Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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Human development design centered: Mexican local case product development for manufacturing in the Southeast for the benefit of local communities. The 100 participating students from 3 institutions were trained in technical management of forest species, and given information from of all areas that made the project (stocks and forest management, technological characterization, marketing, potential markets and design). As a result of the competition, 98 prototypes of possible products were obtained. Evaluation The considerations for determining whether the results of the design process are no longer the exclusive right of the field of design and are based in the same scope managed to bring the situation to the best initial conditions set as ideal. As a result of the work carried out to obtain information from the phase of confrontation in Techno Furniture 2011, was carried out a market study in which was found that 73% of respondents are willing to consume products in these woods. On the other hand, the study of preferences and acceptance of products marked an interesting trend to be compared with the previous confrontation: samples of 10 tree species showed a marked preference for certain species, being found in consumer products and possibility use, the trend has been expanded. Design participation allowed the evaluation of finished products and possible acceptance of all species in general. As results obtained with the call for solidarity design, 50% of the prototypes are able to be articulated as products with production and commercial viability to begin production and marketing activities, the proposals emphasize the potential of the 10 tree species to produce products extolling their own discourse and visual association of veins with beautiful experiences for the consumer and user. On regards of productive capacity of workshops and know-how of community stakeholders in the definition of products, it was considered the possibility to start the dissemination phase of necessary elements for reproduction, as well as training sessions for them to acquire quality standards. Ideal situation The social problem to be solved, initially, is to improve the income of people dedicated to the exploitation of forest resources, which have been significantly reduced due to low interest (appreciation), cedar price and mahogany hardwoods, traditionally considered of high value. Based on potential displayed by the project and proposed products, a social enterprise that jointly manage the marketing of products made by the carpentry workshops and community stakeholders must be conformed with possible action integrated of the various instances and institutions involved in the production chain as follows: Harnessing identified markets, capabilities and expertise of operators, the talents of community members, the installed capacity in communities and businesses, the advantages of having the type of wood to be processed exclusively in the region and the experience of managers and executives. Taking advantage of local markets, and the intention of the authorities to support the productive activities of the state of Quintana Roo along the entire value chain: from the management of forest resources, the sawing of raw material for processing into products (as input for other industries or value-added end product), packaging, marketing, exhibition, sale, and eventually the product purchase. In the near future, we must seize the opportunities generated by waste sawdust, wood chips and tiny cut -problem locally manageable- looking to establish a social enterprise whose raw material input would be free and will add value to generate jobs and resources. After all, there are many possibilities where waste has value to be converted to electricity, fertilizers, organic fuels for heating and cooking fuel. 3. Conclusions The potential for tropical timber included in the project, it manifests an interesting alternative to boost production in the southeast, on the appreciation in the market for its natural beauty, by their intrinsic physical characteristics and attributes, for ease and possibility of transformation in quality products. But, the alternative may be considered sustainable as long as it integrates, above all, the correct program and controlled exploitation of the species identified in the appropriate time. While the possibility of participation of the design for the transformation of social problems in settings that provide opportunities for human development, it is feasible, it is also limited because we recognize that the participation of design, serves as accompaniment to the actors “owners” of the problem. The main objectives of the performance of design centered in human development should be mostly, activation of growth and equality of opportunities, promoting the satisfaction of needs considered essential such as employment, food, energy, water and sanitation. Acknowledgment Participants of the project “Industrialization, Marketing and Sustainable Management of Ten Mexican Native Species, Serial Number: PD 385/05 Rev.4 (I.F). Project leader: Dr. José Antonio Silva Guzmán, and faculty researchers of each area involved: inventories and forest management, technological characterization and industrialization, marketing, and design as well as all members, assistants and employees of each team. We also thank all those involved in forest production chain of Quintana Roo, Mexico who participated in the various activities of analysis of the problem. To the 101 design students from institutions at Guadalajara, Jalisco, Mexico for the proposals made and granted Design Frontiers: Territiories, Concepts, Technologies 430
FLORES MAGóN Y JIMÉNEZ, Héctor / GARDUñO BARAHONA, Aralia María to the communities of Noh Bec, Pet-Ca-Cab and Caobas, through the Solidarity Design Contest. References BID. 2004. Los Objetivos de Desarrollo del Milenio en América Latina y el Caribe: retos, acciones y compromisos. Banco Interamericano de Desarrollo. New York. Brown, T. 2009. Change by design. How design thinking transforms organizations and inspires innovation. New York: Harper Collins Publishers. Flores Magón J. H. 2003. Diseño como estrategia. Tesis de Maestría en Desarrollo de Productos. CUAAD- Universidad de Guadalajara. Capítulo VI: Marco ampliado del proceso de diseño. pp.VI-1 a VI-16 Pilloton, E. 2009. Design Revolution. 100 Products that are changing people’s lives. London: Thames & Hudson Ltd. PNUD. 2011. Informe sobre el Desarrollo Humano. México 2011. Programa de las Naciones Unidas para el Desarrollo. México. Smithsonian Institute, (2007). Design for the Other 90%. New York: Cooper-Hewitt, National Design Museum. About the authors Héctor Flores Magón y Jiménez. Division Director of Technology and Processes; Coordinator of Innovation and design Polo, POLO i+d at the University of Guadalajara, Mexico. Academic Group Member CA-UDG-381: Technology Innovation for Design. Research interests and publications: Design Strategies, Design and Product Development, Human Development Design Centered, Socially Sustainable Development. Design History and Studies. Aralia María Garduño Barahona. Coordinator of Innovation and Design Observatory, OBSi+d, at Guadalajara University, Mexico. Academic Group Research Assistance CA-UDG-381: Technology Innovation for Design Universidad de Guadalajara, México. Industrial Design Professor. Research interests and publications: Design performance for Socially Sustainable Development. Design Frontiers: Territiories, Concepts, Technologies 431
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Priscila Lena Farias / Anna Calvera
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Design Frontiers: Territories, Conc
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The following chapter contains 28 p
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68 The Information Department at th
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179 Political Toys: Perón’s gift
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285 Design promotion in Belgium in
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396 Graphic innovations implemented
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502 The graphic translation by the
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612 About the editors / 613 About I
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Art, symbolism and power in Moche S
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JORDÁN, Régulo Franco Figure 5. H
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JORDÁN, Régulo Franco Figure 14.
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Pioneers of Brazilian Design CUNHA
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CUNHA LIMA, Guilherme Janeiro. In t
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Traditions, archaeologies and genea
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Traditions, archaeologies and genea
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History of design education Haruhik
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Academies of Art and schools of Des
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Academies of Art and schools of Des
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A fruitless misunderstanding: the h
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Japanese industrial design concepts
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AMAGAI, Yoshinori design new Japane
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Best Maugard, Elena Izcue and Theod
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BARBOSA, Ana Mae Figure 2. Surface
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BARBOSA, Ana Mae lic education. Mas
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Design history: from service subjec
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Design history: from service subjec
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Pevsner on Design education: meetin
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Pevsner on Design education: meetin
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Antipodean Design Science: applied
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WAITE, Noel nificant sea-change in
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Bauhaus pedagogy and digital design
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ANAY, Hakan / ÖZTEN, Ülkü concep
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ANAY, Hakan / ÖZTEN, Ülkü Ülkü
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The Information Department at the U
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The Information Department at the U
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Search for meaning: a study on the
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CAMARGO, Iara Pierro de / VELLOSO,
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CAMARGO, Iara Pierro de / VELLOSO,
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(not)Solving (non)problems: Design
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(not)Solving (non)problems: Design
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The role of typeface categorization
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A sparkle in people’s eyes PACHEC
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PACHECO, Heliana Soneghet / TOLEDO,
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Past, present and future of designe
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LIMA, Ana Gabriela Godinho / STEFAN
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John Ross’ pioneering role and co
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RYU, Hyun-guk The author(s) of this
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RYU, Hyun-guk The author(s) of this
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Teaching arts and crafts or the tec
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Teaching arts and crafts or the tec
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Design in Brazil: which revolution?
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NOBRE, Ana Luiza Nations Economic C
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The historical trajectory of the pi
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The historical trajectory of the pi
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Educational practice discourse on t
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OLIVEIRA, Izabel Maria de / COUTO,
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Identities and territories Oscar Sa
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The island of Italian Design? Some
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The island of Italian Design? Some
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Design without borders: the nomadic
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BARBOSA, Lara Leite be made with in
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BARBOSA, Lara Leite goods. A better
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Redesigning Turkish cult objects: f
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Redesigning turkish cult objects: f
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Incubation in isolation: how distan
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SMYTHE, Michael Figure 3. from left
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SMYTHE, Michael Figure 7. from left
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SMYTHE, Michael Figure 11. from lef
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Design Promises: the case study of
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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Who’s who in brazilian design? No
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SOUZA LEITE, João de vironments. 4
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Territories of practice: convergenc
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TEASLEY, Sarah The author(s) of thi
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TEASLEY, Sarah The author(s) of thi
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Paradise identity, between projecti
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Paradise identity, between projecti
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Politics of fragility in Catalonia:
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MITRANI, Alex whether on a table to
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Designing ‘The House of Man’: F
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MEKINDA, Jonathan solini’s regime
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‘Swedish Modern’ meets internat
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HAGSTRÖMER, Denise specially commi
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Imported design ideas and its sprea
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CORTÉS, Dannae / CRUZ, Aura / GALL
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Political Toys: Perón’s gifts fo
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BENDESKY, Mora Figure 2. Mundo Pero
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The identity and design of the mode
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YOSHIMURA, Noriko cles were adopted
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Lira Popular, chilean broadsheets f
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MALACCHINI, Simoné pages had been
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MALACCHINI, Simoné Acknowledgment
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The signature of Portuguese posters
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The signature of Portuguese posters
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From the improvisation to the solut
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SILVA, Camila Assis Peres / LIMA, G
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Design of dissent: the multimodal d
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Figure 6/7/8/9. Glaser: 1997, Olive
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Design and the street GEIGER, Noni
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GEIGER, Noni Figure 2. Some spreads
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GEIGER, Noni Latour, B. 2008. “A
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Designing new tattoos technology. T
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Designing new tattoos 5. Conclusion
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Outside looking in: foreign percept
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Outside looking in: foreign percept
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Corporate identity in a global mark
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SKJERVEN, Astrid of the UK protecto
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Mapping and analysis possibilities
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PEREIRA, Fabiano Encourage recognit
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PEREIRA, Fabiano Figure 8. Filezim
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Graphic narratives of the domestic
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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Place branding: graphic design’s
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CARDOSO, Helder / PERASSI, Richard
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Public information: Design, visibil
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Here we don’t speak, here we whis
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MATOS, Sónia interactive phenomena
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MATOS, Sónia Noë, A. 2004. Experi
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Modernity boundaries in the process
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Modernity boundaries in the process
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Packaging design in Portugal during
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Packaging design in Portugal during
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Ocuppy Design: São Paulo and New Y
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Ocuppy Design: São Paulo and New Y
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A practical experience on acting lo
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A practical experience on acting lo
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The doctrines of Good Taste BÁRTOL
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BÁRTOLO, Carlos the designed purpo
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BÁRTOLO, Carlos Rivero, Á. 2010.
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Between art and Industry The Factor
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Between art and Industry file of th
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Transforming territories and forgin
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Transforming territories and forgin
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The Belgian participation in the Mi
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Furnishing the street HERRING, Elli
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HERRING, Ellie 1963 onwards. There
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Design promotion in Belgium in the
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SERULUS, Katarina More concretely,
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SERULUS, Katarina 1954-1958. Brusse
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Carmen Miranda, Marca Brasil (Brazi
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Carmen Miranda, Marca Brasil (Brazi
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Sweden designed by Ikea ally clear,
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Sweden designed by Ikea ducers of h
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Opportunities and challenges for th
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Opportunities and challenges for th
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Design as strategy to improve woode
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NUNES, Viviane / ZURLO, Francesco P
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The Italian public system supportin
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MORTATI, Marzia / SIMONELLI, Giulia
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MORTATI, Marzia / SIMONELLI, Giulia
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Contributions of design: a tool to
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Techniques and technologies Paul At
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A survey on low-income housing rese
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A survey on low-income housing rese
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Design of elastic form with paramet
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LARA, Arthur H. / MAGRI, Paulo H. G
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LARA, Arthur H. / MAGRI, Paulo H. G
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Digital personal fabrication: socia
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Living system design Studio: from d
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PAIO, Alexandra / OLIVEIRA, Maria J
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PAIO, Alexandra / OLIVEIRA, Maria J
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The evolving terrain of the book: A
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The evolving terrain of the book: A
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Joining Up: evaluating technologica
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Joining Up: evaluating technologica
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Making Space: the future places, to
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Making Space: the future places, to
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Designing through the loop: program
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SILVA-JETTER, Jorge The following e
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SILVA-JETTER, Jorge importance to n
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Sewn or Simulated: transformational
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Sewn or Simulated: transformational
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The use of ceramics within the sign
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FERRAZ, Nicoli / ALVAREZ, Cristina
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FERRAZ, Nicoli / ALVAREZ, Cristina
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History, Design and technology in t
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History, Design and technology in t
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Design for glass: a study of the hi
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Design for glass: a study of the hi
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How to supply designers effectively
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Mappin tells the history of graphic
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“Go you too to Amazonia”: analy
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“Go you too to Amazonia”: analy
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Organic Design, MoMA 1940: the brea
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Organic Design, MoMA 1940: the brea
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Modern design meets Latin America:
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Modern design meets Latin America:
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Lina Bo Bardi and Aloisio Magalhãe
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Lina Bo Bardi and Aloisio Magalhãe
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The graphic translation by the desi
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The Graphic Translation by the Desi
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The design of Manoel Bandeira: a hi
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The design of Manoel Bandeira: a hi
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Open strand Victor Margolin / Chair
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Brazilian Graphic Design in the ‘
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Brazilian Graphic Design in the ‘
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The Design of book bovers in Brazil
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The Design of book bovers in Brazil
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The design of Fred Jordan With his
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The design of Fred Jordan Figure 2.
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Domestic technologies and moderniza
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Domestic technologies and moderniza
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la escuela de Artes y Oficios de sa
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CAsTillO, eduardo The author(s) of
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Itineraries for a Design Culture in
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FARKAS, Mónica / STERLA, Mauricio
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Sertanejo Art Deco: an inspiration
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SOUZA, José Marconi B. de / ROSSI,
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SOUZA, José Marconi B. de / ROSSI,
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Souza, José Marconi B. de / Rossi,
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Architectural lettering: from infor
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Architectural lettering: from infor
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A dialogue between art and city thr
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HANNS, Daniela Kutschat / DE MARCHI
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Vernacular design: a discussion on
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Vernacular design: A discussion on
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Italian Radicals and Dutch conceptu
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Italian Radicals and Dutch Conceptu
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Italian Radicals and Dutch Conceptu
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Art criticism and the semantic cons
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Art criticism and the semantic cons
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Interieur Kortrijk, an edu-commerci
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Interieur Kortrijk, an edu-commerci
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The story of convertible Sofa-Bed:
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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Vapourware and the agency of ideas
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Vapourware and the Agency of Ideas
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Pre-Columbian Asceticism: the Tuza-
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Pre-Columbian Asceticism. The Tuza-
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The collection of textbooks “Tape
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RAMIL, Chris standards for the layo
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“Their pen draws everything, as i
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Diniz, Kollontai The author(s) of t
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Diniz, Kollontai The author(s) of t
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Cruzeiro Novo Project: Design and t
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Cruzeiro Novo Project: Design and t
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Design for a sustainable culture Fi
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Design for a sustainable culture th
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Design for a sustainable culture al
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Design and biodiversity: the produc
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Design and biodiversity: the produc
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Lightness and beauty in furniture d
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Lightness and beauty in furniture d
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About ICDHS / The International Com
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Emmanuel Ruffo / Institute for Arch
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Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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