila Lena Farias / Anna Calvera
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Design Frontiers: Territories, Conc
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The following chapter contains 28 p
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68 The Information Department at th
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179 Political Toys: Perón’s gift
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285 Design promotion in Belgium in
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396 Graphic innovations implemented
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502 The graphic translation by the
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612 About the editors / 613 About I
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Art, symbolism and power in Moche S
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JORDÁN, Régulo Franco Figure 5. H
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JORDÁN, Régulo Franco Figure 14.
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Pioneers of Brazilian Design CUNHA
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CUNHA LIMA, Guilherme Janeiro. In t
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Traditions, archaeologies and genea
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Traditions, archaeologies and genea
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History of design education Haruhik
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Academies of Art and schools of Des
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Academies of Art and schools of Des
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A fruitless misunderstanding: the h
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Japanese industrial design concepts
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AMAGAI, Yoshinori design new Japane
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Best Maugard, Elena Izcue and Theod
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BARBOSA, Ana Mae Figure 2. Surface
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BARBOSA, Ana Mae lic education. Mas
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Design history: from service subjec
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Design history: from service subjec
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Pevsner on Design education: meetin
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Pevsner on Design education: meetin
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Antipodean Design Science: applied
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WAITE, Noel nificant sea-change in
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Bauhaus pedagogy and digital design
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ANAY, Hakan / ÖZTEN, Ülkü concep
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ANAY, Hakan / ÖZTEN, Ülkü Ülkü
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The Information Department at the U
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The Information Department at the U
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Search for meaning: a study on the
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CAMARGO, Iara Pierro de / VELLOSO,
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CAMARGO, Iara Pierro de / VELLOSO,
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(not)Solving (non)problems: Design
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(not)Solving (non)problems: Design
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The role of typeface categorization
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A sparkle in people’s eyes PACHEC
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PACHECO, Heliana Soneghet / TOLEDO,
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Past, present and future of designe
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LIMA, Ana Gabriela Godinho / STEFAN
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John Ross’ pioneering role and co
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RYU, Hyun-guk The author(s) of this
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RYU, Hyun-guk The author(s) of this
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Teaching arts and crafts or the tec
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Teaching arts and crafts or the tec
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Design in Brazil: which revolution?
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NOBRE, Ana Luiza Nations Economic C
Page 111 and 112: The historical trajectory of the pi
Page 113 and 114: The historical trajectory of the pi
Page 115 and 116: Educational practice discourse on t
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Page 119 and 120: Identities and territories Oscar Sa
Page 121 and 122: The island of Italian Design? Some
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Page 125 and 126: Design without borders: the nomadic
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Page 129 and 130: BARBOSA, Lara Leite goods. A better
Page 131 and 132: Redesigning Turkish cult objects: f
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Page 135 and 136: Incubation in isolation: how distan
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Page 143 and 144: Design Promises: the case study of
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Page 149 and 150: Who’s who in brazilian design? No
Page 151 and 152: SOUZA LEITE, João de vironments. 4
Page 153 and 154: Territories of practice: convergenc
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Page 157 and 158: TEASLEY, Sarah The author(s) of thi
Page 159 and 160: Paradise identity, between projecti
Page 161: Paradise identity, between projecti
Page 165 and 166: MITRANI, Alex whether on a table to
Page 167 and 168: Designing ‘The House of Man’: F
Page 169 and 170: MEKINDA, Jonathan solini’s regime
Page 171 and 172: ‘Swedish Modern’ meets internat
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Page 175 and 176: Imported design ideas and its sprea
Page 177 and 178: CORTÉS, Dannae / CRUZ, Aura / GALL
Page 179 and 180: Political Toys: Perón’s gifts fo
Page 181 and 182: BENDESKY, Mora Figure 2. Mundo Pero
Page 183 and 184: The identity and design of the mode
Page 185 and 186: YOSHIMURA, Noriko cles were adopted
Page 187 and 188: Lira Popular, chilean broadsheets f
Page 189 and 190: MALACCHINI, Simoné pages had been
Page 191 and 192: MALACCHINI, Simoné Acknowledgment
Page 193 and 194: The signature of Portuguese posters
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Page 197 and 198: From the improvisation to the solut
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Page 201 and 202: Design of dissent: the multimodal d
Page 203 and 204: Figure 6/7/8/9. Glaser: 1997, Olive
Page 205 and 206: Design and the street GEIGER, Noni
Page 207 and 208: GEIGER, Noni Figure 2. Some spreads
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Page 211 and 212: Designing new tattoos technology. T
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Designing new tattoos 5. Conclusion
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Outside looking in: foreign percept
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Outside looking in: foreign percept
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Corporate identity in a global mark
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SKJERVEN, Astrid of the UK protecto
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Mapping and analysis possibilities
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PEREIRA, Fabiano Encourage recognit
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PEREIRA, Fabiano Figure 8. Filezim
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Graphic narratives of the domestic
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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Place branding: graphic design’s
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CARDOSO, Helder / PERASSI, Richard
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CARDOSO, Helder / PERASSI, Richard
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Public information: Design, visibil
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Here we don’t speak, here we whis
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MATOS, Sónia interactive phenomena
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MATOS, Sónia Noë, A. 2004. Experi
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Modernity boundaries in the process
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Modernity boundaries in the process
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Packaging design in Portugal during
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Packaging design in Portugal during
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Ocuppy Design: São Paulo and New Y
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Ocuppy Design: São Paulo and New Y
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A practical experience on acting lo
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A practical experience on acting lo
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The doctrines of Good Taste BÁRTOL
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BÁRTOLO, Carlos the designed purpo
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BÁRTOLO, Carlos Rivero, Á. 2010.
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Between art and Industry The Factor
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Between art and Industry file of th
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Transforming territories and forgin
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Transforming territories and forgin
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The Belgian participation in the Mi
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Furnishing the street HERRING, Elli
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HERRING, Ellie 1963 onwards. There
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Design promotion in Belgium in the
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SERULUS, Katarina More concretely,
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SERULUS, Katarina 1954-1958. Brusse
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Carmen Miranda, Marca Brasil (Brazi
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Carmen Miranda, Marca Brasil (Brazi
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Sweden designed by Ikea ally clear,
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Sweden designed by Ikea ducers of h
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Opportunities and challenges for th
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Opportunities and challenges for th
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Design as strategy to improve woode
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NUNES, Viviane / ZURLO, Francesco P
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The Italian public system supportin
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MORTATI, Marzia / SIMONELLI, Giulia
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MORTATI, Marzia / SIMONELLI, Giulia
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Contributions of design: a tool to
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Techniques and technologies Paul At
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A survey on low-income housing rese
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A survey on low-income housing rese
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Design of elastic form with paramet
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LARA, Arthur H. / MAGRI, Paulo H. G
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LARA, Arthur H. / MAGRI, Paulo H. G
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Digital personal fabrication: socia
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Living system design Studio: from d
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PAIO, Alexandra / OLIVEIRA, Maria J
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PAIO, Alexandra / OLIVEIRA, Maria J
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The evolving terrain of the book: A
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The evolving terrain of the book: A
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Joining Up: evaluating technologica
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Joining Up: evaluating technologica
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Making Space: the future places, to
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Making Space: the future places, to
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Designing through the loop: program
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SILVA-JETTER, Jorge The following e
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SILVA-JETTER, Jorge importance to n
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Sewn or Simulated: transformational
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Sewn or Simulated: transformational
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The use of ceramics within the sign
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FERRAZ, Nicoli / ALVAREZ, Cristina
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FERRAZ, Nicoli / ALVAREZ, Cristina
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History, Design and technology in t
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History, Design and technology in t
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Design for glass: a study of the hi
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Design for glass: a study of the hi
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How to supply designers effectively
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ZITKUS, Emilene / LANGDON, Patrick
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ZITKUS, Emilene / LANGDON, Patrick
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Online platforms for the co-Design
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Online platforms for the co-Design
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Relationships between Neuroscience
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Relationships between Neuroscience
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The voices of the users: how techno
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ESSI, Kuure / LINDSTRÖM, Antti tec
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ESSI, Kuure / LINDSTRÖM, Antti Enc
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Graphic innovations implemented in
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Graphic innovations implemented in
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Firebird: Alex Steinweiss’ 78rpm
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Firebird: Alex Steinweiss’ 78rpm
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The presence of the autotype techni
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Dutch maps of Pernambuco from the s
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Dutch maps of Pernambuco from the s
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Co-ordinated design policy and the
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PRESTON, David Henrion and Parkin
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From ‘Do it yourself’ to ‘Ope
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MALDINI, Irene the stages of creati
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Contributions of improvisation tech
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MASSARA, Bruno Based on a deleuzian
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Human development design centered:
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FLORES MAGóN Y JIMÉNEZ, Héctor /
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FLORES MAGóN Y JIMÉNEZ, Héctor /
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Identity across boundaries. A study
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Identity across boundaries. A study
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Digital clothing manufacture: digit
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Digital clothing manufacture: digit
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How to go from the file to the fact
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BARBOSA, Wilson / CELANI, Gabriela
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Space, information and cosmology in
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BOECHAT, Marina Pantoja tween ‘ph
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The new imperialism: the internatio
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Frontiers of looking past: a Nietzs
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Frontiers of looking past: a Nietzs
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Design, histories, empires and peri
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Design, histories, empires and peri
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Mythification of national discourse
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Mythification of National Discourse
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Mythification of National Discourse
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Towards a digital batavia: resonanc
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Towards a Digital Batavia: Resonanc
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Questionable translatability: theco
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Questionable translatability: theco
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Eastern craft in Orientalism and Mo
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Eastern craft in Orientalism and Mo
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Mapping Cup & Saucer Design in the
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Mapping Cup & Saucer Design in the
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Mappin tells the history of graphic
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“Go you too to Amazonia”: analy
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“Go you too to Amazonia”: analy
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Organic Design, MoMA 1940: the brea
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Organic Design, MoMA 1940: the brea
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Modern design meets Latin America:
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Modern design meets Latin America:
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Lina Bo Bardi and Aloisio Magalhãe
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Lina Bo Bardi and Aloisio Magalhãe
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The graphic translation by the desi
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The Graphic Translation by the Desi
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The design of Manoel Bandeira: a hi
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The design of Manoel Bandeira: a hi
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Open strand Victor Margolin / Chair
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Brazilian Graphic Design in the ‘
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Brazilian Graphic Design in the ‘
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The Design of book bovers in Brazil
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The Design of book bovers in Brazil
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The design of Fred Jordan With his
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The design of Fred Jordan Figure 2.
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Domestic technologies and moderniza
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Domestic technologies and moderniza
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la escuela de Artes y Oficios de sa
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CAsTillO, eduardo The author(s) of
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Itineraries for a Design Culture in
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FARKAS, Mónica / STERLA, Mauricio
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Sertanejo Art Deco: an inspiration
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SOUZA, José Marconi B. de / ROSSI,
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SOUZA, José Marconi B. de / ROSSI,
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Souza, José Marconi B. de / Rossi,
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Architectural lettering: from infor
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Architectural lettering: from infor
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A dialogue between art and city thr
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HANNS, Daniela Kutschat / DE MARCHI
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Vernacular design: a discussion on
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Vernacular design: A discussion on
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Italian Radicals and Dutch conceptu
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Italian Radicals and Dutch Conceptu
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Italian Radicals and Dutch Conceptu
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Art criticism and the semantic cons
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Art criticism and the semantic cons
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Interieur Kortrijk, an edu-commerci
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Interieur Kortrijk, an edu-commerci
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The story of convertible Sofa-Bed:
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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Vapourware and the agency of ideas
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Vapourware and the Agency of Ideas
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Pre-Columbian Asceticism: the Tuza-
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Pre-Columbian Asceticism. The Tuza-
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The collection of textbooks “Tape
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RAMIL, Chris standards for the layo
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“Their pen draws everything, as i
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Diniz, Kollontai The author(s) of t
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Diniz, Kollontai The author(s) of t
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Cruzeiro Novo Project: Design and t
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Cruzeiro Novo Project: Design and t
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Design for a sustainable culture Fi
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Design for a sustainable culture th
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Design for a sustainable culture al
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Design and biodiversity: the produc
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Design and biodiversity: the produc
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Lightness and beauty in furniture d
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Lightness and beauty in furniture d
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About ICDHS / The International Com
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Emmanuel Ruffo / Institute for Arch
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Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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