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isaac-deutscher-the-prophet-armed-trotsky-1879-1921

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THE PROPHET ARMED<br />

Elevated above <strong>the</strong> crowd and feeling a multitude of eyes centred<br />

on him, himself storming a multitude of hearts and minds<br />

below-he was in his clement. A contemporary describes <strong>the</strong><br />

lean, tallish man, with large fierce eyes and large, sensual,<br />

irregular mouth, perched on <strong>the</strong> platform like a 'bird of prey' . 1<br />

In <strong>the</strong> admired speaker and writer <strong>the</strong>re lived on, as he<br />

himself put it, a 'barbarian struggling for self-preservation'.<br />

Having found himself among <strong>the</strong> elite of <strong>the</strong> movement, he had<br />

to lift himself intellectually by his bootstraps. He diligently<br />

studied Marxism, which in this its golden age gave <strong>the</strong> adept a<br />

solid mental equipment. Just before he escaped from Siberia<br />

he had explored <strong>the</strong> intricacies of 'capitalistic circulation', with<br />

its periodic crises, as <strong>the</strong>y arc analysed with seeming dryness and<br />

yet with <strong>the</strong> utmost dramatic effect in <strong>the</strong> second volume of<br />

Das Kapital. Abroad he resumed this study. But <strong>the</strong> fascination<br />

of Marxism kept his mind dosed to any extraneous idea or<br />

phenomenon. On his arrival in London it had seemed to him<br />

strange that Lenin should try to interest him in English historical<br />

monuments. When he first visited Paris he similarly<br />

defended himself against <strong>the</strong> assault of novel impressions. He<br />

summed up his first view of Paris grotesquely: 'Very much like<br />

Odessa, but Odessa is better.' The art treasures of <strong>the</strong> Louvre<br />

bored him. What excited him most in France was <strong>the</strong> controversy<br />

between <strong>the</strong> orthodox Marxists, led by Jules Guesde, and<br />

<strong>the</strong> reformists who followed Jaures. He plunged into a crowd of<br />

Parisian workers demonstrating against Millerand, <strong>the</strong> first<br />

Socialist to become a minister in a bourgeois government and<br />

<strong>the</strong>n engaged in suppressing strikes. Marching in <strong>the</strong> crowd he<br />

shouted 'all sorts of unpleasant things against Millerand'.<br />

In Paris he met his second wife. She was Natalya Sedova, a<br />

girl student who had taken him to <strong>the</strong> Louvre and tried to open<br />

his eyes to paintings and sculpture. A few years younger than his<br />

first wife, she, too, was a revolutionary. She had been expelled<br />

from a boarding school for young ladies of noble birth at<br />

Kharkov, where she had persuaded her classmates not to attend<br />

not second in its grandeur to <strong>the</strong> antique Fatum. Social principles in <strong>the</strong>ir pitiless<br />

compulsion, not less than Aeschylus' Fat~, can grind into dust <strong>the</strong> individual soul<br />

if it enters into a conflict with <strong>the</strong>m.' Sochintnya, vol. xx, p. 241.<br />

1<br />

V. l\frdcm, op. cit., \'ol. ii, pp. 7 ·9; P.A. Garvi, V0Jpomi11anya Sotsialdtmolcrata,<br />

p. 385.

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