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Priscila Lena Farias / Anna Calvera Marcos da Costa ... - Blucher

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Dutch maps of Pernambuco from the seventh century: the technique and the<br />

metafunctions of the graphical language<br />

BACIC, Lucas / Undergrad / Universi<strong>da</strong>de Ferederal de Pernambuco / Brazil<br />

BASTOS, Luiza / Undergrad / Universi<strong>da</strong>de Ferederal de Pernambuco / Brazil<br />

CAVALCANTE, Sebastião A. / Master’s student / Universi<strong>da</strong>de Federal de Pernambuco / Brazil<br />

QUEIROZ, Malthus O. / Master’s student | Universi<strong>da</strong>de Federal de Pernambuco / Brazil<br />

CAMPELLO, Silvio B. / PhD / Universi<strong>da</strong>de Federal de Pernambuco / Brazil<br />

Maps / Metal engraving / Social semiotics / History of graphic<br />

design<br />

Research and analysis of gravures in the book Gaspar Barlaeus<br />

– Nederlandsch Brazilië (1647), printed with metal engraving.<br />

We proposed as an analytical tool a form based on the theory of<br />

Language and Social Semiotics of Halli<strong>da</strong>y, focusing in the ideational<br />

and textual metafunctions, analyzing both geographic<br />

and decorative elements. The results led us to understand the<br />

reason for the figurative elements and what are their historical<br />

importance.<br />

1. Introduction<br />

Brazil – throughout its life as a Portuguese colony – has faced<br />

prohibitive laws which hindered its people’s freedom. For a long<br />

time, the existence of manufacturing was not allowed, given<br />

submission of the colony to Portugal. This Interdiction included<br />

any press activities, would it be newspapers, books or fliers. This<br />

fact is responsible for the lack of printing activity in the country<br />

region before 19 th century. This is also the reason for some printing<br />

techniques, such as wood engraving, very common in Europe<br />

during the previous centuries, having less impact in our Graphic<br />

History. Nevertheless, when the flemishes came to Recife in the<br />

17 th century, they produced a number of maps and illustrations in<br />

such techniques. The results presented here began with a search<br />

in collections in the city of Recife to find evidences of the printing<br />

techniques called metal engraving.<br />

With references found on the book Guia de fontes para a história<br />

do Brasil Holandês: acervos de manuscritos em arquivos holan-<br />

deses (Gallindo et all 2001), we searched the Institute Ricardo<br />

Brennand, in Recife, PE. There we had access to the book Gaspar<br />

Barlaeus - Nederlandsch Brazilië (1647). Printed in a typographic<br />

press and metal engraving, part of the original edition<br />

is displayed in the IRB along with other later editions, from the<br />

same period.<br />

2. Object of Study<br />

The Gaspar Barlaeus - Nederlandsch Brazilië (fig. 1) was created<br />

at request of the Count Johann Mauritius van Nassau-Siegen to<br />

certify his good governance in the Brazilian northeast and to<br />

prove the good investment to the Eastern Indian Company. The<br />

work describes the deeds done during the eight years of stay<br />

of Nassau and was written by humanist Gaspar Barlaeus and<br />

published in Amster<strong>da</strong>n in 1647. In the book O Brasil que Nassau<br />

Conheceu (Silva 1979) it says: ‘A magnificent book, (…), one of<br />

the biggest achievements of the Lower Countries’ graphic art’.<br />

The book is a detailed documentation about diverse aspects of<br />

nature, fauna and flora of Pernambuco. It also portrays historical<br />

facts of the Portuguese and Dutch domination. Some of its prints<br />

were after painted with watercolor, displaying extreme care in<br />

the making of the book. Most of the prints are credited to Franz<br />

Post, having participation of other artists.<br />

Although we didn’t had the chance of handling the original book<br />

as it was in exhibition at that time, we could use two publications,<br />

quite faithful to the original, printed in an enlarged version and<br />

with refined quality. The first book is from 1923, of which we took<br />

most of the photos. The second one, the already cited O Brasil que<br />

Figure 1. (1) Cover; (2) Back cover; (3) Detailed gravure from the cover of the book Gaspar Balaeus – Nerderlansch Brazilië (Institute Ricardo Brennand).<br />

Design Frontiers: Territiories, Concepts, Technologies / Proceedings of the 8th Conference of the International Committee for<br />

Design History & Design Studies - ICDHS 2012 / São Paulo, Brazil / © 2012 <strong>Blucher</strong> / ISBN 978-85-212-0692-7

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