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isaac-deutscher-the-prophet-armed-trotsky-1879-1921

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THE PROPHET ARMED<br />

Mephisto, Faust, Hamkt, O<strong>the</strong>llo, artistically embodying definite<br />

"moments" of <strong>the</strong> human soul. .. .' The symbolist school,<br />

however, he held, was trying to elevate <strong>the</strong> means into an end<br />

in itself and, so, was degrading <strong>the</strong> symbol from an intensified<br />

expression of human experience into a means of escaping from<br />

that experience.<br />

His interest in European letters was as intense as was his<br />

reaction against <strong>the</strong> national sclf-centredness of official, and in<br />

part also of .Narodnik, Russia. He ridiculed <strong>the</strong> boast of <strong>the</strong><br />

Slavophiles that <strong>the</strong>y had no need to learn from <strong>the</strong> West and<br />

that <strong>the</strong> Russians <strong>the</strong>mselves made all <strong>the</strong> great discoveries<br />

and inventions-'<strong>the</strong> Russian land can rear its own Platos and<br />

quick-witted Newtons'.' This 'westernizing', <strong>the</strong>n common to<br />

all Marxists and liberals, did not imply any repudiation of <strong>the</strong><br />

Russian spiritual heritage of <strong>the</strong> nineteenth century-Russia's<br />

great literary tradition did not go back any far<strong>the</strong>r. Most of<br />

Russia's thinkers and writers had been rebels, and <strong>the</strong> revolutionary<br />

intellectual was steeped in <strong>the</strong>ir works. It was <strong>the</strong> influence<br />

of <strong>the</strong> literature of rebellion that helped Bronstein to cut<br />

himself adrift from his own childhood and adolescence in which<br />

<strong>the</strong>re had been so little experience likely to make of him a<br />

revolutionary. He had been, we know, profoundly impressed by<br />

Gleb Uspensky. In 1902, when Vspensky died insane, Bronstein<br />

quoted with self-revealing approval Cspcnsky's remark that<br />

<strong>the</strong>re had been almost no link between his adult life as a rebel<br />

and his childhood and adolescence, and that he had had 'to forget<br />

his own past' before he could form his new identity. This was,<br />

of course, even truer of <strong>the</strong> writer of <strong>the</strong> obituary. '\Vi th terrible<br />

suicidal perspicacity', he wrote, 'Uspensky grasped life such as<br />

it was and he burned himself out in <strong>the</strong> craving for life such as it<br />

should be. He searched for truth and found <strong>the</strong> lie; he searched<br />

for beauty and found ugliness; he searched for reason and found<br />

unreason.' 2<br />

In <strong>the</strong> o<strong>the</strong>r leaders of <strong>the</strong> literary revolt, Belinsky, Dobrolyubov,<br />

and to a lesser rxtent in Hcrzen, Bronstein admired <strong>the</strong>ir<br />

identification with <strong>the</strong> oppr!'ssed, <strong>the</strong>ir indiffercncl' to worldly<br />

' L. Trotsky, Sochinmya, vol. xx, pp. 116-18, <strong>the</strong> satirical article on 'The<br />

Russian Darwin' published in :'./o,·embcr 1901.<br />

:i Bronstein wrote two obituary essays on C!\pr.nsky, one for <strong>the</strong> Eastern Rtview<br />

and ano<strong>the</strong>r for Nauchnoyt Obo

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