Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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ANASTASSAKIS, Zoy comes from a series of scattered movements that try to insert industrial design practice and teaching in the Brazilian cultural context. In 1963, Lina lives the climax of a stage that begins in 1958, with her move to Bahia. Lina, who had arrived in Brazil in 1947, settling down in São Paulo, starts, in 1958, a season in Bahia, that lasts until 1964, when, due to the military coup d’état, she is forced to leave her position at MAMB. Until 1977, Lina experiences moments of isolation, which even include jail time and some time spent in exile. Her definitive return, which happens in 1977 with the beginning of the work at SESC Pompéia, had been rehearsed since 1975, when she sets up the exhibit “Repassos” at MASP. Therefore, while, in 1963, Lina experiences a moment of professional accomplishment, where, in a new context, she is successful in a series of actions that are different from the ones she took part in, throughout the 1950’s, in São Paulo; between 1975 and 1977, she tries to get back in the scene, after a period that she was forced to stay away from it. Aloisio, on the other hand, also experiences, in 1963 and 1976/77, two very distinct moments. In 1963, he was in Rio, where he had opened, three years before, a design studio, and joins the group of professionals that first create ESDI. In 1975, he starts moving closer to issues related to cultural policies, which would lead, in 1979, to his appointment to be the president of IPHAN. Therefore, if at first he starts of as a designer, later on, an acknowledged professional, he starts alternating his time in the studio and the development of projects that end up bringing him gradually closer to management of public cultural policies. In the 1950’s, Lina is involved, as a lead character in the attempt to implement design in Brazil, attempts made amidst the universe of modern art and culture, still considerably interwoven. Aloisio, in turn, hovers over the modern art universe, but in universes unattached from the centers from which Concretism slowly enters, movement which Lina joins, at first. If then, Aloisio is a little out of place in face of the main axis of universalist modernism insinuated here, it does not keep him from joining, still as a plastic artist, from the modern arts circuit, in which Lina is inserted, so much so that, according to what was discovered, they possibly met in the 50’s, in art events, probably in São Paulo. In 1957, however, Aloisio is in touch with the North-American Design, which leads him to a rupture with his artistic identity, something that becomes stronger after he visits the construction of Brasilia, in 1959, and with his resulting move to Rio, where he opens up a design studio. Simultaneously, after failing to conquer a position at the FAU-USP, and witnessing as her project for MASP is interrupted due to a political disagreement between Chateaubriand and the São Paulo government, Lina leaves São Paulo, seeking to develop, in Bahia, another proposal of cultural action that, while still organized around a modern museum, tries to create new acting parameters, thus rehearsing for the development of a modernity project, which some critics named hybrid. Between 1957 and 1960, however, it is possible to identify a movement in their trajectories that is caused by frustration with a context in which they were inserted towards a new configuration, in new contexts, of ideas that, up until that point, that been dispersed. This way, at that time, both of them formulated ideas that would be milestones in their trajectories in the course of their next years. The military coup d’état, which transforms the socio-political structure in Brazil, affects Lina and Aloisio in very different ways. While she is forced to retreat, rebuilding her field of action, now limited to cooperation with theater and films, and, thus, far away from bolder attempts; he starts a series of works in a joint effort with government bodies. Therefore, while, to Aloisio those years meant professional growth, to Lina the years following the military coup would be years of survival. Between the years of 1975 and 1979, which by no coincidence was also the time of a gradual political opening, Lina and Aloisio start towards new professional stages. He, who has just left a successful career in the field of graphic design to the public management of cultural policies, which leads to his appointment to the Department of Education Culture Secretariat, in 1980; she comes from a long period of forced retreat to return to action, now leaning towards programs such as the project of SESC Pompéia and, later, in the 1980’s, in conjunction with the government of Sao Paulo and Salvador. The 1980’s are marked by Aloisio’s death, and by Lina’s cooperation with cities managed by politicians associated to left-wing parties, such as Mário Kertész, in Salvador, and Luiza Erundina, in São Paulo. In 1992, ten years after the former dies, the Italian passes away too. However, the issues raised by them are still open, and their propositions still inspire discussions about other possibilities for Design and for the country. References Anastassakis, Z. 2007. Dentro e fora da política oficial de preservação do patrimônio cultural no Brasil: Aloisio Magalhães e o Centro Nacional de Referência Cultural. Master Thesis. PPGAS/MN. UFRJ. Rio de Janeiro. Anastassakis, Z. 2011. Triunfos e impasses: Lina Bo Bardi, Aloisio Magalhães e a institucionalização do design no Brasil. Doctorate Thesis. PP- GAS/MN. UFRJ. Rio de Janeiro. Borges, A. (org.). 2010. Pavilhão das culturas brasileiras: Puras misturas. São Paulo: Terceiro Nome. Bourdieu, P. 1996. Razões práticas: sobre a teoria da ação. Campinas: Papirus. Cara, M. S. 2010. Do desenho industrial ao design no Brasil – uma bibliografia crítica para a disciplina. São Paulo: Blucher. Elias, N. 2000. Os estabelecidos e os outsiders: sociologia das relações de poder a partir de uma pequena comunidade. Rio de Janeiro: Zahar. Design Frontiers: Territiories, Concepts, Technologies 500
Lina Bo Bardi and Aloisio Magalhães: other strands of Design in Brazil Faria, L. C. 2002. Oliveira Vianna: de Saquarema à Alameda São Boaven- tura, 41 – Niterói: o autor, os livros, a obra. Rio de Janeiro: Relume Du- mará/NUAP/UFRJ. Lessa, W. D. 1994. A ESDI e a contextualização do design. Piracema, nº 2, ano 2. Rio de Janeiro: Funarte, 102-107. Nobre, A. L. S. 2008. Fios cortantes: projeto e produto, arquitetura e design no Rio de Janeiro (1950-70). Doctorate Thesis. PUC-Rio. Rio de Janeiro. Pécaut, D. 1990. Os intelectuais e a política no Brasil. Entre o povo e a nação. São Paulo: Ática. Ridenti, M. 2005. Artistas e intelectuais no Brasil pós-1960. Tempo Social, Revista de Sociologia da USP, v. 17, n. 1, junho. Souza, P. L. P. 1996. ESDI: biografia de uma idéia. Rio de Janeiro: EdUERJ. Souza Leite, J. 2006. De costas para o Brasil, o ensino de um design internacionalista. Melo, C. H. (org.). O design gráfico brasileiro – anos 60. São Paulo: Cosac Naify, 252-283. About the author Zoy Anastassakis is Adjunct Teacher at Escola Superior de Desenho Industrial, Universidade do Estado do Rio de Janeiro (ESDI/ UERJ) and Aggregate Teacher at Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio). Designer and anthropologist, she has professional experience as graphic designer, ethnographer, historical researcher, and also as consultant in strategic design and social innovation. Design Frontiers: Territiories, Concepts, Technologies 501
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Priscila Lena Farias / Anna Calvera
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Design Frontiers: Territories, Conc
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The following chapter contains 28 p
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68 The Information Department at th
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179 Political Toys: Perón’s gift
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285 Design promotion in Belgium in
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396 Graphic innovations implemented
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502 The graphic translation by the
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612 About the editors / 613 About I
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Art, symbolism and power in Moche S
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JORDÁN, Régulo Franco Figure 5. H
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JORDÁN, Régulo Franco Figure 14.
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Pioneers of Brazilian Design CUNHA
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CUNHA LIMA, Guilherme Janeiro. In t
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Traditions, archaeologies and genea
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Traditions, archaeologies and genea
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History of design education Haruhik
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Academies of Art and schools of Des
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Academies of Art and schools of Des
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A fruitless misunderstanding: the h
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Japanese industrial design concepts
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AMAGAI, Yoshinori design new Japane
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Best Maugard, Elena Izcue and Theod
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BARBOSA, Ana Mae Figure 2. Surface
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BARBOSA, Ana Mae lic education. Mas
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Design history: from service subjec
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Design history: from service subjec
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Pevsner on Design education: meetin
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Pevsner on Design education: meetin
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Antipodean Design Science: applied
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WAITE, Noel nificant sea-change in
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Bauhaus pedagogy and digital design
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ANAY, Hakan / ÖZTEN, Ülkü concep
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ANAY, Hakan / ÖZTEN, Ülkü Ülkü
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The Information Department at the U
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The Information Department at the U
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Search for meaning: a study on the
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CAMARGO, Iara Pierro de / VELLOSO,
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CAMARGO, Iara Pierro de / VELLOSO,
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(not)Solving (non)problems: Design
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(not)Solving (non)problems: Design
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The role of typeface categorization
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A sparkle in people’s eyes PACHEC
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PACHECO, Heliana Soneghet / TOLEDO,
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Past, present and future of designe
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LIMA, Ana Gabriela Godinho / STEFAN
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John Ross’ pioneering role and co
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RYU, Hyun-guk The author(s) of this
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RYU, Hyun-guk The author(s) of this
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Teaching arts and crafts or the tec
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Teaching arts and crafts or the tec
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Design in Brazil: which revolution?
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NOBRE, Ana Luiza Nations Economic C
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The historical trajectory of the pi
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The historical trajectory of the pi
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Educational practice discourse on t
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OLIVEIRA, Izabel Maria de / COUTO,
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Identities and territories Oscar Sa
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The island of Italian Design? Some
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The island of Italian Design? Some
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Design without borders: the nomadic
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BARBOSA, Lara Leite be made with in
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BARBOSA, Lara Leite goods. A better
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Redesigning Turkish cult objects: f
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Redesigning turkish cult objects: f
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Incubation in isolation: how distan
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SMYTHE, Michael Figure 3. from left
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SMYTHE, Michael Figure 7. from left
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SMYTHE, Michael Figure 11. from lef
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Design Promises: the case study of
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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BOONLAOR, Nanthana / CHUENRUDEEMOL,
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Who’s who in brazilian design? No
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SOUZA LEITE, João de vironments. 4
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Territories of practice: convergenc
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TEASLEY, Sarah The author(s) of thi
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TEASLEY, Sarah The author(s) of thi
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Paradise identity, between projecti
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Paradise identity, between projecti
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Politics of fragility in Catalonia:
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MITRANI, Alex whether on a table to
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Designing ‘The House of Man’: F
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MEKINDA, Jonathan solini’s regime
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‘Swedish Modern’ meets internat
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HAGSTRÖMER, Denise specially commi
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Imported design ideas and its sprea
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CORTÉS, Dannae / CRUZ, Aura / GALL
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Political Toys: Perón’s gifts fo
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BENDESKY, Mora Figure 2. Mundo Pero
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The identity and design of the mode
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YOSHIMURA, Noriko cles were adopted
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Lira Popular, chilean broadsheets f
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MALACCHINI, Simoné pages had been
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MALACCHINI, Simoné Acknowledgment
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The signature of Portuguese posters
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The signature of Portuguese posters
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From the improvisation to the solut
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SILVA, Camila Assis Peres / LIMA, G
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Design of dissent: the multimodal d
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Figure 6/7/8/9. Glaser: 1997, Olive
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Design and the street GEIGER, Noni
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GEIGER, Noni Figure 2. Some spreads
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GEIGER, Noni Latour, B. 2008. “A
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Designing new tattoos technology. T
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Designing new tattoos 5. Conclusion
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Outside looking in: foreign percept
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Outside looking in: foreign percept
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Corporate identity in a global mark
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SKJERVEN, Astrid of the UK protecto
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Mapping and analysis possibilities
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PEREIRA, Fabiano Encourage recognit
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PEREIRA, Fabiano Figure 8. Filezim
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Graphic narratives of the domestic
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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SOLóRZANO, Augusto / CORREA-ORTIZ,
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Place branding: graphic design’s
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CARDOSO, Helder / PERASSI, Richard
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CARDOSO, Helder / PERASSI, Richard
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Public information: Design, visibil
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Here we don’t speak, here we whis
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MATOS, Sónia interactive phenomena
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MATOS, Sónia Noë, A. 2004. Experi
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Modernity boundaries in the process
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Modernity boundaries in the process
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Packaging design in Portugal during
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Packaging design in Portugal during
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Ocuppy Design: São Paulo and New Y
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Ocuppy Design: São Paulo and New Y
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A practical experience on acting lo
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A practical experience on acting lo
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The doctrines of Good Taste BÁRTOL
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BÁRTOLO, Carlos the designed purpo
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BÁRTOLO, Carlos Rivero, Á. 2010.
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Between art and Industry The Factor
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Between art and Industry file of th
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Transforming territories and forgin
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Transforming territories and forgin
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The Belgian participation in the Mi
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Furnishing the street HERRING, Elli
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HERRING, Ellie 1963 onwards. There
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Design promotion in Belgium in the
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SERULUS, Katarina More concretely,
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SERULUS, Katarina 1954-1958. Brusse
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Carmen Miranda, Marca Brasil (Brazi
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Carmen Miranda, Marca Brasil (Brazi
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Sweden designed by Ikea ally clear,
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Sweden designed by Ikea ducers of h
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Opportunities and challenges for th
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Opportunities and challenges for th
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Design as strategy to improve woode
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NUNES, Viviane / ZURLO, Francesco P
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The Italian public system supportin
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MORTATI, Marzia / SIMONELLI, Giulia
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MORTATI, Marzia / SIMONELLI, Giulia
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Contributions of design: a tool to
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Techniques and technologies Paul At
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A survey on low-income housing rese
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A survey on low-income housing rese
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Design of elastic form with paramet
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LARA, Arthur H. / MAGRI, Paulo H. G
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LARA, Arthur H. / MAGRI, Paulo H. G
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Digital personal fabrication: socia
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Living system design Studio: from d
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PAIO, Alexandra / OLIVEIRA, Maria J
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PAIO, Alexandra / OLIVEIRA, Maria J
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The evolving terrain of the book: A
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The evolving terrain of the book: A
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Joining Up: evaluating technologica
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Joining Up: evaluating technologica
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Making Space: the future places, to
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Making Space: the future places, to
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Designing through the loop: program
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SILVA-JETTER, Jorge The following e
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SILVA-JETTER, Jorge importance to n
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Sewn or Simulated: transformational
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Sewn or Simulated: transformational
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The use of ceramics within the sign
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FERRAZ, Nicoli / ALVAREZ, Cristina
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FERRAZ, Nicoli / ALVAREZ, Cristina
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History, Design and technology in t
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History, Design and technology in t
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Design for glass: a study of the hi
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Design for glass: a study of the hi
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How to supply designers effectively
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ZITKUS, Emilene / LANGDON, Patrick
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ZITKUS, Emilene / LANGDON, Patrick
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Online platforms for the co-Design
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Online platforms for the co-Design
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Relationships between Neuroscience
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Relationships between Neuroscience
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The voices of the users: how techno
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ESSI, Kuure / LINDSTRÖM, Antti tec
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ESSI, Kuure / LINDSTRÖM, Antti Enc
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Graphic innovations implemented in
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Graphic innovations implemented in
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Firebird: Alex Steinweiss’ 78rpm
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Firebird: Alex Steinweiss’ 78rpm
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The presence of the autotype techni
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Dutch maps of Pernambuco from the s
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Dutch maps of Pernambuco from the s
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Co-ordinated design policy and the
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PRESTON, David Henrion and Parkin
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From ‘Do it yourself’ to ‘Ope
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MALDINI, Irene the stages of creati
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Contributions of improvisation tech
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MASSARA, Bruno Based on a deleuzian
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Human development design centered:
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FLORES MAGóN Y JIMÉNEZ, Héctor /
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FLORES MAGóN Y JIMÉNEZ, Héctor /
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Identity across boundaries. A study
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Identity across boundaries. A study
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Digital clothing manufacture: digit
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Digital clothing manufacture: digit
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How to go from the file to the fact
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BARBOSA, Wilson / CELANI, Gabriela
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Space, information and cosmology in
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BOECHAT, Marina Pantoja tween ‘ph
Page 449 and 450: The new imperialism: the internatio
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Page 455 and 456: Design, histories, empires and peri
Page 457 and 458: Design, histories, empires and peri
Page 459 and 460: Mythification of national discourse
Page 461 and 462: Mythification of National Discourse
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Page 465 and 466: Towards a digital batavia: resonanc
Page 467 and 468: Towards a Digital Batavia: Resonanc
Page 469 and 470: Questionable translatability: theco
Page 471 and 472: Questionable translatability: theco
Page 473 and 474: Eastern craft in Orientalism and Mo
Page 475 and 476: Eastern craft in Orientalism and Mo
Page 477 and 478: Mapping Cup & Saucer Design in the
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Page 481 and 482: Mappin tells the history of graphic
Page 487 and 488: “Go you too to Amazonia”: analy
Page 489 and 490: “Go you too to Amazonia”: analy
Page 491 and 492: Organic Design, MoMA 1940: the brea
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Page 495 and 496: Modern design meets Latin America:
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Page 499: Lina Bo Bardi and Aloisio Magalhãe
Page 503 and 504: The graphic translation by the desi
Page 505 and 506: The Graphic Translation by the Desi
Page 507 and 508: The design of Manoel Bandeira: a hi
Page 509 and 510: The design of Manoel Bandeira: a hi
Page 511 and 512: Open strand Victor Margolin / Chair
Page 513 and 514: Brazilian Graphic Design in the ‘
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Page 517 and 518: The Design of book bovers in Brazil
Page 519 and 520: The Design of book bovers in Brazil
Page 521 and 522: The design of Fred Jordan With his
Page 523 and 524: The design of Fred Jordan Figure 2.
Page 525 and 526: Domestic technologies and moderniza
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Page 529 and 530: la escuela de Artes y Oficios de sa
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Page 533 and 534: Itineraries for a Design Culture in
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Page 537 and 538: Sertanejo Art Deco: an inspiration
Page 539 and 540: SOUZA, José Marconi B. de / ROSSI,
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Page 545 and 546: Architectural lettering: from infor
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Page 549 and 550: A dialogue between art and city thr
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HANNS, Daniela Kutschat / DE MARCHI
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Vernacular design: a discussion on
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Vernacular design: A discussion on
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Italian Radicals and Dutch conceptu
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Italian Radicals and Dutch Conceptu
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Italian Radicals and Dutch Conceptu
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Art criticism and the semantic cons
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Art criticism and the semantic cons
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Interieur Kortrijk, an edu-commerci
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Interieur Kortrijk, an edu-commerci
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The story of convertible Sofa-Bed:
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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MERZALI CELIKOGLU, Ozge / ER, Alpay
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Vapourware and the agency of ideas
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Vapourware and the Agency of Ideas
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Pre-Columbian Asceticism: the Tuza-
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Pre-Columbian Asceticism. The Tuza-
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The collection of textbooks “Tape
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RAMIL, Chris standards for the layo
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“Their pen draws everything, as i
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Diniz, Kollontai The author(s) of t
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Diniz, Kollontai The author(s) of t
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Cruzeiro Novo Project: Design and t
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Cruzeiro Novo Project: Design and t
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Design for a sustainable culture Fi
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Design for a sustainable culture th
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Design for a sustainable culture al
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Design and biodiversity: the produc
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Design and biodiversity: the produc
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Lightness and beauty in furniture d
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Lightness and beauty in furniture d
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About ICDHS / The International Com
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Emmanuel Ruffo / Institute for Arch
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Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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