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narratives of three generations of urban middle-class - eTheses ...

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to confirm, subvert and reproduce the cultural constructions <strong>of</strong> hegemonic<br />

masculinity at the inter-subjective level <strong>of</strong> everyday interaction, gender<br />

performance and gender accountability. Narrative texts were deconstructed to<br />

show that construction <strong>of</strong> hegemonic masculinity necessarily depended on the<br />

discursive subordination, rejection <strong>of</strong> and distantiation from the ‘other’ in creation<br />

<strong>of</strong> ‘a circle <strong>of</strong> legitimacy’ around the self. This paradoxical nature <strong>of</strong> masculine<br />

self-making which depended on an ‘other’ and simultaneously rejected it; brought<br />

out the mutual co-constitution <strong>of</strong> self and other; <strong>of</strong> homosociality and<br />

homosexuality and the multiple codes <strong>of</strong> hegemonic masculinity including the<br />

competing meanings and practices <strong>of</strong> ‘real’ heterosexual masculinity. Masculinity<br />

in this sense was shown to be constituted simultaneously at the level <strong>of</strong><br />

structural, institutional, experiential, embodied and discursive.<br />

b) The second chapter analyzed the processes <strong>of</strong> constructing and negotiating<br />

heterosexual identity through negotiating femininities and illustrated how <strong>middle</strong><strong>class</strong><br />

women experience, practice and narrate intimacy. Like the previous<br />

chapter, it showed that femininity as an object <strong>of</strong> knowledge is an ongoing<br />

accomplishment <strong>of</strong> interaction-specific accountability and cultural performances<br />

<strong>of</strong> femininity/womanhood. Through different stories <strong>of</strong> female homosociality, the<br />

chapter illustrated that women’s experiences <strong>of</strong> femininity are both collective as a<br />

gender and also heterogeneous. Thse experiences were shown to be socially<br />

and discursively constituted by an inter-play <strong>of</strong> the subject’s generation, <strong>class</strong>,<br />

culture, pr<strong>of</strong>ession and relation to the patriarchal mode <strong>of</strong> production. This<br />

specific positionality and subjectivity was then shown to have consequences on<br />

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