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BRITISH IDENTITY AND THE GERMAN OTHER A Dissertation ...

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that exaggerated facile distinctions configured more according to psychological needs than<br />

rational argument. 48<br />

The division between idealist and realist, although it applies to British attitudes toward<br />

Germany from a policy perspective, tends to minimize the darker duality of nostalgic delusion<br />

versus national character assassination marking treatments of Germany in the periodical press.<br />

For this study, the adjectives “escapist” and “alarmist” more accurately convey the expression of<br />

contrasting views of Germany which frequently cut across party lines. Both British<br />

Conservatives and Liberals indulged in either “idealistic” wishful thinking or “realistic”<br />

scaremongering in their assessments of a yet little known and semi-mythical country. More<br />

importantly, stereotypes that accompanied and embodied those opinions reinforced a xenophobia<br />

not evident in statements of policy. In addition, the stereotypic maintenance of a psychological<br />

dichotomy elevating the “good” self at the expense of the “bad” or “inferior” other ensured that<br />

superficially polarized images of Germany did not cancel each other out. 49 Supposed virtues thus<br />

48 Psychologists have abandoned the controversial “kernel of truth” hypothesis that<br />

stereotypes derive from some factual basis, but they note the presence of real cultural differences<br />

as a factor enhancing the significance and credibility of stereotypes. See Shelly E. Taylor, “A<br />

Categorization Approach to Stereotyping,” chap. 3 in David L. Hamilton, ed., Cognitive<br />

Processes in Stereotyping and Intergroup Behavior (Hillsdale, NJ: Lawrence Erlbaum<br />

Associates, 1981), 85.<br />

49 Sander L. Gilman, Difference and Pathology: Stereotypes of Sexuality, Race and<br />

Madness (Ithaca, NY: Cornell University Press, 1985), 20. Gilman clarifies the common<br />

motivational basis behind both “negative” and “positive” stereotypes: “The former is that which<br />

we fear to become; the latter, that which we fear we cannot achieve.” The myth of the “dark<br />

Continent,” which exemplified a nineteenth-century transition away from an idealized “noble<br />

savage” stereotype to the characterization of subject races as merely savage, can be seen as a late<br />

phase in the centuries-long formation of a “superior” imperial self-image through the denigration<br />

of an “inferior” other. See Said, Culture and Imperialism, 106; Brantlinger, Rule of Darkness,<br />

10-11, 174, 179; and Hyam, Britain’s Imperial Century, 349.<br />

20

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