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Design of elastic form with parametric simulation<br />

LARA, Arthur H. / Professor / Facul<strong>da</strong>de de Arquitetura e Urbanismo / University of São Paulo<br />

MAGRI, Paulo H. G. / Master student in Facul<strong>da</strong>de de Arquitetura e Urbanismo / University of São Paulo<br />

CAMPOS, Patricia F. / Master student in Facul<strong>da</strong>de de Arquitetura e Urbanismo / University of São Paulo<br />

SILVA, Nayara V. / Architect / Facul<strong>da</strong>de de Arquitetura e Urbanismo / UFRJ<br />

NOLLA, Ie<strong>da</strong> Maria / Professor / FATEC-SP<br />

Digital Design / Parametric Systems / Elastic Curve / Smart<br />

Materials<br />

To<strong>da</strong>y design fabrication faces to the dynamics of large-scale<br />

production is necessary to use advanced modeling systems. The<br />

research investigates an algorithmic approach deepens the elastic<br />

forces and their relationship with nature. We found that the<br />

methodology used here allows alternative and collaborative access<br />

that can help in urgent demand in the adequacy of our cities,<br />

architecture and objects to drastic climate change and energy.<br />

1. Introduction<br />

The digital systems helped by CAD/CAM design have given, within<br />

a few decades, dynamism to the design seen before only in the<br />

goods and objects production. The belated industrialization of civil<br />

construction is related to the poor technology and resistance of<br />

the parametric systems evolution and the implementation of new<br />

algorithms to its representation. These integrated systems give<br />

a new hierarchy to the productive chain permitting the simulation<br />

and, consequently, the cost reduction. According to Katz (2010),<br />

the project concepts and paradigms already existed even before<br />

computers got recognized through the use of parametric tools,<br />

which besides facilitating the mathematical and algorithmic link<br />

of the shape, also simplify the manipulation and alteration work.<br />

These tools and techniques permit an increased flexibility in the<br />

development and inspiration of works and in the shape creation.<br />

The work with parametric systems is not recent. In the Renascence<br />

the artists and architects utilized mathematical expressions<br />

to define architectonic elements. That way, it was possible<br />

to build, for example, pillars with proportions between the diameter<br />

and the height, keeping, thus, the building styles.<br />

According to AMORIM (2010) the parametric systems differ from<br />

the traditional systems of digital design for keeping the model<br />

capacity for being altered during the whole design process and<br />

for permitting the generation and testing of a great quantity of<br />

versions in a environment controlled from the mere change of<br />

values of a specific parameter.<br />

The changes are big and the higher investment is aimed at the<br />

reeducation of the workforce, at the acquisition and manipulation<br />

of new technologies. They are not aimed at the acquisition<br />

of digital systems. To be automatized, dynamic and produced<br />

at a large scale with quality and energetic use, it is necessary to<br />

utilize an advanced modeling.<br />

The parametric programs bring many advantages to the project.<br />

It is possible to combine the dynamism with the discovery of<br />

new materials. An example is the recent utilization of bamboo in<br />

structures with an optimized and more elaborate performance<br />

of the material. In this research the use was simulated, tested<br />

and compared to what happens in nature.<br />

Another advantage brought with the use of parametrization is<br />

the possibility of shape variability. That happens since the alteration<br />

of the constructive <strong>da</strong>ta reflects directly on the behavior<br />

of the parametrized objects (SILVA JUNIOR, 2011, p. 63).<br />

What would be the changes or new possibilities regarding the<br />

form dominance in the face of the news brought by the “Information<br />

Era”? It is possible to notice the numeric machine associated<br />

to the real time communication in our economical and social<br />

relationships, used to conduct an alteration without precedents<br />

in the way people relate to objects, houses and cities. The adjective<br />

“intelligent” is added to our attitudes and objects so that the<br />

energetic efficiency and the environmental preoccupations are<br />

guaranteed in their sustainability and that the materials used<br />

can be renewable.<br />

For Koralechi (2000) the computational architectures require<br />

certain design strategies, which provide a dynamic manipulation<br />

of them with a high degree of indetermination. However, the<br />

existence of such strategies is not considered as a limiting factor<br />

in the project. Unpredictability, uncertainty and indetermination<br />

are still present and so is the possibility for finding out the form.<br />

In Algorithmic Architecture, de K. Terzidis, Antonio Picon suggests<br />

two positions regarding calculus in architecture. The first<br />

restricts the use of the machine (computer) as an advanced<br />

tool for the creation of more sophisticated forms. The second,<br />

in which Tarzidis belongs, would be composed of projectors who<br />

use the programming for using the machine more creatively.<br />

2. Simulations with physical forces and new<br />

materials<br />

Here, the investigation deepens some computational tools helping<br />

in the process of digital modeling of elastic force (bend),<br />

which consists of the simulation of a certain force application<br />

to materials that have some kind of elastic flexure (non elastic).<br />

These simulations indicating form ruptures and alterations<br />

permit the energy release and the return to its initial position.<br />

Design Frontiers: Territiories, Concepts, Technologies / Proceedings of the 8th Conference of the International Committee for<br />

Design History & Design Studies - ICDHS 2012 / São Paulo, Brazil / © 2012 <strong>Blucher</strong> / ISBN 978-85-212-0692-7

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