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narratives of three generations of urban middle-class - eTheses ...

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An Ethnography <strong>of</strong> Bengali Marriage: Negotiating the Bhadralok<br />

‘Distinction’:<br />

Owing to the fragmented and heterogeneous nature <strong>of</strong> the <strong>middle</strong>-<strong>class</strong>, there were<br />

ideological differences amongst Sunanda, Udayan and Manjir in terms <strong>of</strong> the different<br />

meaning-making processes as to what constitutes an ideal form and practice <strong>of</strong> intimate<br />

heterosexual coupling. Despite ideological differences at one level, the subjects were,<br />

however, interestingly united in their world view at another level that conformed to <strong>urban</strong><br />

Bengali <strong>middle</strong>-<strong>class</strong>’ symbolic distinction and taste viz-a-viz other <strong>class</strong>es and<br />

communities (Bourdieu, 1984). A nineteenth century colonial <strong>middle</strong>-<strong>class</strong> ideology<br />

based on a patriarchal idealization <strong>of</strong> marriage that sought to infuse intimate spaces <strong>of</strong><br />

marriages with taste and refinement through adhatmikata or spirituality and antarikata or<br />

heartfelt sincerity, was an attempt from both the couple’s sides at reinstating their social<br />

distinction (Majumdar, 2000). The self’s distinction is maintained through the<br />

construction <strong>of</strong> an ‘other’ who did not share the so called inherent tasteful judgements <strong>of</strong><br />

the progressive Bengali intellectual minds. These others were othered through the basis<br />

<strong>of</strong> state (for instance, the pompous Punjabis <strong>of</strong> North India), community (for instance,<br />

the business minded Marwaris or slanged by the Bengalis as Meroes), newly acquired<br />

money (for instance, the noveau riche or the newly rich <strong>middle</strong>-<strong>class</strong>) and the more<br />

obvious working <strong>class</strong>.<br />

The new <strong>middle</strong>-<strong>class</strong> which is popularly perceived as the noveau riche product <strong>of</strong><br />

uncritical globalization is most <strong>of</strong>ten constructed as challengers to Bengali <strong>middle</strong>-<strong>class</strong><br />

heritage. Third generation Udayan critiques this new <strong>middle</strong>-<strong>class</strong> as “‘too<br />

‘Bollywoodish’ without any sophisticated Bengali culture”; second generation Aparna<br />

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