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Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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LARA, Arthur H. / MAGRI, Paulo H. G. / CAMPOS, Patricia F. / SILVA, Nayara V. / NOLLA, Ie<strong>da</strong> Maria<br />

the wood in the longitudinal direction of its fibers giving the form<br />

elastic proprieties.<br />

The bridge is composed of eight steel stretches that can expand up<br />

to 1.4m in the longitudinal direction. The parametric-algorithmic<br />

programming is a way of conceiving and embracing the unknown.<br />

At its best, it goes beyond the development of commercial applications.<br />

It becomes a way to explore and map our own mind-set. It<br />

is the means through which the experience can be extended with<br />

rules, principles and results of the traditionally defined as “cultural<br />

arch-processes”.<br />

4. Elastic force<br />

Swedish Marten Nettelbladt 3 is one of the artists and designers<br />

who propose a new geometry resulting from the material resistance<br />

to torsion and flexion forces. This geometry does not fit the<br />

category of the known basic forms, which suggests the discovery<br />

of new concepts.<br />

We initiated the investigation through the senoi<strong>da</strong>l curves that represent<br />

the basic fun<strong>da</strong>ment of bending in the application Grasshopper,<br />

but for the bending execution, in its fullness, it was necessary<br />

to use the 4D algorithmic modeling (3D + time) and the plug-in<br />

Kangaroo, by Daniel Piker, through which we can simulate flexion<br />

and gravity conferring the model properties that are next to reality.<br />

In this context, the “bending” is presented as a very useful algorithm<br />

in the simulation of real situations for the application of<br />

forces, natural or inducted, and it can be used to eliminate test<br />

phases that, in the past, could only be evaluated through physical<br />

analyses, scientific experiments or through the designer’s experience<br />

with the material. The craft approach was also considered in<br />

the investigation and the new uses of fibers that behave similarly<br />

to the elastic form due to its physical characteristics.<br />

Figure 4. Script bend – Grasshopper + Kangaroo.<br />

3 Mårten Nettelbladt , Swedish archiquect who does research into complex<br />

geometries. He owns the site “Omkrets arkitektur” www.omkrets.se/ and the blog:<br />

thegeometryofbending.blogspot.com/ (access in April 2012)<br />

5. The investigation<br />

Recently in Brazil, the structural use of fibers was recovered from<br />

constructive methods that <strong>da</strong>te back to antiquity. Natural materials<br />

were generally associated to vegetal fibers and are used in the<br />

production of objects, accessories and their uses are restricted to<br />

coverings, ceilings, rugs and pieces of furniture. In rural popular<br />

houses it is still common to find the structure of wooden or fiber<br />

weft covered with clay, popularly called “pau-a-pique”.<br />

The materials that are called fiber have a natural, mineral and<br />

industrial origin and can be combined in compounds aggregating<br />

physical-mechanical characteristics such as flexibility, malleability<br />

and energy conservation. Their use is popular due to its<br />

low cost, easy availability and, mainly, for being biodegra<strong>da</strong>ble.<br />

Figure 3. Form created by Marten Nettelbladt. http://thegeometryofbending.<br />

blogspot.com.br/<br />

Design Frontiers: Territiories, Concepts, Technologies 329

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