Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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WOODHAM, Jonathan M unreliable’ as the design experts ‘varied in quality, intent and personality’. There were a number of other negative points raised by fellow ARG participants, including the fact that most countries in the Asian region had an inadequate awareness of the special cultural and social requirements that had a bearing on design, that technological advancement of a country was no guarantee that its designers would develop regional sensitivity, and that no mechanisms (with very few exceptions) existed for the comprehensive education of design promoters. On the other hand there also positives: it was felt strongly that the necessary resources needed already existed in the region and could be effectively unlocked through shared access. It was felt that Japan was well equipped in terms of high technology training, with other countries able to offer design experience and training for more immediate applications of design including design training at village level. From this grew the idea of establishing an ICSID Asian Co-operative University and a detailed proposal with an initial level of practical detail was formulated. There is not time to explore such ideas in detail but the potential scale of such a collaboration was considerable. In its outline form the Co-operative University was to be formed of Asian ICSID Council member countries that included Australia, Hong Kong, Japan, the Philippines, South Korea and Taiwan with possible future members to include Indonesia, Malaysia, New Zealand, Singapore, Sri Lanka and Thailand. Such initiatives as these, whether realized or not, set along side ICSID’s long history of biennial Congresses held around the world from 1959 to the present day open up many areas for debate. Similarly, the globally dispersed ICSID General Assemblies, Seminars, Interdesign workshops, numerous Working Groups and the emergent World Design Capitals merit further detailed examination as important ingredients in an understanding of the complexities of design practices, protocols and policies in a global context. 4. Global Design History: a new concept? Recent texts such as Global Design History (2011) have sought to draw a distinction between what is contentiously portrayed as an ICDHS desire to address ‘world themes’, provide an ‘overarching narrative’ and comprehensive ‘mapping the history of design in all its geographical nooks and crannies’, and global design history’s position as ‘not a topic but a methodology’. Although such an unsophisticated and wilful reading of the complex themes and methodologies adopted by several hundred diverse ICDHS contributors over the past 13 years is fired from a quality branded gun (the 2011 book has been produced in the context of the MA History of Design joint course of the Victoria & Albert Museum and the Royal College of Art, an Arts and Humanities Research Council network on ‘Global Arts’ between the V&A, the University of Warwick and the Ashmolean Museum, Oxford), the majority of the scholarly contributions to Global Design History would not appear exceptional as papers at any ICDHS conference. The editors of Global Design History seek to privilege two significant approaches to global histories: connections and comparisons. However, such ideas have been evident as ICDHS conference themes over the years as in Guadalajara’s concern with ‘Coincidence & Co-incidence’ in the 4th Conference in 2004 or Helsinki and Tallin ‘s consideration of ‘Connecting: a conference on the multivocality of design and design history and design studies’ at the 5th Conference in 2006. Redrawing a world map of design activity in all its complexities should not be seen as synonymous with any commitment to construct yet another Master Narrative but more as a means of establishing an evidence base on which to explore a variety of approaches. Today the complexities of design in a global context are signalled by considerable shifts in economic power as evidenced by the considerable rise of the BRIC (Brazil, Russia India, China) economies and the ascendency of those in countries such as Thailand, Vietnam and Turkey. Furthermore, India’s ambitious National Design Policy was endorsed by its Government in 2007 and followed up by the Department of Industrial Policy & Promotion (DIPP)’s support for the establishment of the India Design Council to implement it in 2009. China is beginning to mature as a country where originality in the design of manufactured goods is fast becoming a more widespread reality, supported by a massive increases in the provision of national training in art and design, whilst in Europe we have experienced the geographical separation between design expertise and leadership at home and distant sites of manufacture abroad. This, the 8th ICDHS Conference in São Paolo provides further opportunities to understand and contribute to local, regional, national, international and global design activity and its history. Acknowledgement The author would like acknowledge the inspiration of Anna Calvera, the driving force behind the establishment of the ICDHS conferences as means of furthering understanding of global approaches to design and design history. References Adamson, G. Riello. G. & Teasley. S .2011. Global Design History, Abingdon: Routledge. Calvera. A. & Maillol. M. 2001. Historiar desde la periferia: historia e historias del diseño. Actas de la 1a Reunión científica de Historiadores y Estudiosos del Diseño, 1999, Barcelona, Departament de disseny i Imatge. Facultat de Belles Arts. Universitat de Barcelona, Clark. H & Brodie. D (eds.). 2009. Design Studies: A Reader, Oxford/NewYork: Berg ICSID. 1979. ICSID Archives: Asian Regional Group: 06.9.1, University of Brighton Design Archives, Grand Parade, Brighton, UK. Lees-Maffei, G. & Houze, R. (eds.). 2010. The Design History Reader, Oxford/New York: Berg Margolin. V. 2006. ‘Design for Development: Towards a History’ presented at the Design Research Society ‘WonderGround’ Conference in Design Frontiers: Territiories, Concepts, Technologies 456
Design, histories, empires and peripheries Lisbon, Portugal, accessed at http://www.changingthechange.org/ blog/2008/01/21/design-for-developmenttowards-a-history/ April 2012. on 20 Woodham, J. M. 2005. ‘Local, National and Global: Redrawing the Design Historical Map’, Journal of Design History, 18 [3]: 257-67 Woodham. J. M. 2008. Keynote: ‘Design Peripheries, Hidden Histories and the Cartography of Design’, in: Another Name for Design: Words for Creation, Conference Proceedings, International Conference for Design History and Design Studies, Osaka, Japan. Woodham. J. M. 2008. ‘Design Peripheries, Hidden Histories and the Cartography of Design’, Proceedings of the 6th International Conference of Design History and Design Studies Woodham. J. M. 2010. ‘Formulating national design policies in the United States: Recycling the “Emperor’s New Clothes”?’ Design Issues, 26 (2). 27-46. About the author Jonathan M Woodham has been active the field of design history since 1975 and is Director of the Centre for Research and Development (Arts and Humanities) at the University of Brighton. He is currently engaged in substantially rewriting his best-selling Twentieth Century Design (1997) and researching for a new book on British Design 1914 – 2015: Empire, Welfare State, and Enterprise. E-mail: j.m.woodham@brighton.ac.uk Design Frontiers: Territiories, Concepts, Technologies 457
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Priscila Lena Farias / Anna Calvera
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Design Frontiers: Territories, Conc
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The following chapter contains 28 p
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68 The Information Department at th
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179 Political Toys: Perón’s gift
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285 Design promotion in Belgium in
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396 Graphic innovations implemented
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502 The graphic translation by the
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612 About the editors / 613 About I
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Art, symbolism and power in Moche S
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JORDÁN, Régulo Franco Figure 5. H
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JORDÁN, Régulo Franco Figure 14.
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Pioneers of Brazilian Design CUNHA
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CUNHA LIMA, Guilherme Janeiro. In t
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Traditions, archaeologies and genea
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Traditions, archaeologies and genea
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History of design education Haruhik
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Academies of Art and schools of Des
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Academies of Art and schools of Des
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A fruitless misunderstanding: the h
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Japanese industrial design concepts
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AMAGAI, Yoshinori design new Japane
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Best Maugard, Elena Izcue and Theod
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BARBOSA, Ana Mae Figure 2. Surface
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BARBOSA, Ana Mae lic education. Mas
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Design history: from service subjec
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Design history: from service subjec
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Pevsner on Design education: meetin
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Pevsner on Design education: meetin
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Antipodean Design Science: applied
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WAITE, Noel nificant sea-change in
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Bauhaus pedagogy and digital design
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ANAY, Hakan / ÖZTEN, Ülkü concep
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ANAY, Hakan / ÖZTEN, Ülkü Ülkü
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The Information Department at the U
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The Information Department at the U
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Search for meaning: a study on the
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CAMARGO, Iara Pierro de / VELLOSO,
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CAMARGO, Iara Pierro de / VELLOSO,
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(not)Solving (non)problems: Design
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(not)Solving (non)problems: Design
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The role of typeface categorization
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A sparkle in people’s eyes PACHEC
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PACHECO, Heliana Soneghet / TOLEDO,
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Past, present and future of designe
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LIMA, Ana Gabriela Godinho / STEFAN
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John Ross’ pioneering role and co
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RYU, Hyun-guk The author(s) of this
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RYU, Hyun-guk The author(s) of this
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Teaching arts and crafts or the tec
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Teaching arts and crafts or the tec
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Design in Brazil: which revolution?
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NOBRE, Ana Luiza Nations Economic C
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The historical trajectory of the pi
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The historical trajectory of the pi
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Educational practice discourse on t
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OLIVEIRA, Izabel Maria de / COUTO,
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Identities and territories Oscar Sa
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The island of Italian Design? Some
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The island of Italian Design? Some
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Design without borders: the nomadic
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BARBOSA, Lara Leite be made with in
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BARBOSA, Lara Leite goods. A better
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Redesigning Turkish cult objects: f
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Redesigning turkish cult objects: f
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Incubation in isolation: how distan
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SMYTHE, Michael Figure 3. from left
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SMYTHE, Michael Figure 7. from left
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SMYTHE, Michael Figure 11. from lef
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Design Promises: the case study of
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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Who’s who in brazilian design? No
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SOUZA LEITE, João de vironments. 4
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Territories of practice: convergenc
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TEASLEY, Sarah The author(s) of thi
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TEASLEY, Sarah The author(s) of thi
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Paradise identity, between projecti
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Paradise identity, between projecti
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Politics of fragility in Catalonia:
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MITRANI, Alex whether on a table to
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Designing ‘The House of Man’: F
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MEKINDA, Jonathan solini’s regime
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‘Swedish Modern’ meets internat
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HAGSTRÖMER, Denise specially commi
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Imported design ideas and its sprea
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CORTÉS, Dannae / CRUZ, Aura / GALL
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Political Toys: Perón’s gifts fo
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BENDESKY, Mora Figure 2. Mundo Pero
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The identity and design of the mode
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YOSHIMURA, Noriko cles were adopted
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Lira Popular, chilean broadsheets f
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MALACCHINI, Simoné pages had been
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MALACCHINI, Simoné Acknowledgment
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The signature of Portuguese posters
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The signature of Portuguese posters
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From the improvisation to the solut
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SILVA, Camila Assis Peres / LIMA, G
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Design of dissent: the multimodal d
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Figure 6/7/8/9. Glaser: 1997, Olive
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Design and the street GEIGER, Noni
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GEIGER, Noni Figure 2. Some spreads
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GEIGER, Noni Latour, B. 2008. “A
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Designing new tattoos technology. T
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Designing new tattoos 5. Conclusion
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Outside looking in: foreign percept
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Outside looking in: foreign percept
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Corporate identity in a global mark
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SKJERVEN, Astrid of the UK protecto
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Mapping and analysis possibilities
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PEREIRA, Fabiano Encourage recognit
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PEREIRA, Fabiano Figure 8. Filezim
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Graphic narratives of the domestic
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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Place branding: graphic design’s
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CARDOSO, Helder / PERASSI, Richard
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CARDOSO, Helder / PERASSI, Richard
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Public information: Design, visibil
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Here we don’t speak, here we whis
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MATOS, Sónia interactive phenomena
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MATOS, Sónia Noë, A. 2004. Experi
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Modernity boundaries in the process
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Modernity boundaries in the process
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Packaging design in Portugal during
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Packaging design in Portugal during
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Ocuppy Design: São Paulo and New Y
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Ocuppy Design: São Paulo and New Y
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A practical experience on acting lo
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A practical experience on acting lo
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The doctrines of Good Taste BÁRTOL
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BÁRTOLO, Carlos the designed purpo
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BÁRTOLO, Carlos Rivero, Á. 2010.
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Between art and Industry The Factor
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Between art and Industry file of th
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Transforming territories and forgin
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Transforming territories and forgin
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The Belgian participation in the Mi
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Furnishing the street HERRING, Elli
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HERRING, Ellie 1963 onwards. There
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Design promotion in Belgium in the
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SERULUS, Katarina More concretely,
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SERULUS, Katarina 1954-1958. Brusse
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Carmen Miranda, Marca Brasil (Brazi
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Carmen Miranda, Marca Brasil (Brazi
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Sweden designed by Ikea ally clear,
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Sweden designed by Ikea ducers of h
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Opportunities and challenges for th
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Opportunities and challenges for th
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Design as strategy to improve woode
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NUNES, Viviane / ZURLO, Francesco P
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The Italian public system supportin
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MORTATI, Marzia / SIMONELLI, Giulia
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MORTATI, Marzia / SIMONELLI, Giulia
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Contributions of design: a tool to
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Techniques and technologies Paul At
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A survey on low-income housing rese
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A survey on low-income housing rese
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Design of elastic form with paramet
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LARA, Arthur H. / MAGRI, Paulo H. G
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LARA, Arthur H. / MAGRI, Paulo H. G
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Digital personal fabrication: socia
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Living system design Studio: from d
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PAIO, Alexandra / OLIVEIRA, Maria J
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PAIO, Alexandra / OLIVEIRA, Maria J
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The evolving terrain of the book: A
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The evolving terrain of the book: A
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Joining Up: evaluating technologica
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Joining Up: evaluating technologica
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Making Space: the future places, to
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Making Space: the future places, to
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Designing through the loop: program
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SILVA-JETTER, Jorge The following e
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SILVA-JETTER, Jorge importance to n
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Sewn or Simulated: transformational
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Sewn or Simulated: transformational
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The use of ceramics within the sign
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FERRAZ, Nicoli / ALVAREZ, Cristina
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FERRAZ, Nicoli / ALVAREZ, Cristina
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History, Design and technology in t
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History, Design and technology in t
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Design for glass: a study of the hi
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Design for glass: a study of the hi
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How to supply designers effectively
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ZITKUS, Emilene / LANGDON, Patrick
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ZITKUS, Emilene / LANGDON, Patrick
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Online platforms for the co-Design
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Online platforms for the co-Design
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Relationships between Neuroscience
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Relationships between Neuroscience
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The voices of the users: how techno
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ESSI, Kuure / LINDSTRÖM, Antti tec
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ESSI, Kuure / LINDSTRÖM, Antti Enc
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Graphic innovations implemented in
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Graphic innovations implemented in
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Firebird: Alex Steinweiss’ 78rpm
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Firebird: Alex Steinweiss’ 78rpm
Page 405 and 406: The presence of the autotype techni
Page 411 and 412: Dutch maps of Pernambuco from the s
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Page 415 and 416: Co-ordinated design policy and the
Page 417 and 418: PRESTON, David Henrion and Parkin
Page 419 and 420: From ‘Do it yourself’ to ‘Ope
Page 421 and 422: MALDINI, Irene the stages of creati
Page 423 and 424: Contributions of improvisation tech
Page 425 and 426: MASSARA, Bruno Based on a deleuzian
Page 427 and 428: Human development design centered:
Page 429 and 430: FLORES MAGóN Y JIMÉNEZ, Héctor /
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Page 433 and 434: Identity across boundaries. A study
Page 435 and 436: Identity across boundaries. A study
Page 437 and 438: Digital clothing manufacture: digit
Page 439 and 440: Digital clothing manufacture: digit
Page 441 and 442: How to go from the file to the fact
Page 443 and 444: BARBOSA, Wilson / CELANI, Gabriela
Page 445 and 446: Space, information and cosmology in
Page 447 and 448: BOECHAT, Marina Pantoja tween ‘ph
Page 449 and 450: The new imperialism: the internatio
Page 451 and 452: Frontiers of looking past: a Nietzs
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Page 455: Design, histories, empires and peri
Page 459 and 460: Mythification of national discourse
Page 461 and 462: Mythification of National Discourse
Page 463 and 464: Mythification of National Discourse
Page 465 and 466: Towards a digital batavia: resonanc
Page 467 and 468: Towards a Digital Batavia: Resonanc
Page 469 and 470: Questionable translatability: theco
Page 471 and 472: Questionable translatability: theco
Page 473 and 474: Eastern craft in Orientalism and Mo
Page 475 and 476: Eastern craft in Orientalism and Mo
Page 477 and 478: Mapping Cup & Saucer Design in the
Page 479 and 480: Mapping Cup & Saucer Design in the
Page 481 and 482: Mappin tells the history of graphic
Page 487 and 488: “Go you too to Amazonia”: analy
Page 489 and 490: “Go you too to Amazonia”: analy
Page 491 and 492: Organic Design, MoMA 1940: the brea
Page 493 and 494: Organic Design, MoMA 1940: the brea
Page 495 and 496: Modern design meets Latin America:
Page 497 and 498: Modern design meets Latin America:
Page 499 and 500: Lina Bo Bardi and Aloisio Magalhãe
Page 501 and 502: Lina Bo Bardi and Aloisio Magalhãe
Page 503 and 504: The graphic translation by the desi
Page 505 and 506: The Graphic Translation by the Desi
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The design of Manoel Bandeira: a hi
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The design of Manoel Bandeira: a hi
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Open strand Victor Margolin / Chair
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Brazilian Graphic Design in the ‘
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Brazilian Graphic Design in the ‘
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The Design of book bovers in Brazil
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The Design of book bovers in Brazil
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The design of Fred Jordan With his
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The design of Fred Jordan Figure 2.
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Domestic technologies and moderniza
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Domestic technologies and moderniza
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la escuela de Artes y Oficios de sa
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CAsTillO, eduardo The author(s) of
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Itineraries for a Design Culture in
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FARKAS, Mónica / STERLA, Mauricio
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Sertanejo Art Deco: an inspiration
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SOUZA, José Marconi B. de / ROSSI,
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SOUZA, José Marconi B. de / ROSSI,
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Souza, José Marconi B. de / Rossi,
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Architectural lettering: from infor
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Architectural lettering: from infor
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A dialogue between art and city thr
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HANNS, Daniela Kutschat / DE MARCHI
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Vernacular design: a discussion on
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Vernacular design: A discussion on
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Italian Radicals and Dutch conceptu
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Italian Radicals and Dutch Conceptu
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Italian Radicals and Dutch Conceptu
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Art criticism and the semantic cons
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Art criticism and the semantic cons
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Interieur Kortrijk, an edu-commerci
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Interieur Kortrijk, an edu-commerci
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The story of convertible Sofa-Bed:
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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Vapourware and the agency of ideas
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Vapourware and the Agency of Ideas
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Pre-Columbian Asceticism: the Tuza-
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Pre-Columbian Asceticism. The Tuza-
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The collection of textbooks “Tape
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RAMIL, Chris standards for the layo
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“Their pen draws everything, as i
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Diniz, Kollontai The author(s) of t
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Diniz, Kollontai The author(s) of t
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Cruzeiro Novo Project: Design and t
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Cruzeiro Novo Project: Design and t
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Design for a sustainable culture Fi
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Design for a sustainable culture th
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Design for a sustainable culture al
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Design and biodiversity: the produc
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Design and biodiversity: the produc
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Lightness and beauty in furniture d
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Lightness and beauty in furniture d
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About ICDHS / The International Com
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Emmanuel Ruffo / Institute for Arch
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