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narratives of three generations of urban middle-class - eTheses ...

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(Mohanty, 1991). A direct and also a logical derivation <strong>of</strong> the binary are thus understood<br />

from her self-narrative in the table below:<br />

SELF<br />

Modern<br />

Progressive<br />

Feminist<br />

Liberated<br />

Secular<br />

Reflexive<br />

Cultured<br />

Educated<br />

OTHER<br />

Non-modern/traditional/conservative<br />

Non-progressive/backward<br />

Non-feminist/anti-feminist/patriarchal<br />

Oppressed<br />

Religious<br />

Non-reflexive<br />

Uncultured<br />

Uneducated<br />

What Sunanda’s educated, modern, progressive, self-reflexive feminism fails to critically<br />

interrogate is her conformity to a trans-national hegemonic discourse <strong>of</strong> heteronormative<br />

intimacy and a monolithic feminism that stereotypes and homogenizes<br />

identity, experience and practices and also legitimizes superiority <strong>of</strong> the self over<br />

inferiority <strong>of</strong> the other.<br />

In this section I have shown the multiplicity <strong>of</strong> the processes <strong>of</strong> meaning-making, and<br />

representation (Hall, 1997a) with regards to practices <strong>of</strong> intimacy. Within a certain<br />

historical time and cultural space therefore, there is always a range <strong>of</strong> meanings and<br />

interpretations ‘floating about’ with regards to any given socio-cultural phenomenon.<br />

Negotiating intimate practices and their meanings simultaneously confirms,<br />

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