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narratives of three generations of urban middle-class - eTheses ...

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In the way familial arrangement creeps into individual choice, the latter also creeps into<br />

the former. Sometimes, again these two domains <strong>of</strong> experience are so intertwined that it<br />

is difficult to even distinguish one from another. Twenty-nine year-old Sudip’s narrative<br />

manifests agency and structure through such multi-layered co-constitution, that it<br />

becomes difficult to assign an ontological priority to either structure or agent (Bourdieu<br />

and Wacquant, 1992: 15). Sudip narrativizes the institution <strong>of</strong> marriage in a way which<br />

sees no ‘real difference’ between love and arranged marriage,<br />

“It’s all the same ‘ultimately’! ‘I am too busy with my career at the moment to<br />

even find the time to look for a girl’ but as you can understand, parents want you<br />

to get married at this age. So I have given them the responsibility <strong>of</strong> looking for a<br />

girl and ‘I will just marry’. ‘I’m concentrating on my pr<strong>of</strong>essional life and career<br />

and have really no time for any romantic engagements. Anyway, it’s not a man’s<br />

cup <strong>of</strong> tea especially at this age amongst much more important issues <strong>of</strong> work’!”<br />

Sudip’s bilinguial narrativizing in Bengali and English suggests an influence <strong>of</strong> both<br />

national and trans-national discourses <strong>of</strong> intimacy. These discourses influence his<br />

narrative idea <strong>of</strong> a gendered romance through which he upholds the hegemonic<br />

masculine construction that romance is not a “man’s cup <strong>of</strong> tea”. This disassociation is<br />

heightened with his pr<strong>of</strong>essional life, career and work that are ‘much more important<br />

issues’, at his age. It is significant to note that although he has no time for looking for a<br />

girl to marry, the need for an institutionalized marriage, particularly its familial wish is<br />

conformed to by Sudip. However, although he willingly gives his family the responsibility<br />

<strong>of</strong> choosing a girl for him, his parents narrate various instances where they had<br />

‘arranged’ for the prospective couple to meet and how, in many cases he “rejected the<br />

girl” on the basis that “there wasn’t any vibe that said yes she is the one!” It is<br />

236

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