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BRITISH IDENTITY AND THE GERMAN OTHER A Dissertation ...

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his dismissal. In 1901, Henry W. Wolff complained in the Monthly Review that German ill-will<br />

had arisen only after Bismarck’s accession to power, and that “official inspiration” had<br />

orchestrated the systematic distortion of English history in German eyes. Old German<br />

admiration and envy of English foreign policy, self-government and individualism had been<br />

recast as scorn for “unfair, self-seeking and scheming” English ways. British complaints of<br />

German methods or manners had themselves been chalked up to envy of German military and<br />

economic advancement. 68 “Patriae quis Exul,” writing for the Contemporary Review in 1902,<br />

likewise condemned Bismarck’s efforts to foster Anglophobia against German liberals and<br />

English influences at Court, and he blamed Bismarck for inspiring articles calculated to stir up<br />

European pro-Boer sentiments against Britain following the First Anglo-Boer War (1800-<br />

1801). 69<br />

New Germany and the Old Stereotype<br />

The Germany that arose within twenty years after the wars of unification to new heights<br />

of military, economic and industrial power caused a realignment of the old stereotype. At mid-<br />

century Germans could be pejoratively labeled “conservative agriculturalists” and accused of<br />

leading dull, unchanging, inland existences which made them non-commercial and impractical,<br />

given to reflection and intellectual endeavor—qualities that, when combined with the constant<br />

68 “German Anglophobia,” 59-60, 64, 66-67. The German government’s selective and<br />

polemical use of the British model for anti-liberal nationalist arguments anticipates Nazi<br />

propaganda critical of British social inequities and the ostensibly hypocritical British opposition<br />

to German imperial aims. Hitler particularly liked the tale of conquest, discipline and obedience<br />

portrayed in the British film, The Lives of a Bengal Lancer, starring Gary Cooper and directed by<br />

Henry Hathaway (Agoura, CA: Paramount, 1935). See Gerwin Strobl, The Germanic Isle: Nazi<br />

Perceptions of Britain (Cambridge; New York: Cambridge University Press, 2000), 29, 76, 153-<br />

55.<br />

69 “Anglophobia in Germany,” Reprinted in Living Age 232 (February 1902): 454-55.<br />

211

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