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BRITISH IDENTITY AND THE GERMAN OTHER A Dissertation ...

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metaphysics.” 29 Both Madame de Staël, who only “blew away the mists”, and Thomas Carlyle,<br />

“the great apostle of the Teutonic gospel,” won praise for acquainting the British with the merits<br />

of German literature, but runaway enthusiasm for German culture only provoked disparagement:<br />

. . . we will not exchange our classic Edinburgh or our titanic London for any elegant<br />

cabinet city of a Carlsruhe, spread out in courtly elegance like a lady’s fan, on the<br />

foreground stiffly adorned with long Lombardy poplars, while behind some dark sombre<br />

Schartzwald [sic], instinct with robbers and hobgoblins, frowns. The Goethe-maniac and<br />

Kantian apostles of Germanism, may phrase as mystically as they will; we will not<br />

exchange our British soil, where on we walk erect, for any sublime ballooning, devil<br />

knows wither, in the crescent boat of German metaphysics. We will not admit Goethe<br />

into partnership with Shakespeare. 30<br />

In Charles Julius Weber, author of a four-volume “self-portrait”of his own native<br />

Germany, Blackwood’s had found “a brain well stored with curious scraps of book learning, such<br />

as every German must have,” and a “fluent breadth of wit . . . so far as a German can be witty.”<br />

Weber described, “methodically, as a German will,” a Germany that opened up a rich panoply of<br />

stereotypes. He compared cheerful South Germany with the “dreary,” “phlegmatic” and<br />

melancholy North whose inhabitants, like their “stepmother Nature” are “serious, monotonous,<br />

unfriendly, unwieldy, colder, more watery, more sandy . . . not cheerful, merry, and<br />

communicative, like the sons of the southern hills—without wine, without harp and song.”<br />

Weber’s comments on German national character, which the Blackwood’s reviewer found<br />

“particularly edifying,” painted the disarming image of a kind-hearted, earnest people who<br />

enjoyed an increased longevity due to purer morals (shades of Tacitus) and described the typical<br />

German as “earthy” and “not so nimble, merry and witty as the Frenchman . . . not so proud,<br />

whimsical and dry as the Briton; not so lazy, bigoted, and miserly as the Italian: but a plain<br />

29 “Germany,” Blackwood’s, 119-20.<br />

30 Ibid., 122-23.<br />

197

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