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narratives of three generations of urban middle-class - eTheses ...

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experiences and practical wisdom and a retrospective realization <strong>of</strong> the importance <strong>of</strong><br />

material comforts in a relationship where ‘love alone cannot last long’.<br />

The reader is made to think if this is a generational story <strong>of</strong> intimacy or a story <strong>of</strong> every<br />

generation; a story <strong>of</strong> different time frames or different ages <strong>of</strong> all times. Rather than<br />

privilege one narrative over another, what is important to appreciate through a poststructuralist<br />

lens is the influence <strong>of</strong> multiple and contradictory discourses that engender<br />

multiple and contradictory subjectivities (Leahy. 1884: 49) and through which ‘then’/past<br />

and ‘now’/present are continually discursively mutually constructed. What can be<br />

appreciated from the reading <strong>of</strong> Shanta’s <strong>narratives</strong> is an appropriation <strong>of</strong> specific<br />

discourses at specific situations that calls for recognizing situational multiplicities and<br />

contingencies <strong>of</strong> the ideals <strong>of</strong> coupling.<br />

Multiple Time Frames, Multiple Eyes, Multiple Perceptions and Multiple<br />

Subjectivities:<br />

It is interesting to analyze in Shanta’s narrative, multiple perceptions, multiple meanings<br />

and multiple contexts. For instance, Shanta narrativizes, ‘the girls and boys <strong>of</strong> these<br />

days’ through more than one perceptual frame:<br />

• She imagines how these boys and girls imagine themselves and their time: ‘they<br />

think they are modern....and hardly care’.<br />

• She imagines these boys and girls and their time: ‘they think they are modern<br />

and can take their own decisions but these are more <strong>of</strong> the negative effects <strong>of</strong><br />

Westernization’<br />

223

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