Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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LEES-MAFFEI, Grace / HUPPATZ, D.J. greater visibility in the art universities (Kikuchi, 2012). In Korea, design history is delivered only on a limited basis within design programs and art history and cultural studies courses (Lee, 2012a and 2012b). While the design history of Hong Kong is more prominent than that of neighbors such as Taiwan due to the availability of empirical materials in English, ‘writings on the design history and design studies of the Greater China region (the People’s Republic of China, Taiwan and Hong Kong)’ have yet to emerge (Wong, 2011: 386). Possible reasons include a lack of foundation texts, the methodological challenge of reconciling China’s long arts and crafts history with the modern, imported, notion of design, and the undervaluing of design history. Taiwanese design history is more developed that that in the PRC due to the influence of the Japanese design education system, while in Greater China the economic return offered by studio-based design education is favored over design history programs which seem to lack such potential. Uniquely, in China, design history textbooks are available to prepare school students for entrance exams for higher education design programs in which design history is taught through survey courses divided into ‘World history’ (Western) and ‘Design history in China’, (spanning 5,000 years). Some elite Chinese institutions, such as the Academy of Art & Design, Tsinghau University (formerly Central Academy of Arts & Design), host design history research and the enormous recent growth of China’s design industry has prompted optimism about the development of design history there (Wong, 2011: 390), including a dedicated MA program (Wong, 2012). 3. Conclusion: From Service Industry to Discrete Discipline Globally, the very conditions which catalyzed design history have also been a limiting factor, in that it has often been regarded as a ‘service’ subject attendant upon design education, and as a subject that is taught rather than researched. However, design history is being consolidated both within design curricula and as a discrete discipline. Fostering the study of design history at undergraduate and postgraduate levels is important not only in terms of the contribution the subject makes to design curricula, but also in providing an institutional base for the research of design historians. Design history needs to develop further as a discipline in order to extend its recognition both as a pedagogical entity and as a research field. We have surveyed design history’s development from a focus on a canon of styles and key designers to simultaneously broader and more in-depth contextualised analyses which, for example, add more recent theoretical developments around mediation to the existing foci of production and consumption. Working alongside practitioners, design historians are uniquely placed to contribute to this effort. The European, American, Australian and East Asian samples provided above give cause for optimism about the growth of design history from a service subject to a discrete discipline. However, a case remains to be made for the wider relevance of design history beyond design education. The vitality of design history would be well served through the building of bridges between the subject as it exists within higher education and the ap- parently boundless popular enthusiasm for related phenomena such as heritage, family history and domesticity. The relationship between designed goods and consumers could hardly be more extensive in capitalist society; design history can expand at least in part by harnessing popular interest. Acknowledgment Thanks to the design historians around the world who responded to our questions. Full acknowledgment is given in a related forthcoming article. References Adamson, G., Riello, G. & Teasley, S. (Ed.) 2011. Global Design History. London: Routledge Appadurai, A. (Ed.) 1986. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press. Atkinson, P. 2010. Computer. London: Reaktion. Attfield, J. 2000. Wild Things: The Material Culture of Everyday Life. Oxford: Berg. Attfield, J. 2007. Bringing Modernity Home: Writings on Popular Design and Material Culture. Manchester: Manchester University Press. Attfield, J. & Kirkham, P. (Ed.) 1989. A View From the Interior: Feminism, Women and Design. London: The Women’s Press. Balcioglu, T. 2012. Email to Grace Lees-Maffei. 27 February. Betts, P. 2004. The Authority of Everyday Objects: A Cultural History of West German Industrial Design. Berkeley, CA: University of California Press. Blaszczyk, R. L. 2002. Imagining Consumers: Design and Innovation from Wedgwood to Corning. Baltimore, MA: The Johns Hopkins University Press. Brawley, S., Kelly, T. M., & Timmins. G. 2009. SoTL and National Difference: Musings from three historians from three countries. Arts and Humanities in Higher Education, 8 (1): 8-25. Buckley, C. 1986. Made in Patriarchy: Towards a Feminist Analysis of Women and Design. Design Issues, 3 (2): 1-31. Campi, I. 2011. Email to Grace Lees-Maffei. 30 November. Dalla Mura, M. 2011. Emails to Grace Lees-Maffei, 30 November and 7 December. Dilnot, C. 1984. The State of Design History, Part I: Mapping the Field. Design Issues, 1 (1): 4-23. Fallan, K. 2010. Design History: Understanding Theory and Method. Oxford: Berg. 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Design history: from service subject to discrete discipline Fallan, K. 2011. Email to Grace Lees-Maffei. 29 November. Forty, A. 1986. Objects of Desire: Design and Society 1750 to 1980. London: Thames & Hudson. Fry, T. 1988. Design History Australia: A Source Text in Methods and Resources. Sydney: Hale & Iremonger. Harvey, K. (Ed.) 2009. History and Material Culture: A Student’s Guide to Approaching Alternative Sources. London: Routledge. Julier, G. 2011. Email to Grace Lees-Maffei. 29 November. Kikuchi, Y. 2011. Design Histories and Design Studies in East Asia: Part 1. Journal of Design History, 24 (3): 273-282. Kikuchi, Y. 2012. Email to Grace Lees-Maffei. 3 March. Krippendorf, K. 2006. The Semantic Turn: A New Foundation for Design. Boca Raton, FL: CRC Press. Lavin, M. 2002. Clean New World: Culture, Politics, and Graphic Design. Cambridge, MA: MIT Press. Lee, Y. 2012a. Design Histories and Design Studies in East Asia: Part 3 Korea. Journal of Design History, 25 (1): 93-106. Lee, Y. 2012b. Email to Grace Lees-Maffei. 29th February. Lees-Maffei, G. & Houze, R. (Ed.) 2010. The Design History Reader. Oxford: Berg. Lichtman, S. A. 2009. ‘Reconsidering the History of Design Survey’. Journal of Design History, 22 (4): 342-250. Margolin, V. 1992. Design History or Design Studies: Subject Matter and Methods. Design Studies, 13 (2): 104-116. Margolin, V. 2002. Design History in the United States, 1977-2000. In MARGOLIN, V. The Politics of the Artificial: Essays on Design and Design Studies, Chicago, IL: The University of Chicago Press. Margolin, V. 2009. Design in History. Design Issues, 25 (2): 94-105. Margolin, V. 2011. Email to D.J. Huppatz. 16 December. McNeil, P. 2011. Email to D.J. Huppatz. 19 December. Meikle, J. L. 1995. American Plastic: A Cultural History. New Brunswick, NJ: Rutgers University Press. Miller, D. 1991 [1987]. Material Culture and Mass Consumption. Oxford: Basil Blackwell. Molotch, H. 2011. Objects in Sociology. In CLARKE, A.J. (Ed.) Design Anthropology: Object Culture in the 21st Century. Vienna: Springer-Verlag. Munslow, A. 2005. The Routledge Companion to Historical Studies. London: Routledge. Prina, D. 2011. Emails to Grace Lees-Maffei. 30 November and 4 December. Putnam, T. 2012. Email to Grace Lees-Maffei. 28 April. Shove, E., Watson, M., Hand, M. & Ingram, J. 2007. The Design of Everyday Life. Oxford: Berg. Sparke, P. 1986. An Introduction to Design and Culture in the Twentieth Century. London: Allen & Unwin. traganou, j. 2012. Email to Grace Lees-Maffei. 12 February. Walker, J. A. (Ed.) 1989. Design History and the History of Design. London: Pluto. Walker, M. 2009. “Making a World that is Worth Living In”: Humanities teaching and the formation of practical reasoning. Arts and Humanities in Higher Education, 8 (3): 231-246 Wong, W. S. 2011. Design History and Study in East Asia: Part 2 Greater China: People’s Republic of China/Hong Kong/ Taiwan. Journal of Design History 24 (4): 375-395. Wong, W. S. 2012. Email to Grace Lees-Maffei. 28 February. Woodham, J. 1995. Resisting Colonization: Design History Has Its Own Identity. Design Issues 11 (1): 22-37. Woodham, J. 2001. Designing Design History: From Pevsner to Postmodernism. Working Papers in Communication Research Archive 1 (1): Digitization and Knowledge. http://www.aut.ac.nz/__data/assets/ pdf_file/0003/15816/jonathan_woodham.pdf (last accessed 27/04/12) Woodward, I. 2007. Understanding Material Culture. London: Sage Publications. About the authors Dr Grace Lees-Maffei is Reader in Design History at the University of Hertfordshire, and Coordinator of the TVAD Research Group working on relationships between narrative, text and image. She is Managing Editor of the Journal of Design History, she edited Writing Design: Words and Objects (Berg, 2011) and co-edited The Design History Reader (Berg 2010). Dr D.J. Huppatz is a Lecturer at Swinburne University of Technology working with the Interior Design program and within the Design Research group, facilitating the Advanced Research Methods course. He has published on design history, contemporary art, literature and architecture and his current research concerns Asian modernism, design theory and contemporary interiors. Design Frontiers: Territiories, Concepts, Technologies 53
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Page 7 and 8: 68 The Information Department at th
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Page 15 and 16: 502 The graphic translation by the
Page 17 and 18: 612 About the editors / 613 About I
Page 19 and 20: Art, symbolism and power in Moche S
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Page 25 and 26: Pioneers of Brazilian Design CUNHA
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Page 29 and 30: Traditions, archaeologies and genea
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Page 73 and 74: Search for meaning: a study on the
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Page 79 and 80: (not)Solving (non)problems: Design
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Page 83 and 84: The role of typeface categorization
Page 89 and 90: A sparkle in people’s eyes PACHEC
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Page 93 and 94: Past, present and future of designe
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Teaching arts and crafts or the tec
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Teaching arts and crafts or the tec
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Design in Brazil: which revolution?
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NOBRE, Ana Luiza Nations Economic C
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The historical trajectory of the pi
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The historical trajectory of the pi
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Educational practice discourse on t
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OLIVEIRA, Izabel Maria de / COUTO,
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Identities and territories Oscar Sa
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The island of Italian Design? Some
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The island of Italian Design? Some
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Design without borders: the nomadic
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BARBOSA, Lara Leite be made with in
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BARBOSA, Lara Leite goods. A better
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Redesigning Turkish cult objects: f
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Redesigning turkish cult objects: f
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Incubation in isolation: how distan
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SMYTHE, Michael Figure 3. from left
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SMYTHE, Michael Figure 7. from left
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SMYTHE, Michael Figure 11. from lef
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Design Promises: the case study of
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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Who’s who in brazilian design? No
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SOUZA LEITE, João de vironments. 4
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Territories of practice: convergenc
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TEASLEY, Sarah The author(s) of thi
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TEASLEY, Sarah The author(s) of thi
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Paradise identity, between projecti
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Paradise identity, between projecti
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Politics of fragility in Catalonia:
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MITRANI, Alex whether on a table to
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Designing ‘The House of Man’: F
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MEKINDA, Jonathan solini’s regime
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‘Swedish Modern’ meets internat
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HAGSTRÖMER, Denise specially commi
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Imported design ideas and its sprea
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CORTÉS, Dannae / CRUZ, Aura / GALL
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Political Toys: Perón’s gifts fo
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BENDESKY, Mora Figure 2. Mundo Pero
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The identity and design of the mode
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YOSHIMURA, Noriko cles were adopted
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Lira Popular, chilean broadsheets f
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MALACCHINI, Simoné pages had been
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MALACCHINI, Simoné Acknowledgment
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The signature of Portuguese posters
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The signature of Portuguese posters
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From the improvisation to the solut
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SILVA, Camila Assis Peres / LIMA, G
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Design of dissent: the multimodal d
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Figure 6/7/8/9. Glaser: 1997, Olive
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Design and the street GEIGER, Noni
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GEIGER, Noni Figure 2. Some spreads
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GEIGER, Noni Latour, B. 2008. “A
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Designing new tattoos technology. T
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Designing new tattoos 5. Conclusion
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Outside looking in: foreign percept
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Outside looking in: foreign percept
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Corporate identity in a global mark
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SKJERVEN, Astrid of the UK protecto
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Mapping and analysis possibilities
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PEREIRA, Fabiano Encourage recognit
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PEREIRA, Fabiano Figure 8. Filezim
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Graphic narratives of the domestic
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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Place branding: graphic design’s
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CARDOSO, Helder / PERASSI, Richard
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CARDOSO, Helder / PERASSI, Richard
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Public information: Design, visibil
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Here we don’t speak, here we whis
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MATOS, Sónia interactive phenomena
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MATOS, Sónia Noë, A. 2004. Experi
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Modernity boundaries in the process
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Modernity boundaries in the process
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Packaging design in Portugal during
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Packaging design in Portugal during
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Ocuppy Design: São Paulo and New Y
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Ocuppy Design: São Paulo and New Y
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A practical experience on acting lo
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A practical experience on acting lo
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The doctrines of Good Taste BÁRTOL
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BÁRTOLO, Carlos the designed purpo
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BÁRTOLO, Carlos Rivero, Á. 2010.
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Between art and Industry The Factor
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Between art and Industry file of th
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Transforming territories and forgin
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Transforming territories and forgin
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The Belgian participation in the Mi
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Furnishing the street HERRING, Elli
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HERRING, Ellie 1963 onwards. There
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Design promotion in Belgium in the
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SERULUS, Katarina More concretely,
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SERULUS, Katarina 1954-1958. Brusse
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Carmen Miranda, Marca Brasil (Brazi
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Carmen Miranda, Marca Brasil (Brazi
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Sweden designed by Ikea ally clear,
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Sweden designed by Ikea ducers of h
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Opportunities and challenges for th
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Opportunities and challenges for th
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Design as strategy to improve woode
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NUNES, Viviane / ZURLO, Francesco P
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The Italian public system supportin
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MORTATI, Marzia / SIMONELLI, Giulia
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MORTATI, Marzia / SIMONELLI, Giulia
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Contributions of design: a tool to
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Techniques and technologies Paul At
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A survey on low-income housing rese
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A survey on low-income housing rese
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Design of elastic form with paramet
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LARA, Arthur H. / MAGRI, Paulo H. G
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LARA, Arthur H. / MAGRI, Paulo H. G
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Digital personal fabrication: socia
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Living system design Studio: from d
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PAIO, Alexandra / OLIVEIRA, Maria J
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PAIO, Alexandra / OLIVEIRA, Maria J
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The evolving terrain of the book: A
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The evolving terrain of the book: A
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Joining Up: evaluating technologica
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Joining Up: evaluating technologica
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Making Space: the future places, to
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Making Space: the future places, to
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Designing through the loop: program
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SILVA-JETTER, Jorge The following e
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SILVA-JETTER, Jorge importance to n
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Sewn or Simulated: transformational
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Sewn or Simulated: transformational
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The use of ceramics within the sign
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FERRAZ, Nicoli / ALVAREZ, Cristina
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FERRAZ, Nicoli / ALVAREZ, Cristina
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History, Design and technology in t
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History, Design and technology in t
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Design for glass: a study of the hi
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Design for glass: a study of the hi
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How to supply designers effectively
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ZITKUS, Emilene / LANGDON, Patrick
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ZITKUS, Emilene / LANGDON, Patrick
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Online platforms for the co-Design
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Online platforms for the co-Design
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Relationships between Neuroscience
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Relationships between Neuroscience
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The voices of the users: how techno
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ESSI, Kuure / LINDSTRÖM, Antti tec
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ESSI, Kuure / LINDSTRÖM, Antti Enc
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Graphic innovations implemented in
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Graphic innovations implemented in
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Firebird: Alex Steinweiss’ 78rpm
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Firebird: Alex Steinweiss’ 78rpm
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The presence of the autotype techni
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Dutch maps of Pernambuco from the s
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Dutch maps of Pernambuco from the s
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Co-ordinated design policy and the
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PRESTON, David Henrion and Parkin
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From ‘Do it yourself’ to ‘Ope
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MALDINI, Irene the stages of creati
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Contributions of improvisation tech
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MASSARA, Bruno Based on a deleuzian
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Human development design centered:
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FLORES MAGóN Y JIMÉNEZ, Héctor /
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FLORES MAGóN Y JIMÉNEZ, Héctor /
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Identity across boundaries. A study
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Identity across boundaries. A study
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Digital clothing manufacture: digit
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Digital clothing manufacture: digit
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How to go from the file to the fact
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BARBOSA, Wilson / CELANI, Gabriela
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Space, information and cosmology in
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BOECHAT, Marina Pantoja tween ‘ph
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The new imperialism: the internatio
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Frontiers of looking past: a Nietzs
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Frontiers of looking past: a Nietzs
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Design, histories, empires and peri
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Design, histories, empires and peri
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Mythification of national discourse
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Mythification of National Discourse
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Mythification of National Discourse
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Towards a digital batavia: resonanc
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Towards a Digital Batavia: Resonanc
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Questionable translatability: theco
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Questionable translatability: theco
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Eastern craft in Orientalism and Mo
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Eastern craft in Orientalism and Mo
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Mapping Cup & Saucer Design in the
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Mapping Cup & Saucer Design in the
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Mappin tells the history of graphic
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“Go you too to Amazonia”: analy
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“Go you too to Amazonia”: analy
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Organic Design, MoMA 1940: the brea
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Organic Design, MoMA 1940: the brea
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Modern design meets Latin America:
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Modern design meets Latin America:
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Lina Bo Bardi and Aloisio Magalhãe
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Lina Bo Bardi and Aloisio Magalhãe
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The graphic translation by the desi
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The Graphic Translation by the Desi
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The design of Manoel Bandeira: a hi
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The design of Manoel Bandeira: a hi
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Open strand Victor Margolin / Chair
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Brazilian Graphic Design in the ‘
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Brazilian Graphic Design in the ‘
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The Design of book bovers in Brazil
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The Design of book bovers in Brazil
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The design of Fred Jordan With his
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The design of Fred Jordan Figure 2.
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Domestic technologies and moderniza
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Domestic technologies and moderniza
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la escuela de Artes y Oficios de sa
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CAsTillO, eduardo The author(s) of
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Itineraries for a Design Culture in
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FARKAS, Mónica / STERLA, Mauricio
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Sertanejo Art Deco: an inspiration
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SOUZA, José Marconi B. de / ROSSI,
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SOUZA, José Marconi B. de / ROSSI,
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Souza, José Marconi B. de / Rossi,
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Architectural lettering: from infor
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Architectural lettering: from infor
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A dialogue between art and city thr
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HANNS, Daniela Kutschat / DE MARCHI
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Vernacular design: a discussion on
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Vernacular design: A discussion on
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Italian Radicals and Dutch conceptu
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Italian Radicals and Dutch Conceptu
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Italian Radicals and Dutch Conceptu
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Art criticism and the semantic cons
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Art criticism and the semantic cons
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Interieur Kortrijk, an edu-commerci
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Interieur Kortrijk, an edu-commerci
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The story of convertible Sofa-Bed:
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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Vapourware and the agency of ideas
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Vapourware and the Agency of Ideas
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Pre-Columbian Asceticism: the Tuza-
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Pre-Columbian Asceticism. The Tuza-
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The collection of textbooks “Tape
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RAMIL, Chris standards for the layo
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“Their pen draws everything, as i
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Diniz, Kollontai The author(s) of t
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Diniz, Kollontai The author(s) of t
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Cruzeiro Novo Project: Design and t
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Cruzeiro Novo Project: Design and t
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Design for a sustainable culture Fi
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Design for a sustainable culture th
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Design for a sustainable culture al
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Design and biodiversity: the produc
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Design and biodiversity: the produc
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Lightness and beauty in furniture d
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Lightness and beauty in furniture d
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About ICDHS / The International Com
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Emmanuel Ruffo / Institute for Arch
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