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isaac-deutscher-the-prophet-armed-trotsky-1879-1921

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IN SEARCH OF AN IDEAL 53<br />

success, <strong>the</strong>ir imperviousness to banality, and <strong>the</strong> self-immolating<br />

integrity with which <strong>the</strong>y searched for truth. Uspensky, <strong>the</strong><br />

Narodnik, had risen above Narodnik prejudices and illusions:<br />

'A lonely figure, <strong>the</strong> martyr of his own fearless thought, he looks<br />

with painfully penetrating eyes above <strong>the</strong> heads of his contemporaries<br />

and comrades ... into <strong>the</strong> face of <strong>the</strong> future.' Belinsky,<br />

'<strong>the</strong> godfa<strong>the</strong>r of modern Russian literature' held that 'nothing<br />

that appears and succeeds at once and is met with ... unconditional<br />

praise can be important or great-significant and great<br />

is only that which divides opinion ... which matures and grows<br />

through genuine struggle, which asserts itself ... against living<br />

resistance'. In Dobrolyubov <strong>the</strong> critic valued <strong>the</strong> extreme sensitivity<br />

to any false note and <strong>the</strong> impatience with platitudes, even<br />

when <strong>the</strong>y were innocuous. Nothing was more embarrassing<br />

to Dobrolyubov than to have to listen to a man who argued<br />

heatedly about <strong>the</strong> inhumanity of cannibalism or <strong>the</strong> usefulness<br />

of education. Dobrolyubov's satire, Bronstein concluded, would<br />

remain acutely topical 'as long as <strong>the</strong> great heroism for petty<br />

affairs raised its head so high ... and as long as it was<br />

considered a social merit to preach <strong>the</strong> rudiments of a cheap<br />

liberalism' . 1<br />

This summary of Bronstein's literary criticism may, through<br />

inevitable compression, give a somewhat exaggerated idea of <strong>the</strong><br />

maturity of his writings. His style, over-elaborate, over-rhetorical,<br />

and over-witty, was still adolescent; but his judgement was,<br />

on <strong>the</strong> whole, mature. To <strong>the</strong> biographer <strong>the</strong> value of <strong>the</strong>se<br />

essays is enhanced by <strong>the</strong> many flashes of <strong>the</strong> author's implied<br />

self-analysis and self-portrayal. However, <strong>the</strong> young Bronstein<br />

epitomized more directly his own outlook in an invocation to <strong>the</strong><br />

twentieth century (written early in IgoI, under <strong>the</strong> title 'On<br />

Optimism and Pessimism, on <strong>the</strong> Twentieth Century, and on<br />

Many O<strong>the</strong>r Things'). 2 There he analysed various types of optimism<br />

and pessimism and stated his preference for <strong>the</strong> view<br />

which was pessimistic about <strong>the</strong> present but optimistic about <strong>the</strong><br />

future. It is, Bronstein argues, <strong>the</strong> man who holds this view who<br />

opens new vistas to <strong>the</strong> human mind and makes history. More<br />

than once this peculiar optimist has had to brave a Holy Inquisition.<br />

'More than once has <strong>the</strong> collective Torquemada devoted<br />

exclusive attention to him.' Yet he, <strong>the</strong> optimist, rises<br />

I Ibid., PP· I 2, 29-3 I. ' Ibid., pp. 74-79.

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