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BARBOSA, Elisa Jorge Quartim / SARMENTO, Fernan<strong>da</strong><br />

plying design for disassembly after disposal. There are several<br />

industrial products that fit this case, such as refrigerators, appliances,<br />

auto components, some electronic components etc. (fig.<br />

4).<br />

Figure 4. The company TUPA produces a collection of handmade bamboo beds<br />

treated with wood locking and strips of air cameras to bind it. They are delivered<br />

disassembled in a packaging which is used as a component of the bed. It is cut<br />

into pieces filled with straw, rice or small stones and then tied to serve as the foot<br />

of the bed (Manzini & Vezzoli 2008: 131).<br />

There is also the case of durable product reused in another function.<br />

In the Brazilian design, perhaps because of economic and<br />

technological limitations, this practice is adopted frequently,<br />

almost entirely handmade. Our most notorious example is Fernando<br />

and Humberto Campana (fig. 5, 6 and 7), who often reuse<br />

materials in different applications. Lina Bo Bardi had already noticed<br />

this reuse vocation in the Brazilian vernacular design (fig.<br />

8 and 9). Another category of this group includes the products<br />

that, without altering its physical and chemical properties, are<br />

reprocessed, such as aluminum cans and glass. And finally we<br />

have the case of reusable containers such as bottles of beer.<br />

7. Sorted waste management<br />

As defined by law: “Collection of solid waste, pre-sorted according<br />

to its constitution or composition” (Article 3, Section V).<br />

Waste sorting is one of the tools used in the implementation of<br />

shared responsibility for the product life-cycle, where consumers<br />

and large generators of waste should be organized to acquire<br />

the means to select recyclable materials, assorted by type of<br />

Figure 5. Gude necklace from the Brazilian artist Mana Bernardes, in nylon net and<br />

marbles (Arc Design, n. 39, 2004: 55).<br />

Figure 6. Sushi Chair IV from the Campana Brothers in felt, EVA, fabric rubber, PVC<br />

and carpet, with metal structure (Arc Design, n. 29, 2003: 19).<br />

Figure 7. Lego lamp from the designer Luiz Pedrazzi, made of parts from the wellknown<br />

toy Lego (Arc Design, n. 44, 2005: 21).<br />

material, for future recycling. The design may come as a facilitator<br />

in the process of public awareness on the implementation<br />

and dissemination of the National Policy on Solid Waste, through<br />

projects involving visual communication in the various areas of<br />

graphic design, such as, printed and electronic media, signaling<br />

projects etc. There is already a visual stan<strong>da</strong>rdization for colors<br />

or symbols, according to CONAMA (2011) (fig. 10), to facilitate<br />

the selective process of collection, but this initiative, as well as<br />

many others, require greater disclosure.<br />

In addition, new equipment could be developed to expedite the<br />

waste separation, for example: new residential containers or<br />

even new industrial containers for large recyclable material generators,<br />

as provided in the article 35 of the law, where consumers<br />

are required to adequately pack and make the generated<br />

solid waste available.<br />

8. Recycling<br />

As defined by law: “The process of solid waste transformation<br />

that involves the alteration of their physical, physicochemical<br />

or biological state, aiming on transforming it in new inputs or<br />

products, subject to the conditions and stan<strong>da</strong>rds set by the<br />

competent bodies of Sisnama and, if applicable, of the SNVS and<br />

Suasa” (Article 3, Section XIV).<br />

With the law on solid waste, recycling becomes official as one<br />

of the main ways to reuse and recover solid waste. It helps to<br />

avoid the extraction of new raw materials from nature, prolonging<br />

its life-cycle. For years, Brazil has structured recycling based<br />

on informal workers who collect recyclable waste in the streets.<br />

These “catadores” were initially motivated by financial need,<br />

even before most people recognize the value of their work. The<br />

design may come as a facilitator in the process of using the recycling<br />

material, developing products already designed for its<br />

post-use (fig. 11, 12 and 13), or can even develop equipment to<br />

improve the “catadores” work.<br />

The working condition in the majority of cooperatives is poor. The<br />

workplaces for the materials separation are improvised and they<br />

are not designed considering the ergonomics and health of the<br />

workers. As the picture taken at the Coopere Centro cooperative<br />

(fig. 14) shows, the conveyor has a very low height and runs<br />

very fast, so that workers have difficulty working, pivcking up<br />

only the large-volume materials. Besides the physical problems<br />

that it can cause, the conveyor is not efficient in order to collect<br />

as much material as possible. In the case of Coopere Centro,<br />

everything that was not selected through the conveyor, goes<br />

straight to the landfill. The solid waste law brings a great opportunity<br />

for designers to develop new equipment, and systems, to<br />

facilitate the recycling work done in the cooperatives.<br />

9. Packaging design<br />

As defined by law: “The packaging must be manufactured with<br />

materials that facilitate the reuse or recycling” (Article 32).<br />

Design Frontiers: Territiories, Concepts, Technologies 300<br />

Figure 8. Kerosene<br />

lamp made from an<br />

old lamp (Lina Bo<br />

Bardi, 1993: 210).).<br />

Figure 9. Barbecue<br />

grill made out of a<br />

washing machine drum<br />

(Pavilhão <strong>da</strong>s Culturas<br />

Brasileiras: Puras Misturas,<br />

2010: 204).

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