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Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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MORTATI, Marzia / SIMONELLI, Giuliano<br />

tion of the Milan Chamber of Commerce. Established in 2008, it<br />

offers support to local SMEs mainly through informational services<br />

with a special focus on R&D activities. The service areas<br />

are: (a) Information and Business Services, dedicated to linking<br />

local companies with European, national and local funds as well<br />

as to promoting the local business system; (b) Innovation and<br />

Technology Transfer, especially focused on creating connections<br />

with research and external competencies.<br />

InnovHub is mainly concerned with informational activities that<br />

are communicating the opportunities for innovative companies,<br />

both in terms of funding and competencies retrieval. It facilitates<br />

innovation by participating in networks and projects to connect<br />

local firms to research, while core activities are based around<br />

services with a lower added value. This is a more traditional CITT<br />

and its growth toward higher added value services is mainly<br />

driven by European policies. This can be considered a paradox,<br />

because of the territorial location of the center. Milan is in fact renowned<br />

for being the European Design Capital, and the creative<br />

industries play a relevant role in the local economy. This contrast<br />

makes the case quite interesting, as one of the centers with a<br />

great underexplored potential. At the same time it exemplifies<br />

the situation of many other CITT that are struggling to evolve<br />

their offer.<br />

The interview has underlined that one of the main causes of this<br />

situation is the low understanding of design competencies in general,<br />

although many of the existing initiatives could greatly benefit<br />

from a contamination of skills and perspectives. Few steps have<br />

been made toward the creative industry sector. Recently 10 scholarships<br />

have been assigned to young researchers for studying<br />

the policies’ system in interesting European regions. In addition<br />

InnovHub is endorsing the development of national policies for<br />

user-centered and non-technological innovation.<br />

Interview 4: Aster<br />

Aster is a Consortium between the Region Emilia-Romagna,<br />

the local universities and the national research centres operating<br />

locally (CNR and ENEA), the Regional Union of Chamber of<br />

Commerce and the Regional Entrepreneurial Associations. It promotes<br />

actions for developing the regional productive system towards<br />

industrial and strategic research, for transferring technological<br />

competencies to the productive system, for educating the<br />

local human capital to innovation. Its main actions are: (a) High<br />

Technology Network, made of industrial research laboratories<br />

and centres for technological innovation; (b) Business Program,<br />

that includes services for creating business networks and to address<br />

needs, like financial assistance and IPR services; (c) European<br />

Program, regarding informational services on European<br />

policies and funding; (d) Human Capital, involving educational<br />

activities. The first of these underpins all others, as it sustains<br />

the retrieval of resources from actors in the network.<br />

Aster’s activities are totally concentrated in right quadrant. This<br />

is an important difference with the other cases. The reason resides<br />

in the nature of the centre, as strongly oriented to acting<br />

as a network, pulling resources when needed and creating a<br />

system around local needs. Its relationship with design is not<br />

consistent. Besides few attempts of promoting its competencies<br />

within the High Technology Network (e.g. Design Centre in Bologna,<br />

lasted only two years), the collaboration has not been able<br />

to flourish further. Recently the attention has moved toward the<br />

creative industries, but this remains linked to specific projects<br />

(e.g. the project Creative Growth).<br />

3. System transformation: how to move<br />

forward?<br />

The interviews witness a moment of transformation that is peculiar<br />

of a country with a strong tradition in governmental and<br />

public support to SMEs. Italian public bodies are currently undergoing<br />

a redefinition of their function and role that moves into two<br />

converging directions: on the one side they are shifting their attention<br />

towards including services with higher added value (with<br />

design included here); on the other they are being re-shaped to<br />

become more flexible and less bureaucratic, and to meet the current<br />

requirements of leanness (Mulgan, 1997). The investigation<br />

shows that although Italy is reach in design culture, history and<br />

tradition, a real collaboration between designers/SMEs is highly<br />

personal. This means that it varies with the characteristics of the<br />

territorial context, and it depends on the personality of the entrepreneur<br />

and on the company’s culture. Thus it reflects specific<br />

contextual conditions, resulting in an uncertain national support<br />

system. In a wider innovation context, business challenges are<br />

no longer represented only by intensified global competition,<br />

but mostly by the ability to collaborate while operating with distributed<br />

teams and offering co-created solutions (Poynor, 2008;<br />

Owen, 2007). This requires complex interventions negotiated<br />

between different socio-economic actors (companies, institutions,<br />

citizens) working in teams of multi-experts. The support<br />

for achieving this ought to be more flexible and a<strong>da</strong>ptable, and<br />

must operate resembling an ecosystem (Mortati, 2011).<br />

The Italian situation is peculiar, because of its tradition of successful<br />

collaborations between entrepreneurs/designers. These<br />

have been based on trusted friendships that would influence the<br />

development of the company’s culture (Utterback et al., 2007).<br />

Because of the need for this kind of external support, Italian design<br />

companies have developed in networks based on strong<br />

bonds, capable of pulling resources from a distributed system of<br />

suppliers. This was mainly hidden in the personal relationships of<br />

the entrepreneur, thus very difficult to measure and support. Relationships<br />

would often emerge by serendipity, creating models<br />

that could not be replicated top-down and where design would<br />

represent a tacit addition. Due to the difficulties in grasping this<br />

structure, the government has developed a networked system<br />

of public support very specialised locally and bound to know better<br />

the necessity of an area. The interviews show how this kind<br />

of organisation is no longer sustainable, unless new kinds of networked<br />

structures are thought. For example, the wider business<br />

landscape is increasingly valuing designerly approaches (Boland<br />

& Collopy, 2009), calling for a new entrepreneurial culture<br />

Design Frontiers: Territiories, Concepts, Technologies 311

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