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BRITISH IDENTITY AND THE GERMAN OTHER A Dissertation ...

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Despite being the penultimate expression of excessive behavior and bad taste, Grobianism,<br />

through its sheer unconventionality, nevertheless stimulated nostalgia for naturalness and lost<br />

Arcadian simplicity. From this duality Herford could infer a clear difference between English<br />

and German sensibilities. The English version of Grobianus resembled the cynical fop, the<br />

eccentric scholar or misanthrope who exposes the insincerity of social conventions, a concept<br />

Herford regarded as too subtle for Dedekind’s Germany in which he found “a society too<br />

intolerably natural to even affect refinement.” 26<br />

The stereotypical German boor, initially perpetrated by German social satirists, would<br />

adopt various guises throughout the nineteenth century, often in conjunction with figures vastly<br />

different from the aggressively overindulgent dandy depicted in Grobianus. The stigma of obtuse<br />

unmannerliness would be applied to German students as well as their favorite target, the<br />

bourgeois Philister, to swaggering Prussian officers, to know-it-all professors and to German<br />

social customs in general. The effectiveness of these nineteenth-century stereotypes probably<br />

owed something to the freshness of Grobianism as a literary image in the late eighteenth century.<br />

Herford described this abrupt transition:<br />

Some forty years after the translation of Grobianus, polite England was weeping over the<br />

translated Werther. The typical German figure of the later eighteenth century follows<br />

hard upon the last traces of the typical figure of the sixteenth; the master of callous<br />

brutality and phlegmatic ill-breeding leaves the stage as the classical victim of<br />

sentimental passion enters it. 27<br />

26 Herford concluded, “the contrast which Dedekind found in the German society of his<br />

day between the ‘respectable’ burgher and the wilfully offensive boor, was qualified by the finer<br />

contrast of which English society afforded suggestions, between the devotees of social<br />

convention and of the ‘simplicity of nature.’” Literary Relations of England and Germany, 397.<br />

27 Ibid., 398.<br />

154

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