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MOSAIC - The training kit for Euro-Mediterranean youth work

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Variations<br />

As an alternative, participants could be given the task of creating a monument out of<br />

different materials (paper, card, wood, etc.) instead of using their bodies. This has the<br />

advantage that the monuments can themselves become a fixture in the room where<br />

you are <strong>work</strong>ing, a reminder of the participants’ initial perceptions.<br />

You may wish to provide the groups with themes to <strong>work</strong> on, rather than asking them<br />

to decide on this among themselves. This might be helpful either when time is short<br />

or when there are sensitive issues that you do not wish to address in this <strong>for</strong>um.<br />

Ideas <strong>for</strong> action<br />

Ask participants to carry out a study of monuments or other official representations of<br />

the past that are to be found in the local neighbourhood. Ask them to think about the<br />

extent to which these monuments might have influenced their view of the locality.<br />

Would the presence of other monuments have encouraged a different view?<br />

Suggestions <strong>for</strong> follow-up<br />

You could follow up this activity with “Heroines and heroes” from Compass, which<br />

looks specifically at gender stereotypes and the role they play in the retelling of history.<br />

Alternatively, try Activity 6 “Did I <strong>for</strong>get something?” in this T-<strong>kit</strong>, which looks at<br />

personal memories of conflict and points up the selective nature of the way we<br />

perceive past events.<br />

Further in<strong>for</strong>mation<br />

<strong>The</strong> activity was inspired by the <strong>work</strong> of Augusto Boal, founder of the <strong>The</strong>atre of the<br />

Oppressed, and also by an activity in www.facinghistory.org. Various other methods of the<br />

<strong>The</strong>atre of the Oppressed can be found in: Augusto Boal, Games <strong>for</strong> actors and non-actors,<br />

London: Routledge (1992) or at www.theatreoftheoppressed.org.<br />

Making memories

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