Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

MARTIN, Kathi / KO, Hyeong-Seok
Figure 4. 3D Simulations, Heekyung Chang and Chung Chin Chin.
garment is made).” (2003) DCS has a built in feature to create a
video clip of the simulation. However the file size ranges between
50-100 MB, are too large for current use by the general public. Fidelity,
performance, and memory compactness are all very important.
Fortunately, technology is evolving rapidly to accommodate
such needs. Rich technological options will be enjoyed by fashion
in the not too distant future.
6. Conclusion
The focus of our research is twofold: to avail the fashion student
with the best design tools; and to create the best resources of
design inspiration and elucidation. Once created, the 3D artifact
can be used for a variety of purposes in industry: internally, for the
entire product development cycle; and externally, for promotion of
the product. Used in the classroom/studio it has the potential to
facilitate the emergence of inventive lines of inquiry and exploration
that can seed new avenues of creative expression for fashion
design. The material discussed in this paper, beyond that of the
description of the software technology, is anecdotal, based on the
authors’ practice, observation and reflection. New concepts about
the relationship and intersection between design and technological
innovation could benefit from empirical investigation of the
area of interplay between computer graphics and design vision.
Acknowledgments
Thanks for the generous support of the Barra and Williams S. Dietrich
Foundations in Philadelphia and, in Korea, the Ministry of Culture,
Sports and Tourism (MCST) and Korea Culture Content Agency
(KOCCA) through the Contents Industry Technology Support
Program 2012 (Development of AR-based Magic Mirror Technology),
National Research Foundation of Korea (NRF) grant funded by
the Korea government (MEST) (No. 2012R1A2A1A01004891), the
Brain Korea 21 Project in 2012, and ASRI (Automation and Systems
Research Institute at Seoul National University).
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About the authors
Kathi Martin is an Associate Professor in the Westphal College of
Media Arts & Design at Drexel University where she directs the
Graduate Fashion Design Program and the Drexel Digital Museum
Project and is involved in research of 3D simulations for fashion design
and historic dress.
Hyeong-Seok Ko is a professor in the Department of Electrical and
Computer Engineering at Seoul National University. He is the director
of Digital Clothing Center at the same university, and has been
developing physically-based techniques for reproducing clothes,
Design Frontiers: Territiories, Concepts, Technologies 362