11.10.2013 Views

Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

How to go from the file to the factory<br />

After the parts had been cut they were manually tagged according<br />

to design. The pieces were transported to the metalworking<br />

shop and then separated by assembling order (fig.11a). Two men<br />

were necessary to move the parts and position them for assembling<br />

and welding the joints. In order to compensate for the flexion<br />

of certain parts of the object, in special the cantilevered parts<br />

of the shelves, a metal ribbon was welded underneath them. This<br />

part of the production process took 2 <strong>da</strong>ys (fig.11b-c).<br />

(a) (b) (c)<br />

Figure 11. Assembling and welding process (photos by Wilson Barbosa).<br />

4. Discussion<br />

It is possible to conclude that what was learned in the initial experimental<br />

stages had an impact the way that the final object<br />

was designed, therefore proving that is is important to know well<br />

the production methods in order to make better use of the resources<br />

and avoid mistakes and imprecisions.<br />

With the description of this process we expect to contribute to<br />

the popularization of the use of plasma cutting for the industrial<br />

production of custom design objects and building parts.<br />

Acknowledgments<br />

This research would not have been possible without the financial<br />

support of Brazilian research agency (CAPES), Laboratory for<br />

Automation and Prototyping for Architecture and Construction<br />

(LAPAC) and the technology provided by Oxipress Cutting Steel<br />

Company.<br />

References<br />

Kolarevic, B. 2003. Architecture in the digital age: design and manufacturing.<br />

Oxon: Taylor & Francis Group, 2003, 314p.<br />

Kolarevic, B. 2010. Betwen conception and production, In: DEAMER, Peggy;<br />

BERNSTEIN, Phillip. 2010. Building (in) the future: recasting labor in<br />

architecture. Princeton Architectural Press, 2010, 215p.<br />

Moe, K. 2010. Automation takes command: the nonstan<strong>da</strong>rd, unautomatic<br />

history of stan<strong>da</strong>rdization and automation in architecture, In:<br />

COSER, Robert. 2010. Fabrication Architecture – Selected readings in<br />

digital design and manufacturing. Princenton Architectural Press, v.1,<br />

2010, 216p.<br />

Silva, N.; Bridges, A.; Lima, E.; Morais, H.; Junior, F. 2009. A indústria <strong>da</strong><br />

construção civil está pronta para a fabricação digital e a customização<br />

em massa? Uma pesquisa sobre um caso Brasileiro. Sigradi, São Paulo,<br />

nov. 2009.<br />

About the author(s)<br />

Wilson Barbosa Neto is an architect and master degree candi<strong>da</strong>te<br />

at the State University of Campinas. His work focuses on<br />

digital fabrication technology and rapid prototyping. <br />

Gabriela Celani is an Associate Professor at the School of Civil<br />

Engineering, Architecture and Urban Design at the University of<br />

Campinas, Brazil. Her work focuses on rapid prototyping, digital<br />

fabrication, 3D digitation and automation of the design process.<br />

<br />

Design Frontiers: Territiories, Concepts, Technologies 444

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!