Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

Design of dissent: the multimodal discourse in Guerrilla Girls and DASPU
hasn’t brought us precise answers or helped finish the puzzle.
Acknowledgment
Thanks to Ronald Arendt (teacher in Doctorate), Gabriela Leite
and Flavio Lenz (DASPU/Davida), José Pereira de Andrade and
Darcy Soliva da Costa (father and mother), Henrique Perazzi de
Aquino (husband), Jeff Baffica (friend and translator), Ana Maria
Rebello (best friend) and all my deans and colleagues at UNESP
who’s love this research couldn´t be thought.
References
Barthes, R. 1964. Elementos de Semiologia. São Paulo: Cultrix.
Becker. H. S. 1966. Outsiders. New York: The Free Press.
Bortolanza, E. As passarelas passeatas da Daspu. Eroticomia [blog].
http://eroticomia.blogspot.com/2007/10/as- passarelas-passeatas-dadaspu.html.
Accessed since 29/10/2007.
Canclini, N. G. 2006. Consumidores e Cidadãos: Conflitos Multiculturais
da Globalização. Rio de Janeiro: Editora UFRJ.
Chaves, N. 2006. El Diseño Invisible. Buenos Aires: Editorial Paidós.
Cranmer, J. & Zappaterra, Y. 2003. Conscientious Objectives : Designing
for an Ethical Message. Mies, Switzerland: Roto Vision SA.
Costa, J. 2008. A imagem da marca: um fenômeno social. São Paulo, Edições
Rosari.
Despret, V. 2005. Ces émotions que nous fabriquent. Paris: Les Empêcheurs
de Penser en Rond-Seuil.
Eco, U. 2003. Tratado Geral da Semiótica. São Paulo: Perspectiva.
É O Tchan. 2005. A nova loira do Tchan. Rio de Janeiro.
Frascara, J. 1997. Diseño gráfico para la gente. Buenos Aires: Infinito.
Glaser, M. & Ilic, M. 2005. The Design of the Dissent. Massachusetts, USA:
Rockport.
Goffman, E. 1976. Gender Advertisements. New York: Harper & Row.
Guatarri, F. et Rolnik S. 1986. Cartografias do desejo. Petrópolis, Vozes.
Guerrila Girls. 1995. Confessions of the Guerrila Girls. NewYork: Harper
Perennial.
____________________. 1995. Bitches, Bimbos and Ballbreakers. NewYork: Harper
Perennial.
Heller, S. & Vienne, V. 2007. Citizen Designer. New York: Allworth Press.
Kress, G. & Van Leeuwen, T. 1996. Reading Images. New York: Routledge.
__________________ . 2001. Multimodal Discourse. NY: Oxford University Press.
Latour, B. 1970. Jamais fomos modernos. Rio de Janeiro: Ed. 34.
__________________. Changer de societé. Paris: Éditions de La Découverte, 2000.
__________________. & Hermant, E. Paris ville invisible. 1998. Paris: Institut Synthélabo.
Law, J. & Urry, J. Enacting the social. UK: Department of Sociology.
Lee, R. 2008. Pagu. São Paulo.
Leite, G. 2008. Filha Mãe Avó e Puta. Rio de Janeiro: Objetiva.
Lenz, F. 2008. DASPU – A Moda sem Vergonha. Rio de Janeiro: Aeroplano.
Hollows, J. 2000. Feminism, femininity and popular culture. New York:
Manchester University Press.
Nicholson, L. (ed.) 1990. Feminism / Postmodernism. Londres: Routledge.
Nochlin, L. 1999. Representing Women. Londres: Thames and Hudson.
Okin, S. M. 1999. Is Multiculturalism Bad for Women? New York: Princeton
University Press.
Owens, C. 1983. The anti-esthetic-essays on post modern culture. EUA.
Perrot, M. 2005. As mulheres ou os silêncios da história. Santa Catarina:
EDUSC.
Pollock, G. 1988. Vision & Difference: femininity, feminism and the histories
of the art. Londres: Routledge.
Shoat, E. (ed.) 1998. Talking Visions. New York: MIT.
Spink, M. J. 2000. Práticas discursivas e produção de sentidos no cotidiano.
São Paulo: Cortez.
Thompson, J. 1995. Media and Modernity. Oxford: Polity Press.
Warner, M. 1985. Monuments and Maidens. California: UCP.
About the author
Ana Beatriz Pereira de Andrade is Assistant Professor Doctor in
the Department of Design at FAAC/UNESP. Member of the Editorial
Committee of Estudos em Design, of the Foro de Escuelas de
Diseño, of the NGO Davida, and of the SNCT-Bauru. Researcher
with emphasis in: Methodology and Projects in Design, Tipography,
Visual Identity, Editorial Design, Design of Dissent, Social
Design, Multimodal Discourse. Treasurer of SBDI. Reviewer of
projects at FAAC/UNESP, the journals Mnemosine and Estudos
em Design, of EBAI , and the Human Rights Society.
Design Frontiers: Territiories, Concepts, Technologies 204