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symbols and codes – and the role they’ll<br />
play in his new book. A short while later,<br />
the publisher sends the modest,<br />
charming Brown to meet with executives<br />
at the headquarters of the biggest<br />
book retailers in the US. He tells them<br />
about his forthcoming thriller, and the<br />
curiosity and enthusiasm grows.<br />
Random House prints and distributes<br />
more than 10,000 advance reader<br />
copies – normally, this number is just<br />
3,000, even for established bestselling<br />
authors. The strategy works. Advance<br />
orders start climbing. Bookseller Barnes<br />
& Noble alone orders 75,000 copies.<br />
That’s already 40,000 copies more than<br />
the initial planned fi rst print run for all<br />
of North America. The enthusiasm<br />
among booksellers is so great, that they<br />
even band together to suggest their own<br />
marketing measures for the book – another<br />
atypical occurrence.<br />
The ad campaign in the New York<br />
Times to mark the launch of “The Da<br />
Vinci Code” thus lands on fertile<br />
ground, which has been amply primed<br />
with expectation. And those expectations<br />
aren’t disappointed. In the fi rst<br />
week, more than 10 percent of the<br />
230,000 copies printed are sold, and<br />
“The Da Vinci Code” stuns the publish-<br />
1 | Doubleday editor Jason Kaufman with bestselling author Dan Brown<br />
2 | The successful duo with Suzanne Herz and editor-in-chief Bill Thomas<br />
3 | The Doubleday marketing team at a meeting in their New York office<br />
1<br />
1 2<br />
The Mona Lisa – a man?<br />
With this surprising advertising<br />
campaign in the New York Times<br />
in March 2003, Random House<br />
launches Dan Brown’s new<br />
thriller, “The Da Vinci Code“<br />
ing world by hitting the New York Times<br />
bestseller list at #1.<br />
While most bestsellers have their<br />
best sales weeks shortly after they’ve<br />
been launched, sales of “The Da Vinci<br />
Code” keep growing, week after week.<br />
In addition to a riveting book, an allencompassing<br />
marketing strategy<br />
plays an important role in this development.<br />
When ABC-TV airs a documenta-<br />
3<br />
ry titled “Jesus, Mary and Da Vinci,” the<br />
publishers ensure that Brown makes a<br />
live appearance on the station’s morning<br />
television program. There, he reveals<br />
that the book jacket on his new<br />
bestseller contains a code. Anyone that<br />
cracks it could win a trip to Paris. During<br />
this week, sales of the book surpass<br />
the previous sales record – at a time<br />
when the book has already been in<br />
stores for 33 weeks.<br />
When Dan Brown’s next book, “The<br />
Lost Symbol” is published in fall 2009,<br />
“The Da Vinci Code” is one of the most<br />
successful books of all time, having sold<br />
more than 80 million copies worldwide<br />
and been translated into more than 50<br />
languages. “We continue to benefi t<br />
enormously from the tremendous editorial<br />
partnership between Dan and Jason<br />
and from the entrepreneurial publishing<br />
campaign Doubleday created<br />
and implemented for ‘The Da Vinci<br />
Code,’” says Markus Dohle, Chairman<br />
and CEO of Random House and<br />
member of the executive board at<br />
Bertelsmann. Just how much the publisher<br />
profi ted can be seen in sales of<br />
“The Lost Symbol”: the new thriller sold<br />
a million copies in its fi rst 24 hours on<br />
the market. That’s a record.<br />
– 27 –